Meredith Brickell

GROUND VIEW

Many who experience a painting of Patricia Larsen think it’s the work of a Zen monk, someone who’s mastered the elements of purity - but it’s Larsen’s memories of playing in Albertan...

Kim Fonder COLLAGE CINABRO I mixed media on burlap over panel 24.00 X 24.00 in $1,300.00

Kim Fonder ETNOGRAFICA INDACO + BIANCO ET ARANCIA mixed media on canvas over panel 24.00 X 24.00 in $1,300.00

Leonardo Da Vinci said, “Simplicity is the ultimate sophistication. Jack Kerouac said, “One day, I will find the right words, and they will be simple. I love texture and touch. My...

Working primarily in the medium of installation, but also that of photography and video, Karine Payette creates fictional environments that function as freeze frames in which narratives are suspended. In her work, she uses everyday objects to construct extensive dream-like scenes in a hyperrealist manner. These mises-en-scène serve to hint at a potential narrative which evokes the precariousness of our surrounding world. Through the playful use of everyday objects that are transposed into extraordinary situations, she craftily toys with our vision of things, so as to stimulate reflection about the instability of the materials and forms which are part of our living environments. She questions notions of comfort and displeasure in a perpetually transforming world. Karine Payette, who holds a MFA from UQAM, lives and works in Montreal. Her works have been displayed in solo exhibitions, notably at the Galerie de l’UQAM (Confort instable, 2012) and at Le lieu, Centre en art actuel in Quebec City (L’autre dimanche matin...

A fine abstract polychromed plaster bust of a figure with hat by American artist Varujan Boghosian (1926-2020). Boghosian was born in New Britain, CT and after serving in the United ...

“Over the last twenty years, I have put together an extensive amount of research towards the intersections and thresholds between painting, sculpture, and drawing. My aim is to produ...

Ragisména Series The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories, and mythology tangible in the physical world. The works have their core connected to Dehlos, a ruined island bathed by the Aegean Sea, created by Poseidon, so that Leto could have his children Apollo and Artemis in a protected land. Known for being a sacred place, Dehlos was the most important Panhellenic sanctuary almost 3 thousand years ago. In an equation between mythology and abstraction, volumes, cracks, lights, and shadows come together in matter. The Ragisména work in aluminum is the result of an artistic and artisanal process that dates back to antiquity, when people used fire to shape metal. Casting consists of heating the metal until it becomes liquid and then pouring it into a mold of the work. After cooling, the mold is removed and the piece is polished. In this way, the foundry immortalizes in matter the work conceived by the artist, giving life to his vision and expression. Born in Rio de Janeiro and raised in São Paulo, Rodrigo Zampol has always been attracted to the arts. An architect by training, and with a strong presence in the world of visual arts, he plays with different types of materials and textures, seeking visual results that are almost always unexpected. Zampol uses different materials in his work, such as metal, paper, leather, plaster, and different types of pigments. His works reflect his personal experience, his worldview, and his research on human history, from ancient civilizations to the present day. From Ragisména Series Set of 2 wall Sculpture White...