Clay Abstract Sculptures
to
23
15
17
9
5
6
1
Overall Height
to
Overall Width
to
38
38
45
24
23
15
13
38
38
15
5
4
Artist: Patricia Volk
Artist: Harold Wortsman
Medium: Clay
Random by Patricia Volk - Abstract ceramic sculpture, painted clay, totem, blue
Located in Paris, FR
Random is a unique fired clay constructed, painted and mounted on MDF sculpture by contemporary artist Patricia Volk, dimensions are 98 × 21 × 21 cm (38.6 × 8.3 × 8.3 in).
The sculp...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Clay
Bird by Patricia Volk - Abstract ceramic sculpture, painted clay, yellow, blue
Located in Paris, FR
Bird is a unique fired clay constructed and painted sculpture by contemporary artist Patricia Volk, dimensions are 54 × 56 × 30 cm (21.3 × 22 × 11.8 in).
The sculpture is signed and...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Clay
Eternal by Patricia Volk - Abstract ceramic sculpture, painted clay, yellow
Located in Paris, FR
Eternal is a unique painted fired clay mounted on granite sculpture by contemporary artist Patricia Volk, dimensions are 69 × 30 × 30 cm
(27.2 × 11.8 × 11.8 in).
The sculpture is si...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Granite
Arc by Patricia Volk - Abstract ceramic sculpture, painted clay, geometric
Located in Paris, FR
Arc is a unique fired clay constructed, painted and mounted on MDF sculpture by contemporary artist Patricia Volk, dimensions are 40 × 31 × 16 cm (15.7 × 12.2 × 6.3 in).
The sculptu...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Clay
Twilight by Patricia Volk - Abstract ceramic sculpture, painted clay, flowers
Located in Paris, FR
Twilight is a unique painted fired clay mounted on granite sculpture by contemporary artist Patricia Volk, dimensions are 93 × 40 × 40 cm
(36.6 × 15.7 × 15.7 in).
The sculpture is s...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Granite
Rattle by Patricia Volk - Abstract ceramic sculpture, painted clay, oxblood
Located in Paris, FR
Rattle is a unique painted fired clay mounted on granite sculpture by contemporary artist Patricia Volk, dimensions are 93 × 36 × 36 cm
(36.6 × 14.2 × 14.2 in).
The sculpture is sig...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Granite
Fissure by Patricia Volk - Abstract ceramic sculpture, painted clay, geometric
Located in Paris, FR
Fissure is a unique fired clay constructed and painted sculpture by contemporary artist Patricia Volk, dimensions are 55 × 45 × 9 cm (21.7 × 17.7 × 3.5 in).
The sculpture is signed...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Clay
Ignite by Patricia Volk - Abstract ceramic sculpture, painted clay, geometric
Located in Paris, FR
Ignite is a unique fired clay constructed, painted and mounted on glass sculpture by contemporary artist Patricia Volk, dimensions are 63 × 51 × 8 cm (24.8 × 20.1 × 3.1 in).
The scu...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Clay
Selene by Patricia Volk - Abstract ceramic sculpture, painted clay, geometric
Located in Paris, FR
Selene is a unique fired clay constructed, painted and mounted on MDF sculpture by contemporary artist Patricia Volk, dimensions are 64 × 45 × 9 cm (25.2 × 17.7 × 3.5 in).
The sculp...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Clay
Balance by Patricia Volk - Abstract ceramic sculpture, painted clay, geometric
Located in Paris, FR
Balance is a unique fired clay constructed, painted and mounted on MDF sculpture by contemporary artist Patricia Volk, dimensions are 33 × 56 × 10 cm (13 × 22 × 3.9 in).
The sculptu...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Clay
Sisyphus by Patricia Volk - Abstract ceramic sculpture, painted clay, geometric
Located in Paris, FR
Sisyphus is a unique fired clay constructed, painted and mounted on MDF sculpture by contemporary artist Patricia Volk, dimensions are 42 × 35 × 15 cm (16.5 × 13.8 × 5.9 in).
The sc...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Clay
Hold by Patricia Volk - Abstract ceramic sculpture, painted clay, black colour
Located in Paris, FR
Hold is a unique fired clay constructed and painted sculpture by contemporary artist Patricia Volk, dimensions are 42 × 70 × 30 cm (16.5 × 27.6 × 11.8 in). The sculpture is signed an...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Clay
Harmony by Patricia Volk - Abstract ceramic sculpture, painted clay, blue
Located in Paris, FR
Harmony is a unique fired clay constructed, painted and mounted on MDF sculpture by contemporary artist Patricia Volk, dimensions are 31 × 30 × 14 cm (12.2 × 11.8 × 5.5 in). The scul...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Clay, Fiberboard
Bloom by Patricia Volk - Abstract ceramic sculpture, painted clay, pastel
Located in Paris, FR
Bloom is a unique painted fired clay sculpture by contemporary artist Patricia Volk, dimensions are 100 cm × 45 cm × 24 cm (39.4 × 17.7 × 9.4 in). The sculpture is signed and comes w...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Clay
Embrace (2) by Patricia Volk - Abstract ceramic sculpture, painted clay, red
Located in Paris, FR
Embrace (2) is a fired, constructed and painted clay sculpture by Patricia Volk, dimensions are 34 × 60 × 42 cm (13.4 × 23.6 × 16.5 in). It is a unique signed piece and comes with a ...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Clay
Swoop by Patricia Volk - Abstract ceramic sculpture, painted clay
Located in Paris, FR
Swoop by Patricia Volk. Fired clay constructed, painted and mounted on MDF, 42 cm × 30 cm × 30 cm.
Patricia Volk is a member of the Royal Society of Sculptors (FRSS) and an Academician of the Royal West of England Academy (RWA). Her work was recently featured in the book "50 Women Sculptors", alongside that of very famous artists such as Camille Claudel...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Clay, Fiberboard
Quadrant by Patricia Volk - Abstract ceramic sculpture, painted clay
Located in Paris, FR
Quadrant by Patricia Volk. Fired clay constructed, painted and mounted on MDF, 27 cm × 42 cm × 18 cm.
Patricia Volk is a member of the Royal Society of Sculptors (FRSS) and an Academician of the Royal West of England Academy (RWA). Her work was recently featured in the book "50 Women Sculptors", alongside that of very famous artists such as Camille Claudel...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Clay, Fiberboard
Assembly by Patricia Volk - Abstract ceramic sculpture, painted clay
Located in Paris, FR
Assembly by Patricia Volk. Fired clay constructed, painted and mounted on MDF, 51 cm × 46 cm × 25 cm.
Patricia Volk is a member of the Royal Society of S...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Clay, Fiberboard
Cog (Teal) by Patricia Volk - Abstract ceramic sculpture, painted clay, bright
Located in Paris, FR
Cog (Teal) is a unique fired clay constructed and painted sculpture by contemporary artist Patricia Volk, dimensions are 40 × 50 × 50 cm (15.7 × 19.7 × 19.7 in).
The sculpture is si...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Clay
Key by Patricia Volk - Abstract ceramic sculpture, black & yellow
Located in Paris, FR
Key by Patricia Volk. Fired clay constructed, painted and mounted on MDF, 55 cm × 31 cm × 31 cm.
Patricia Volk is a member of the Royal Society of Sculpt...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Clay
Serendipity 2 by Patricia Volk - Abstract ceramic sculpture, painted clay, totem
Located in Paris, FR
Serendipity (2) by Patricia Volk. Fired clay constructed, painted and mounted on wood, 95 cm × 35 cm × 18 cm.
Patricia Volk is a member of the Royal Society of Sculptors (FRSS) and a...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Wood, Clay
Embrace by Patricia Volk - Abstract ceramic sculpture, painted clay
Located in Paris, FR
This work represents two elements that come together and complete each other like two soul mates. It is a celebration of love, tenderness and passion between two beings. It could therefore be the ideal romantic gift to express your feelings to your loved one on Valentine's Day, whether it's your crush, your fiancé or your life partner!
Embrace by Patricia Volk...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Clay
Upward (4) by Patricia Volk - Abstract ceramic sculpture, painted clay, bright
Located in Paris, FR
Upward (4) is a unique fired clay constructed, painted and mounted on MDF sculpture by contemporary artist Patricia Volk, dimensions are 52 × 23 × 23 cm (20.5 × 9.1 × 9.1 in).
The s...
Category
2010s Contemporary Clay Abstract Sculptures
Materials
Clay
"MIDNIGHT BLUE", sculpture, clay, relief, abstract, contemporary, ceramic
Located in Toronto, Ontario
Midnight Blue, a ceramic relief sculpture of high-fired porcelain pigmented with oxides, paint and epoxy, is a recent work by New York artist Harold Wortsman. This sculpture is ready to be mounted to the wall. Note the artist's hand in the mark-making – cuts and radiating lines, the suggestion of maps, geometry and counting systems – it is characteristic of Wortsman's practice. Warm, contemporary, uniquely crafted, yet speaks to ancient, tribal traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
Midnight Blue was recently exhibited at Harold Wortsman: Time and Space, Orange Art Foundation, New York City, February 2022.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium, Porcelain, Epoxy Resin
"VERTICAL 4", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 4, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 4 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"VERTICAL 1", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 1, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 1 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"ALTAR", sculpture, clay, ceramic, abstract, contemporary, tribal, pattern, mark
Located in Toronto, Ontario
Altar, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Altar was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"VERTICAL 7", sculpture, clay, ceramic, abstract, tribal, pattern, tower, column
Located in Toronto, Ontario
Vertical 7, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 7 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"MATHEMATICAL THEOREM", sculpture, clay, relief, abstract, contemporary, ceramic
Located in Toronto, Ontario
MATHEMATICAL THEOREM, a ceramic relief sculpture of high-fired clay pigmented with engobes, is a recent work by artist Harold Wortsman. This black & wh...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"RED, BLACK & BROWN", sculpture, clay, ceramic, abstract, tribal, pattern
Located in Toronto, Ontario
Red, Black & Brown, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Red, Black & Brown was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City.
Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"FOR THE OLD ONES", sculpture, clay, abstract, contemporary, ceramic, tribal
Located in Toronto, Ontario
FOR THE OLD ONES, a ceramic sculpture of high-fired clay pigmented with oxides, sitting on a slab of limestone. It is a recent work by artist Harold Wortsman. Note the blending of volumetric and organic form in this work, the mark-making and perforations on the surface, the striking colors of black and copper in variable stripes – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe—like naked skin. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Limestone
"4+4", sculpture, clay, ceramic, abstract, contemporary, tribal, disc, geometry
Located in Toronto, Ontario
4+4, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides painted on. Like a jazz improvisation, each kiln load comes out slightly different."
From Jonathan Goodman, Poet & Art Critic – "Wortsman re-examines ancient and modern traditions in light of what it means to make art." – Tussle Magazine, July 2019.
Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland.
Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"CUBE, PYRAMID & SPHERE", sculpture, clay, abstract, geometric, installation
Located in Toronto, Ontario
CUBE, PYRAMID & SPHERE is a major work created over a five-year period. It is a variable installation, composed of 4 geometric sculptures of high-fired clay pigmented with oxides, a block of wood found in the ocean, river gravel, limestone, and slate shattered to fragments. Note the surface textures, the ground of natural stone, the colors black, umber, copper and tan throughout, the pattern of slate fragments. CUBE, PYRAMID & SPHERE is characteristic of Wortman's practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets.
CUBE, PYRAMID & SPHERE was exhibited at BASE: Immersive Art Experiences, Industry City, Brooklyn, NY, 2017. It was also reproduced in Tussle Magazine, alongside "An Interview with Harold Wortsman...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Stone, Limestone, Slate
"NEW YORK NIGHTS", sculpture, clay, relief, abstract, contemporary
Located in Toronto, Ontario
NEW YORK NIGHTS, a ceramic relief sculpture of high-fired clay pigmented with oxides, is a work by artist Harold Wortsman. The relief is ready to be mo...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"HER DREAM", sculpture, clay, abstract, organic, contemporary, ceramic, tribal
Located in Toronto, Ontario
HER DREAM, a ceramic sculpture of high-fired clay pigmented with oxides, is a work by artist Harold Wortsman. Note the blending of geometric and organic forms in this work – it is ch...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"MONUMENT", sculpture, clay, abstract, geometry, contemporary, ceramic, tribal
Located in Toronto, Ontario
MONUMENT, a ceramic sculpture of high-fired clay pigmented with oxides, is a recent work by artist Harold Wortsman. Note the volumetric geometry inhere...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Ceramic, Clay, Pigment, Other Medium
"THE CIRCUS MAN'S DREAM", sculpture, fired clay, relief, abstract, contemporary
Located in Toronto, Ontario
THE CIRCUS MAN'S DREAM, a ceramic relief sculpture of high-fired clay pigmented with oxides, is a work by artist Harold Wortsman. The relief is ready to be mounted on the wall. Note ...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Pigment, Other Medium, Epoxy Resin, Ceramic, Clay
"OBJET ÉROTIQUE", sculpture, clay, abstract, contemporary, ceramic, erotic
Located in Toronto, Ontario
OBJET ÉROTIQUE, a ceramic sculpture of high-fired clay and pigmented oxides, is a new work by artist Harold Wortsman. It is installed with the two ceramic blocks seen in the photogra...
Category
21st Century and Contemporary Contemporary Clay Abstract Sculptures
Materials
Other Medium, Ceramic, Clay, Pigment
Clay abstract sculptures for sale on 1stDibs.
Find a wide variety of authentic Clay abstract sculptures available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Tony Moore, Ak Jansen, Patricia Volk, and Harold Wortsman. Frequently made by artists working in the Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Clay abstract sculptures, so small editions measuring 6 inches across are also available Prices for abstract sculptures made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,100 and tops out at $35,000, while the average work can sell for $2,500.