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Michael ThackerTorsion
About the Item
"Torsion"
by Michael Thacker
British, 21st Century
Ruivina Marble with Platinum Leaf
Sculpture size (HxWxD): 23.75 x 16.5 x 10 inches
Monogrammed and dated 27 6 18
- Creator:Michael Thacker (British)
- Dimensions:Height: 23.75 in (60.33 cm)Width: 16.5 in (41.91 cm)Depth: 10 in (25.4 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Belgravia, London, GB
- Reference Number:Seller: 164871stDibs: LU1360213931262
About the Seller
5.0
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Established in 1971
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Associations
LAPADA - The Association of Arts & Antiques DealersThe British Antique Dealers' Association
- ShippingRetrieving quote...Shipping from: Belgravia, London, United Kingdom
- Return Policy
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Monogrammed and dated 9 5 21
Category
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Category
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Cathedral of Saint Gatianys of Tours
By John Piper CH
Located in Belgravia, London, London
Mixed media
Paper size: 21.75 x 14.5 inches
Framed size: 36.25 x 29 inches
Signed lower left
Category
20th Century Abstract Abstract Drawings and Watercolors
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A Pembrokeshire Landscape
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Located in Belgravia, London, London
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Paper size: 14 x 21 inches
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Signed lower right
Category
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Seated Mother and Child, 1 (executed 1982)
By Henry Moore
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Charcoal and gouache on paper
Paper size: 9x 11.5 inches
Framed size: 23.5 x 25.75 inches
Signed lower right
Provenance:
Raymond Spencer Co.;
Galerie Dominion, Montreal, 1982;
Dr Max Stern, Montreal, 1982;
Leslie Sacks Fine Art, Los Angeles;
Purchased by Haynes Fine Art...
Category
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Highland Pastures
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Located in Belgravia, London, London
Highland Pastures
by Thomas Sidney Cooper RA
British, 1803-1902
Oil on panel
Panel size: 16.5 x 21 inches
Framed size: 23 x 27 inches
Signed and dated 1851 lower right
Category
19th Century Landscape Paintings
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Oil, Panel
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Derived from the figure and mythic narratives, Hadzi’s sculpture references antiquity and classical artifacts – abstracted anatomical forms, columnar and other architectural elements, helmets, weaponry and body armor function as visual metaphors for ancient cultures. “I was interested in mythology, and I was interested in movement,” Hadzi remarked on his years in Rome, “I was attempting through formal methods to exaggerate sexual tension or apprehension. Suddenly I was myself in an atmosphere of freedom.” [1] Powerfully rendered in bronze his sculptures convey raw emotion, brute strength and mass, tempered with a delicate rush of whimsy, vivacity and sensuality.
Born in New York City on March 21, 1921, Hadzi graduated from Cooper Union in 1950 and received a Fulbright Fellowship in the same year. After studying sculpture in Greece, he moved to Rome under the GI Bill where he lived for twenty-five years. Hadzi returned to the U.S. where he taught at Harvard University for fourteen years. He continued to create sculpture until his death in 2006.
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[1] Elsen, Albert. “On Artistic Freedom: An Interview,” Dimitri Hadzi, (New York: Hudson Hills Press, 1996), 30.
Additional Biography:
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