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Nora PinedaGEMINI - Abstract Slip Cast Ceramic Fine Art Sculpture Artist Signed 19941994
1994
$55,000
£40,910.70
€47,898.35
CA$76,743.68
A$85,878.33
CHF 44,841.63
MX$1,055,784.67
NOK 565,728.84
SEK 532,348.05
DKK 357,358.40
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About the Item
Slip cast form. Fired to cone 01. Glaze fired to cone 07. Finished with acrylics and oils
Dimensions: 13"h x 10"w x 7"d
Year: 1994
Reflecting on her Mexican roots, Nora Pineda transforms clay into a vessel for narrative. The forms are etched as stories in the round and fused with colors and shapes that exude a sense of magic. The figures appear as faces joined, ultimately connected to their medium, the earth. Invoking inspiration from goddesses, Pineda connects to feminine energy and speaks to the resilience and strength of women. She seeks to render healing through ideas of both celebration and suffering that mark a cultural bond.
Using organic forms like flower petals, she cultivates their shape to resemble frequencies of auras she has encountered. Interested in the depths of emotion, working as a spiritual counselor, and massage therapist, her thoughts on these processes carry over into her creative process. Dealing with the unseen energies of the body, Pineda transfers her experience into each sculpture. The ceramic forms allow her to take on the freedom to express her personal sensibilities. The eyes of the figures gaze back at the viewer and evoke the trace of her presence.
I began a path in art in 1978 while working on a master’s in psychology at Chico State University. I was almost done and decided to take a ceramics course on a whim. The course became a total joy for me. I decided to let go of my pursuits of psychology degree and embarked upon a special master’s in art therapy. Over the next many years I continued to work in art while earning a living at other jobs, and raised my son and twin daughters. I didn’t have a background in art, I just knew I loved clay and I loved the way it felt and found my niche. It felt so good to be doing this kind of work. Creating art gave me a sense of freedom. In the mid 80’s I began selling my work through craft fairs, traveling throughout California, Nevada, and New Mexico. As well as working on my art daily, I used my hands with my massage business. I also explored my spiritual beliefs by studying at the Chico Psychic Institute’s clairvoyant program. I’ve always been into spiritual and psychic exploration. The relationship between art, massage, and psychic work is one of integration. With Mexican ancestry, many of my human figures reflect the skin tones of the culture. In some pieces, the colors I choose have an ethnic feeling. Others use earth tones or primary colors. As a child, I lived in a Spanish-speaking community of farm workers west of Bakersfield. Throughout my life I tried to live beyond the restrictions and inhibitions I felt from my culture. Yet other parts of my Mexican culture I love, such as the open expression of emotions. The challenge is to let go and find out who you are through the maze of good and bad. I want to honor and celebrate the culture. One of the things I like about my work is the primitiveness of it.
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