Mitchell Biggio

"Ramps & Planes No. 34 (Dusk)" - wall sculpture, 3-dimensional, geometric, blue

2025

This geometric wall sculpture features red hues. Atlanta-based artist Mitchell Biggio’s “Fault” is a series of complex three-dimensional wall sculptures that navigate the expansive ...

Abstract wall sculpture of a house footprint from his show titled "Blandtown," made of recycled bicycle tubes. Gregor is inspired by the works of...

Abstract wall sculpture of a house footprint from his show titled "Blandtown," made of recycled bicycle tubes. Gregor is inspired by the works of...

Abstract wall sculpture of a house footprint from his show titled "Blandtown," made of recycled bicycle tubes. Gregor is inspired by the works of...

Abstract wall sculpture featuring three dimensional geometric shapes painted with bright blue paint. The uniqueness of this blue does not derive from the ultra...

Architecture and functional objects inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces, laminated with wood veneers or painted with acrylic colors, are confi...

NOTE: This is a commission piece, made after the original. It can be commissioned in custom sizes. Allow 3-4 weeks plus shipping. Modulus is a striking mid century modern inspired...

b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.