Ceramic Abstract Sculptures
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Medium: Ceramic
Recognized Seller Listings
Untitled XXXXVI. Glazed ceramic abstract. Sculpture
By Charo Oquet
Located in Miami Beach, FL
Untitled XXXXVI, by Charo Oquet
Glazed Ceramic
12 H in x 10 H in. x 4 D in.
2018
These gravity-defying ceramics stacked constructions struggle to soar be...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic, Glaze
Untitled XXXX. Glazed ceramic abstract. Sculpture
By Charo Oquet
Located in Miami Beach, FL
Untitled XXXX, by Charo Oquet
Glazed Ceramic
12 H in x 11 H in. x 5 D in.
2019
These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the sp...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic, Glaze
Helping Hand, Ceramic Vase sculpture
Located in Miami Beach, FL
Helping Hand
Ceramic vase with underglaze Sgraffito detailing
This ceramic vase features lush, vibrant plant forms. On each side, a hand emerges as if to reach for something. The ti...
Category
2010s Modern Ceramic Abstract Sculptures
Materials
Ceramic, Paint
Untitled IX. Glazed ceramic abstract jar sculpture
By Charo Oquet
Located in Miami Beach, FL
Untitled IX, by Charo Oquet
Ceramic
18 H in x 13 D in.
2018
These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that contain t...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic, Glaze
Olympia.Porcelain Sculpture with hand-painted details
Located in Miami Beach, FL
Olympia
Porcelain and gold
This piece recalls Manet’s painting of the same name. While Manet sought to confront the viewer with Olympia’s gaze, as she was a known sex worker...
Category
2010s Other Art Style Ceramic Abstract Sculptures
Materials
Gold
Untitled XXXXVIII. abstract ceramic. Sculpture
By Charo Oquet
Located in Miami Beach, FL
Untitled XXXXVIII, by Charo Oquet
Glazed Ceramic
13 H in x 15 H in. x 7 D in.
2019
These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that contain them, often appearing to teeter in the brink of collapse. They are essentially diasporic, coming from various territorial and conceptual geographies that are the instruments of connection between today and the past and a new future. I try to create pieces where a process of mestizaje capable of arming dissident ways of live, intertwined with my family history.
The colors, bright, chaotic, disruptive of a rich tropical load, bright light, universe of the Caribbean pallet, have archetypal symbols connected to the African heritage, visual party made plastic, symphonic permanence, with a transmission of joy, cheerful feelings that evoke directly the therapeutic action of planting, building and maintaining a garden, in this case, a permanent garden, which is mud in a state of crystallization (ceramics).
-----------------------------------------------
Charo Oquet is a Miami-based artist that uses painting, installation, performance, photography, and film, among other media, to investigate issues of displacement, identity, migration, gender, or sociopolitical and cultural issues and to document and reflect on issues of de-colonial aesthesis and the role of contemporary culture in a global reality.
Her work is a subjective observation by someone who is concerned with her surroundings and the culture she left behind.
Her interdisciplinary work has been extensively exhibited internationally and has been well-reviewed by art critics and recognized by scholars in books and other publications. In addition to reviews in the Miami Herald, Atlantica Art Journal, African Arts, Art in America, Art Nexus and Art New Zealand, among others, Antonio Zaya Publisher produced and distributed a book of her work, Charo Oquet – Lo Que Ve La Sirena (2002). Her work is also included in such books and catalogs as New Hoodoo - Art of a Forgotten Faith (2008), Files by Octavio Zaya, Miami Contemporary Artists New Zealand's National Museum Te Papa Calendar 2009, Dominican Contemporary Artists and Supermix.
Oquet has had numerous solo exhibitions in Museums and galleries around the world such as the Bass Museum, Miami Beach; Casal Solleric, Palma de Mallorca, Convento de Santo Domingo, Lanzarote, Canary Islands, Spain ( curated by Antonio Zaya) and Oquet’s work has been included in numerous international exhibitions. Oquet’s work is in several museum collections such as the Fort Lauderdale Museum of Art, Frost Art Museum, Florida International University, Miami, FL; CAAM, Centro Atlántico de Arte Moderno, Word Bank, Las Palmas de Gran Canarias, Spain; Bass Museum of Art, Miami Beach, Florida; New Zealand National Museum, Wellington, N.Z.; Dowse Art Museum, Lower Hutt, New Zealand; Govett-Brewter Art Gallery, New Plymouth, New Zealand; Foresight Collection, Auckland, New Zealand; Ministry of Foreign Affairs, Wellington, New Zealand; Gulf & Western Americas Corp., New York; Museo de las Casas...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic, Glaze
Untitled XXXXXII. Abstract Ceramic. Sculpture
By Charo Oquet
Located in Miami Beach, FL
Untitled XXXXXII, by Charo Oquet
Glazed Ceramic
16 H in x 8 H in. x 4 D in.
2019
These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that contain them, often appearing to teeter in the brink of collapse. They are essentially diasporic, coming from various territorial and conceptual geographies that are the instruments of connection between today and the past and a new future. I try to create pieces where a process of mestizaje capable of arming dissident ways of live, intertwined with my family history.
The colors, bright, chaotic, disruptive of a rich tropical load, bright light, universe of the Caribbean pallet, have archetypal symbols connected to the African heritage, visual party made plastic, symphonic permanence, with a transmission of joy, cheerful feelings that evoke directly the therapeutic action of planting, building and maintaining a garden, in this case, a permanent garden, which is mud in a state of crystallization (ceramics).
-----------------------------------------------
Charo Oquet is a Miami-based artist that uses painting, installation, performance, photography, and film, among other media, to investigate issues of displacement, identity, migration, gender, or sociopolitical and cultural issues and to document and reflect on issues of de-colonial aesthesis and the role of contemporary culture in a global reality.
Her work is a subjective observation by someone who is concerned with her surroundings and the culture she left behind.
Her interdisciplinary work has been extensively exhibited internationally and has been well-reviewed by art critics and recognized by scholars in books and other publications. In addition to reviews in the Miami Herald, Atlantica Art Journal, African Arts, Art in America, Art Nexus and Art New Zealand, among others, Antonio Zaya Publisher produced and distributed a book of her work, Charo Oquet – Lo Que Ve La Sirena (2002). Her work is also included in such books and catalogs as New Hoodoo - Art of a Forgotten Faith (2008), Files by Octavio Zaya, Miami Contemporary Artists New Zealand's National Museum Te Papa Calendar 2009, Dominican Contemporary Artists and Supermix.
Oquet has had numerous solo exhibitions in Museums and galleries around the world such as the Bass Museum, Miami Beach; Casal Solleric, Palma de Mallorca, Convento de Santo Domingo, Lanzarote, Canary Islands, Spain ( curated by Antonio Zaya) and Oquet’s work has been included in numerous international exhibitions. Oquet’s work is in several museum collections such as the Fort Lauderdale Museum of Art, Frost Art Museum, Florida International University, Miami, FL; CAAM, Centro Atlántico de Arte Moderno, Word Bank, Las Palmas de Gran Canarias, Spain; Bass Museum of Art, Miami Beach, Florida; New Zealand National Museum, Wellington, N.Z.; Dowse Art Museum, Lower Hutt, New Zealand; Govett-Brewter Art Gallery, New Plymouth, New Zealand; Foresight Collection, Auckland, New Zealand; Ministry of Foreign Affairs, Wellington, New Zealand; Gulf & Western Americas Corp., New York; Museo de las Casas...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic
Who Washes the Feet of Mary Magdalene. Sculpture made in Porcelain, hand-painted
Located in Miami Beach, FL
Who washes the feet of Mary Magdalene?
This piece recalls the art historical depictions of Mary Magdalene. Though she is often contextualized as the one who washed Jesus’s feet, Hod...
Category
2010s Other Art Style Ceramic Abstract Sculptures
Materials
Gold
Untitled XXXVI. Glazed ceramic abstract. Sculpture
By Charo Oquet
Located in Miami Beach, FL
Untitled XXXVI, by Charo Oquet
Glazed Ceramic
9 H in. x 8 W in. x 7 D in.
2018
These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the sp...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic, Glaze
Untitled XXXXI. Glazed ceramic abstract. Sculpture
By Charo Oquet
Located in Miami Beach, FL
Untitled XXXXI, by Charo Oquet
Glazed Ceramic
8.5 H in x 10 H in. x 3.5 D in.
2019
These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of th...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic, Glaze
Earth Needs Us Both, Porcelain Vase Sculpture
Located in Miami Beach, FL
Earth needs us both
Porcelain vase with underglaze Sgraffito detailing.
This vase is a derivative of my Portrait collection; the vase features a woman on each side, one with a fire ...
Category
2010s Modern Ceramic Abstract Sculptures
Materials
Porcelain, Paint
Supporting Perspective and Curled Girl Portrait. Porcelain Wall sculpture
Located in Miami Beach, FL
Supporting perspective, 2019
Carved porcelain
Measures: 11 1/2 × 7 1/2 × 1 in
29.2 × 19.1 × 2.5 cm
and
Curled girl, 2019
Carved porcelain
11 1/2 × 7 × 1/2 in
29.2 × 17.8 × 1.3 cm
He...
Category
2010s Other Art Style Ceramic Abstract Sculptures
Materials
Ceramic, Clay
Untitled XXXXVII. Glazed ceramic abstract sculpture
By Charo Oquet
Located in Miami Beach, FL
Untitled XXXXVII, by Charo Oquet
Glazed Ceramic
18 H in x 13 H in. x 4 D in.
2018
These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that contain them, often appearing to teeter in the brink of collapse. They are essentially diasporic, coming from various territorial and conceptual geographies that are the instruments of connection between today and the past and a new future. I try to create pieces where a process of mestizaje capable of arming dissident ways of live, intertwined with my family history.
The colors, bright, chaotic, disruptive of a rich tropical load, bright light, universe of the Caribbean pallet, have archetypal symbols connected to the African heritage, visual party made plastic, symphonic permanence, with a transmission of joy, cheerful feelings that evoke directly the therapeutic action of planting, building and maintaining a garden, in this case, a permanent garden, which is mud in a state of crystallization (ceramics).
-----------------------------------------------
Charo Oquet is a Miami-based artist that uses painting, installation, performance, photography, and film, among other media, to investigate issues of displacement, identity, migration, gender, or sociopolitical and cultural issues and to document and reflect on issues of de-colonial aesthesis and the role of contemporary culture in a global reality.
Her work is a subjective observation by someone who is concerned with her surroundings and the culture she left behind.
Her interdisciplinary work has been extensively exhibited internationally and has been well-reviewed by art critics and recognized by scholars in books and other publications. In addition to reviews in the Miami Herald, Atlantica Art Journal, African Arts, Art in America, Art Nexus and Art New Zealand, among others, Antonio Zaya Publisher produced and distributed a book of her work, Charo Oquet – Lo Que Ve La Sirena (2002). Her work is also included in such books and catalogs as New Hoodoo - Art of a Forgotten Faith (2008), Files by Octavio Zaya, Miami Contemporary Artists New Zealand's National Museum Te Papa Calendar 2009, Dominican Contemporary Artists and Supermix.
Oquet has had numerous solo exhibitions in Museums and galleries around the world such as the Bass Museum, Miami Beach; Casal Solleric, Palma de Mallorca, Convento de Santo...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic, Glaze
We Belong Only to Ourselves, Hand Built and Carved Porcelain Vase
Located in Miami Beach, FL
We Belong Only to Ourselves, 2014
Hand built and carved porcelain vase
This vessel is the first of the Unsung Muses series, and it references two compositions by Cezanne in which w...
Category
2010s Ceramic Abstract Sculptures
Materials
Ceramic, Clay, Porcelain, Paint
Untitled XXXXV. Glazed ceramic abstract. Sculpture
By Charo Oquet
Located in Miami Beach, FL
Untitled XXXXV, by Charo Oquet
Glazed Ceramic
14.5 H in x 8 H in. x 8 D in.
2019
These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the ...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic, Glaze
Reimagining the Divine as You. Large Carved Porcelain Vase
Located in Miami Beach, FL
Reimagining the Divine as You
2014
Hand built and carved porcelain vase
One of a kind
This vessel is a part of the series Unsung Muses and references art historical imagery such as Botticelli’s Venus, the Minoan Snake Goddess...
Category
2010s Other Art Style Ceramic Abstract Sculptures
Materials
Ceramic, Clay, Porcelain, Paint
Tribute to Astarte and Her Spirit of Tenacity. Large Carved Porcelain Vase
Located in Miami Beach, FL
Tribute to Astarte and Her Spirit of Tenacity, 2015
Hand-built and carved porcelain vase
One of a kind
This vessel is part of the Unsung Muses series, and it illustrates various ve...
Category
2010s Other Art Style Ceramic Abstract Sculptures
Materials
Ceramic, Clay, Porcelain, Paint
Untitled XV. Glazed ceramic abstract jar sculpture
By Charo Oquet
Located in Miami Beach, FL
Untitled XV, by Charo Oquet
Glazed Ceramic
17 H in x 13 D in.
2018
These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that co...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic, Glaze
History Lesson Power Is Always Taken. Hand Carved Large Porcelain Vase
Located in Miami Beach, FL
History Lesson: Power is Always Taken, 2014
Hand-built and carved porcelain vase
36 in x 22 in x 10 in
~30 lbs
This vessel is one of the first from the series of pots Unsung Muses and prioritizes the narrative of Hatshepsut, as she was perhaps the most successful female pharaoh of Egypt. She brought prosperity and peace to Egypt through her work to improve infrastructure and trade routes. Her success was so great that her male successors attempted to erase her from history by literally chiseling her image off the walls and attempting to destroy all statues of her. By honoring her existence in this large vessel, I center the narrative of women’s power...
Category
2010s Other Art Style Ceramic Abstract Sculptures
Materials
Ceramic, Clay, Porcelain, Paint
Wall Abstract sculpture Untitled XXIII. Set of 14 Glazed Ceramic Discs
By Charo Oquet
Located in Miami Beach, FL
Untitled XXIII, by Charo Oquet
Glazed ceramic and enamel
Overall size: 27.5 H in x 24.5 W in.
Set of 14 Glazed Ceramic Discs
Individual size:
1. 3.5” x 3.5” x 0.25"
2. 5" x 5” x 0.2...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic, Glaze
Wall Abstract sculpture Untitled XXII. Set of 13 Glazed Ceramic Discs
By Charo Oquet
Located in Miami Beach, FL
Untitled XXII, by Charo Oquet
Glazed ceramic and enamel
Overall size: 24.5 H in x 24 W in.
Individual size:
1. 6.5”x 6” x 0.25"
2. 6" x 5" x 1"
3. 6.5”x 6” x 0.25
4. 5" x 5” x 0.25”...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic, Glaze
Bomba Blanca 4. Ceramic mural sculpture with gold and copper details.
By Jaime Avila Ferrer
Located in Miami Beach, FL
Jaime Avila Ferrer
Bomba Blanca 4.
Capitolio de Washington DC - Capitolio De la Habana
Measure: 20.5" x 5" x 5"
Wall ceramic sculpture with gold and copper intervention
2006
Jaime Avila Ferrer is a world-renowned artist whose work combines painting, sculpture, drawing, and photography. He uses mixed media in some pieces such as Dust, in which dots of white paint are applied to a darkened Plexiglas surface to form pictures of urban landscapes from the granulations. Outline for Dust is an artwork in which he connects the cityscape of Bogota with the JFK airport in New York. He uses traditional approaches to examine social, political, and environmental topics.
Avila studied civil engineering at the Universidad de Los Andes in Bogota (1983–1987) and received his degree in Fine arts from the same university (1988–1991). He has presented solo shows such as Talento Pirata, Jaime Ávila (Pirate talent, Jaime Ávila), at the Nueveochenta Gallery in Bogota (2013). His first shows in the United States were Life is a Catwalk at the David Rockefeller Center for Latin American Studies at Harvard University and 4th World – Five Cubic Meters at the Boston Arts Academy (2005). Ávila represented Colombia at the XXVI Sao Paolo Biennial in Brazil (2004), the III Liverpool Biennial in the United Kingdom (2004), the II Mercosul Biennial in Brazil, (2000), and the FIAC in Paris, France (1999). He has participated in exhibitions such as ¡No más chicha!, at Alcuadrado Variable in Bogota (2009), the Centro de la Imagen in Mexico City, and the Casa de las Américas in Madrid, Spain (2004), Changing the Focus: Latin American Photography (1990–2005), at the Museum of Latin American Art in Long Beach, United States (2010), Resurfaced: Contemporary Colombian Art...
Category
Early 2000s Minimalist Ceramic Abstract Sculptures
Materials
Gold, Copper
“I remember those tree...” Porcelain Cup with Sgraffito Detailing by the artist
Located in Miami Beach, FL
“I remember those trees...”
Porcelain cup with sgraffito detailing
This cup is one of 48 that make up the installation, “Fragments of Our Love Story.” These cups feature feminine forms that recall the Venus of Willendorf and other historical fertility objects...
Category
2010s Modern Ceramic Abstract Sculptures
Materials
Porcelain, Paint
Untitled XXXXIX. Abstract ceramic. Sculpture
By Charo Oquet
Located in Miami Beach, FL
Untitled XXXXIX, by Charo Oquet
Glazed Ceramic
10 H in x 6 H in. x 3.5 D in.
2019
These gravity-defying ceramics stacked constructions struggle to soar b...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic, Glaze
Large Engraved Floral Motif Vessel - decorative, handcrafted, porcelain vessel
By Loren Kaplan
Located in Bloomfield, ON
Exquisitely hand engraved white floral patterns adorn this taupe-coloured porcelain vessel by Loren Kaplan. The classic shape and detailing are reminiscent of ancient vessels. Kaplan...
Category
2010s Contemporary Ceramic Abstract Sculptures
Materials
Ceramic, Porcelain
Afterlife No 3 - blue, black, nature inspired, elongated, ceramic vessel
Located in Bloomfield, ON
In this new piece by the celebrated Canadian ceramicist Steven Heinemann the viewer is immediately drawn to the beautiful deep blue of the bowl’s interior. The exterior of this oval-...
Category
2010s Contemporary Ceramic Abstract Sculptures
Materials
Ceramic
Blue and Yellow. Glazed ceramic abstract jar sculpture
By Charo Oquet
Located in Miami Beach, FL
Blue and Yellow, by Charo Oquet
Glazed Ceramic
17” x 14” x19”
2018
These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that con...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic, Glaze
Untitled XXI. Glazed ceramic abstract jar sculpture
By Charo Oquet
Located in Miami Beach, FL
Untitled XXI, by Charo Oquet
Glazed Ceramic
18.5 H in x 14 D in.
2019
These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic, Glaze
Laurel II - hand sculpted, cream, coral, dynamic, earthenware, ceramic
Located in Bloomfield, ON
Sculpted of earthenware paper clay, this dynamic work by Canadian artist Susan Collett is multi-fired to achieve complex surfaces. The work is rich with craquelure in hues of blue, p...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic
Untitled XIX. Glazed ceramic abstract jar sculpture
By Charo Oquet
Located in Miami Beach, FL
Untitled XIX, by Charo Oquet
Glazed Ceramic
17 H in x 13 D in.
2019
These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that c...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic, Glaze
Untitled III. Glazed ceramic abstract jar sculpture
By Charo Oquet
Located in Miami Beach, FL
Untitled III, by Charo Oquet
Ceramic
16 H in x 16 D in.
2018
These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that contain ...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic, Glaze
It’s a Party. Glazed ceramic abstract jar sculpture
By Charo Oquet
Located in Miami Beach, FL
It’s a Party, by Charo Oquet
Glazed Ceramic
16” x 15.5" x 14”
2018
These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that contain them, often appearing to teeter in the brink of collapse. They are essentially diasporic, coming from various territorial and conceptual geographies that are the instruments of connection between today and the past and a new future. I try to create pieces where a process of mestizaje capable of arming dissident ways of live, intertwined with my family history.
The colors, bright, chaotic, disruptive of a rich tropical load, bright light, universe of the Caribbean pallet, have archetypal symbols connected to the African heritage, visual party made plastic, symphonic permanence, with a transmission of joy, cheerful feelings that evoke directly the therapeutic action of planting, building and maintaining a garden, in this case, a permanent garden, which is mud in a state of crystallization (ceramics).
-----------------------------------------------
Charo Oquet is a Miami-based artist that uses painting, installation, performance, photography, and film, among other media, to investigate issues of displacement, identity, migration, gender, or sociopolitical and cultural issues and to document and reflect on issues of de-colonial aesthesis and the role of contemporary culture in a global reality.
Her work is a subjective observation by someone who is concerned with her surroundings and the culture she left behind.
Her interdisciplinary work has been extensively exhibited internationally and has been well-reviewed by art critics and recognized by scholars in books and other publications. In addition to reviews in the Miami Herald, Atlantica Art Journal, African Arts, Art in America, Art Nexus and Art New Zealand, among others, Antonio Zaya Publisher produced and distributed a book of her work, Charo Oquet – Lo Que Ve La Sirena (2002). Her work is also included in such books and catalogs as New Hoodoo - Art of a Forgotten Faith (2008), Files by Octavio Zaya, Miami Contemporary Artists New Zealand's National Museum Te Papa Calendar 2009, Dominican Contemporary Artists and Supermix.
Oquet has had numerous solo exhibitions in Museums and galleries around the world such as the Bass Museum, Miami Beach; Casal Solleric, Palma de Mallorca, Convento de Santo Domingo, Lanzarote, Canary Islands, Spain ( curated by Antonio Zaya) and Oquet’s work has been included in numerous international exhibitions. Oquet’s work is in several museum collections such as the Fort Lauderdale Museum of Art, Frost Art Museum, Florida International University, Miami, FL; CAAM, Centro Atlántico de Arte Moderno, Word Bank, Las Palmas de Gran Canarias, Spain; Bass Museum of Art, Miami Beach, Florida; New Zealand National Museum, Wellington, N.Z.; Dowse Art Museum, Lower Hutt, New Zealand; Govett-Brewter Art Gallery, New Plymouth, New Zealand; Foresight Collection, Auckland, New Zealand; Ministry of Foreign Affairs, Wellington, New Zealand; Gulf & Western Americas Corp., New York; Museo de las Casas...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic, Glaze
Untitled XVI. Glazed ceramic abstract jar sculpture
By Charo Oquet
Located in Miami Beach, FL
Untitled XVI, by Charo Oquet
Glazed Ceramic
21 H in x 15 D in.
2018
These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that c...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic, Glaze
Untitled VII. Glazed ceramic abstract jar sculpture
By Charo Oquet
Located in Miami Beach, FL
Untitled VII, by Charo Oquet
Ceramic
17. H in x 13 D in.
2018
These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that contain...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic, Glaze
Yellow Flowers. Glazed ceramic abstract jar sculpture
By Charo Oquet
Located in Miami Beach, FL
Yellow Flowers, by Charo Oquet
Glazed Ceramic
18 H in x 19 D in.
2018
These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic, Glaze
Untitled. Glazed ceramic abstract sculpture
By Charo Oquet
Located in Miami Beach, FL
Untitled, by Charo Oquet
Glazed Ceramic
22 H in x 12 D in.
2019
These gravity-defying ceramics stacked constructions struggle to soar beyond the boundaries of the spaces that contain them, often appearing to teeter in the brink of collapse. They are essentially diasporic, coming from various territorial and conceptual geographies that are the instruments of connection between today and the past and a new future. I try to create pieces where a process of mestizaje capable of arming dissident ways of live, intertwined with my family history.
The colors, bright, chaotic, disruptive of a rich tropical load, bright light, universe of the Caribbean pallet, have archetypal symbols connected to the African heritage, visual party made plastic, symphonic permanence, with a transmission of joy, cheerful feelings that evoke directly the therapeutic action of planting, building and maintaining a garden, in this case, a permanent garden, which is mud in a state of crystallization (ceramics).
-----------------------------------------------
Charo Oquet is a Miami-based artist that uses painting, installation, performance, photography and film, among other media, to investigate issues of displacement, identity, migration, gender, or sociopolitical and cultural issues and to document and reflect on issues of de-colonial aesthesis and the role of contemporary culture in a global reality. Her work is a subjective observation by someone who is concerned with her surroundings and the culture she left behind.
Her interdisciplinary work has been extensively exhibited internationally and has been well-reviewed by art critics and recognized by scholars in books and other publications. In addition to reviews in the Miami Herald, Atlantica Art Journal, African Arts, Art in America, Art Nexus, and Art New Zealand, among others, Antonio Zaya Publisher produced and distributed a book of her work, Charo Oquet – Lo Que Ve La Sirena (2002). Her work is also included in such books and catalogs as New Hoodoo - Art of a Forgotten Faith (2008), Files by Octavio Zaya, Miami Contemporary Artists New Zealand's National Museum Te Papa Calendar 2009, Dominican Contemporary Artists, and Supermix.
Oquet has had numerous solo exhibitions in Museums and galleries around the world such as the Bass Museum, Miami Beach; Casal Solleric, Palma de Mallorca, Convento de Santo Domingo, Lanzarote, Canary Islands, Spain ( curated by Antonio Zaya) and Oquet’s work has been included in numerous international exhibitions. Oquet’s work is in several museum collections such as the Fort Lauderdale Museum of Art, Frost Art Museum, Florida International University, Miami, FL; CAAM, Centro Atlántico de Arte Moderno, Word Bank, Las Palmas de Gran Canarias, Spain; Bass Museum of Art, Miami Beach, Florida; New Zealand National Museum, Wellington, N.Z.; Dowse Art Museum, Lower Hutt, New Zealand; Govett-Brewter Art Gallery, New Plymouth, New Zealand; Foresight Collection, Auckland, New Zealand; Ministry of Foreign Affairs, Wellington, New Zealand; Gulf & Western Americas Corp., New York; Museo de las Casas...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic, Glaze
Set of Visceral Blush I and II, Clay Sculpture with Glass Glaze
Located in Miami Beach, FL
Set of Visceral Blush I and II, by Magda von Hanau
Clay Sculpture with Glass Glaze
“This body of work refers to the memory of the flesh. While working on my visceral series, I aim...
Category
2010s Contemporary Ceramic Abstract Sculptures
Materials
Clay, Glass, Glaze
The World
Located in Dallas, TX
Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom.
Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979.
Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee.
He is a member of the Southern Highland Crafts Guild.
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Earthenware, Slip, Glaze
Propositions are Truth Functions
Located in Dallas, TX
Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom.
Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979.
Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee.
He is a member of the Southern Highland Crafts Guild.
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Earthenware, Slip, Glaze
The Pod
Located in Dallas, TX
Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom.
Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979.
Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee.
He is a member of the Southern Highland Crafts Guild.
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Earthenware, Slip, Glaze
Large Engraved Petal Motif Vessel - decorative, handcrafted, porcelain vessel
By Loren Kaplan
Located in Bloomfield, ON
Delicately detailed floral petals adorn this elegant vessel by ceramicist Loren Kaplan. Its classic shape is enhanced by its neutral taupe colour and the contrasting crisp white of t...
Category
2010s Contemporary Ceramic Abstract Sculptures
Materials
Ceramic, Porcelain
Delta
Located in Dallas, TX
Stoneware with colored slips. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom by Robert Milnes
Milnes served as Dean of the College of Visuals Arts and...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Earthenware, Slip, Glaze
Silence
Located in Dallas, TX
Earthenware with colored slips. Epoxy, acrylic paint. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom.
Milnes served as Dean of the College of Visuals ...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Earthenware, Slip, Glaze
Deep Blue 2
Located in Dallas, TX
Stoneware with colored slips. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom by Robert Milnes
Milnes served as Dean of the College of Visuals Arts and...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Earthenware, Slip, Glaze
Sea Grid
Located in Dallas, TX
Earthenware with colored slips. Epoxy. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom.
Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979.
Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee.
He is a member of the Southern Highland Crafts Guild.
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Earthenware, Slip, Glaze
Small Black & Umber Ginger Jar with Engraved Leaves - porcelain vessel
By Loren Kaplan
Located in Bloomfield, ON
This elegantly shaped ceramic jar in jet black and umber (reddish-brown) colours is one of Loren Kaplan’s new vessels. Engraved with a leaf motif, this porcelain jar’s classic shape ...
Category
2010s Contemporary Ceramic Abstract Sculptures
Materials
Ceramic, Porcelain
Logical Picture
Located in Dallas, TX
Earthenware with colored slips. Epoxy, acrylic paint. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom by Robert Milnes
Milnes served as Dean of the Col...
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Earthenware, Slip, Glaze
Pichet Têtes, Pablo Picasso, 1950's, Sculpture, Ceramic, Pitcher, Design
Located in Geneva, CH
Pichet Têtes, Pablo Picasso, 1950's, Sculpture, Ceramic, Pitcher, Design
Pichet têtes
Ed. 500 pcs
1956
White earthenware clay, oxidized paraffin decorati...
Category
1950s Post-Modern Ceramic Abstract Sculptures
Materials
Ceramic, Clay
Untitled
Located in New York, NY
Michael Dickey
Untiled, 2021
Fired And Glazed Ceramic
20h x 14w x 14d in
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Ceramic
Potential
Located in Dallas, TX
Earthenware with colored slips. Cone 04 textured and satin glazes.
Signed, titled, and dated in ink on bottom.
Milnes served as Dean of the College of Visuals Arts and Design at the University of North Texas from January 2006 to his retirement in August 2014, when he moved to Asheville, NC with his wife Karen, re-establishing Arbitrary Forms Studio there. A sculptor and ceramist, he served previously as Director of the School of Art and Design at San Jose State University in California, Director of the School of Art at Louisiana State University, and as Chair of the Art Department at Edinboro University of Pennsylvania. He taught at the Penland School of Crafts in 1972 and 1979.
Milnes is the past president of the National Council of Art Administrators and the National Association of Schools of Art and Design. He has served as a consultant or evaluator for more than sixty universities, colleges, and independent schools of art in the US and abroad and served in Dallas on the Board of Directors of the Business Council for the Arts and as Chair of the Community Advisory Board for KERA, the NPR station for North Texas. He was recently named a Fellow and Lifetime Member of NASAD and served on the Board of Directors of the Center for Craft in Asheville, NC and as co-chair of the Blue Ridge Public Radio Strategic Planning Committee.
He is a member of the Southern Highland Crafts Guild.
Category
2010s Abstract Ceramic Abstract Sculptures
Materials
Earthenware, Slip, Glaze
Afterlife No 4 - glossy black, grey, nature inspired, elongated, ceramic vessel
Located in Bloomfield, ON
Canadian artist Steven Heinemann continues to re-define the limits of ceramic art with a new series of uniquely beautiful bowls called ‘Afterlife.’ This oval-shaped ceramic bowl has ...
Category
2010s Contemporary Ceramic Abstract Sculptures
Materials
Ceramic
Afterlife No 2 - black & white, nature inspired, elongated, ceramic vessel
Located in Bloomfield, ON
Working from a converted barn near the charming village of Cookstown, Ontario Canadian ceramicist, Steven Heinemann continues to create uniquely beautiful bowls. Afterlife #2 is oval...
Category
2010s Contemporary Ceramic Abstract Sculptures
Materials
Ceramic
Visage, Picasso, 1950's, Unique work, sculpture, design, Frame, Portrait
Located in Geneva, CH
Visage, Picasso, 1950's, Unique work, sculpture, design, Frame, Portrait
Visage
Unique work
1957
Painted and partially glazed ceramic ; tomette
16.9 x 15.2 cm
Certificate of authent...
Category
1950s Post-War Ceramic Abstract Sculptures
Materials
Ceramic
Colourfield by EDMUND DE WAAL - Ceramic, Minimalist, Contemporary British Artist
By Edmund de Waal
Located in London, GB
Colourfield by EDMUND DE WAAL (b. 1964)
Ten glazed porcelain vessels
Largest 9.2 high x 19.9 cm in diameter (3 ⁵/₈ x 7 ⁷/₈ inches)
Impressed with the artist's...
Category
Early 2000s Minimalist Ceramic Abstract Sculptures
Materials
Porcelain
Tête de faune, Picasso, Tile, Terracotta, Design, Sculpture, Unique, Mythology
Located in Geneva, CH
Tête de faune, Picasso, Tile, Terracotta, Design, Sculpture, Unique, Mythology
Tête de faune
Unique work
27.02.1961
Red terracotta tile, painted and glazed white
15 x 15 cm
20 x 15 ...
Category
1960s Post-War Ceramic Abstract Sculptures
Materials
Terracotta
Tête de faune, Picasso, Tile, Ceramic, Sculpture, Design, Postwar, Mythological
Located in Geneva, CH
Tête de faune, Picasso, Tile,Ceramic,Sculpture, Design, Postwar, Mythological
Tête de faune
Unique work
circa 1968
Painted and partially glazed ceramic, square tile
15.2 x 15.2 cm
C...
Category
1960s Post-War Ceramic Abstract Sculptures
Materials
Earthenware
Passage VII - intricate, hand-shaped, porcelain clay wall relief
By Paula Murray
Located in Bloomfield, ON
In her Quebec studio, ceramic artist Paula Murray uses her own recipe for porcelain clay that she hand-shapes into beautiful and intricate pieces. Inspired by forms and patterns found in nature, Murray’s work often reflects the deeply spiritual connection between humans and the natural world.
The “Passage” series of vessels are boat-like in form. Murray does own a collection of canoes. “Transition and pods are other titles I used with this series- the idea of leaving one place - for another; the shell that held a life that is no longer of use...” Paula Murray
She has received many honours and international awards and was elected into the RCA in 2006. Murray’s work has been gifted by the Canadian government to dignitaries such as US President George W. Bush and UN Secretary Kofi Annan. Murray’s pieces can be found in private and public collections including the Canadian Museum of Civilization, the Banff Centre, the Gardiner Museum, Musée national des beaux-arts du Québec, the Official Residence of the Prime Minister in Canada and Canada House...
Category
2010s Contemporary Ceramic Abstract Sculptures
Materials
Porcelain
TP No 2 - blue, textured, ceramic, wall mounted circular sculpture
Located in Bloomfield, ON
Canadian ceramicist Steven Heinemann has departed from his love of vessels to create two plates; each part of the whole. In colours ranging from sky blue to midnight blue, the plate’...
Category
2010s Contemporary Ceramic Abstract Sculptures
Materials
Ceramic
Ceramic abstract sculptures for sale on 1stDibs.
Find a wide variety of authentic Ceramic abstract sculptures available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract sculptures created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, orange, yellow and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Tony Moore, Sara Fine-Wilson, Pablo Picasso, and Jane B. Grimm. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Ceramic abstract sculptures, so small editions measuring 0.25 inches across are also available
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