Tim Berg & Rebekah Myers

Needle in Haystack

2015

"RAKU RED AND WHITE", 2019, in wheel-formed white glaze with copper red blush, sprig, stamp, gold leaf and raku fired with kintsuji gold by artist Andrew Cornell Robinson, is one of a series of sculptural objects that include ceramic, glass and mixed media grottoes and containers. A project exploring the vessel form and notions of gratitude, plenty, poverty in material or humanity. Robinson has led artists to explore tableware as sculptural form – "Changing attitudes and emerging social behaviors in food preparation and the social and cultural rituals of eating have lead to changes in the way tableware is made and used." Andrew Cornell Robinson is an interdisciplinary artist working across media (ceramics, textiles, painting, prints, etc.). His work is influenced by collaborative craft communities, traditions, and the performative qualities of cultural production. The underlying ideas exploring identity, histories, rituals, and power in his work aim to create a space for intimate experiences and open narratives. He studied ceramic sculpture at the Glasgow School of Art and the Maryland Institute College of Art where he received a BFA. He was awarded an MFA from the School of Visual Arts, where he became interested in the intersection of memory, identity, politics, and power. He has been featured in many publications including Sculpture Magazine, Huffington Post, Hyperallergic, Art Info, et al. He has participated in curatorial and research projects and recently was a participating artist in Debtfair a project in the Whitney Biennial. Andrew has also worked on collaborations with designers such as Donna Karan’s Urban Zen project where his work in ceramics led to workshops with artisans in Haiti and the creation of a ceramic studio in Port-au-Prince. He is currently working with The Powerhouse Arts Workshop and their design team from the Pritzker-prize winning architecture firm Herzog & de Meuron in the design and development of a contemporary industrial fabrication center established to serve the working needs of artists in New York City. He is currently a member of the faculty at Parsons School of Design and Greenwich House Pottery in New York City. His work has been presented extensively throughout the world with the Anna Kustera Gallery, David & Schweitzer Contemporary, Christopher Stout...

Visceral Red Gray I, by Magda von Hanau Clay Sculpture with Glass Glaze “This body of work refers to the memory of the flesh. While working on my visceral series, I aim to explore ...

Visceral Red Gray II, by Magda von Hanau Clay Sculpture with Glass Glaze “This body of work refers to the memory of the flesh. While working on my visceral series, I aim to explore...

LEDA, 2015 Limited edition B&W Photograph of the original artist pencil drawing size: 33.4 H x 25.5 W inches Edition 1/8 + 1 AP. Unframed Within the series “Metamorphosis,” we are r...

Metamorphosis Lips, 2015 Limited edition B&W Photograph of the original artist pencil drawing size: 33,4 H x 25.5 W inches Edition 1/8 + 1 AP. Unframed Within the series “Meta...

Metamorphosis ears, 2015 Limited edition B&W Photograph of the original artist pencil drawing size: 33.4 H x 25.5 W inches Edition 1/8 + 1 AP. Unframed Within the series “Metamorpho...

Metamorphosis eyes, 2015 Limited edition B&W Photograph of the original artist pencil drawing size: 33.4 H x 25.5 W inches Edition 1/8 + 1 AP. Unframed Within the series “Metam...

Visceral White, by Magda von Hanau Clay Sculpture with Glass Glaze Dimensions: 10 in H x 14 in W x 14 in D “This body of work refers to the memory of the flesh. While working on my ...

"JAMÓN JAMÓN VI (Language of Flowers)", 2019, in slipcast glazed, pit smoke fired ceramic by artist Andrew Cornell Robinson, is one of a series...

"JAMÓN JAMÓN IV (New Ark)", 2019, in slipcast glazed ceramic, charcoal, graphite and acrylic by artist Andrew Cornell Robinson, is one of a ser...