Oskian

Bag Birkin for Ever Sculpture Aluminium Limited Edition

2020

Vanité aux Papillons "Vanity with Butterflies", bronze painted in white. Stamped and Signed on the base 2018 - Edition of 5 This one 5/8 Among Pasqua's masterpieces are the butterfly vanities...

The art market confirms that Robert Combas is the most successful living French artist with Pierre Soulages. During the last two years, the value of his works has multiplied by 5 , proof with the last Artcurial auction sale from December 4th 2019. This sculpture "The Cannon Dancer" is one of the most interesting of his major works from the 90s where he touched on themes dear to him like: battles, war, religion, love, sex, women, mythology, music, genre scenes... - "Le danseur au canon", The Cannon Dancer Painted polychrome resin sculpture. This is a limited édition signed Combas, dated 95 and numbered 4/8 on the base. - Is it a carnival ? a character, a buffoon representing power by a cannon exhibited as a phallic object that symbolizes power. "The moment when the official hierarchies collapse, where the powerful become ridiculous and the fools the only wise respected. The moment of inversions, negations, derision and extravagance. Abel and Cain, Salome and Saint John the Baptist : whatever the time and the weapons, it is almost always the same story", said Combas. Robert Combas love to Deforms when, allowing itself disproportions, exaggerations and deletions, it gives birth to creatures with noses, lips or feet disproportionately inflated or stretched, even monstrous and comic. In this case, Combas flirts with satire, farce, the grotesque. Make love better than a war ! Robert COMBAS has been pursuing a unique approach since the 1980s. His eccentric and powerful representations of the world make this genius one of the emblematic figures of French contemporary art. The artist's work is now the subject of numerous retrospectives and institutional exhibitions. The enthusiasm of collectors becomes more important with each new public sale and its rating climbs which confirms the sustainable nature of the art of Robert COMBAS. He brought at the dawn of the 80s a new figurative painting. Present on the artistic scene since 1979 he is the creator of a movement that the artist Ben called the Free Figuration, movement comprising: Rémi...

Beautiful table top sculpture by renowned Israeli sculptor Menashe Kadishman. Super quality, and visually stunning. it is signed and numbered and dedicated Janet love george Menashe Kadishman was born in Tel-Aviv in 1932. He is a Graduate of St. Martin's School of Art, University of London. From 1947 to 1950, Kadishman studied with the Israeli sculptor Moshe Sternschuss at the Avni Institute of Art and Design in Tel Aviv, and in 1954 with the Israeli sculptor Rudi Lehmann in Jerusalem. In 1959, he moved to London, where he remained until 1972. He had his first one-man show there in 1965 at the Grosvenor Gallery. His sculptures of the 1960s were Minimalist in style and so designed as to appear to defy gravity. This was achieved either through careful balance and construction, as in Suspense (1966), or by using glass and metal so that the metal appeared unsupported, as in Segments (1968). In 1995, he began painting portraits of sheep. These instantly-recognizable sheep portraits...

It has a variegated texture to it. It is signed and titled. Large format drawing or painting in pastel or crayon. pastoral landscape with boulders and rocks in pasture. Dennis Leon, was a San Francisco Bay Area sculptor and art instructor Mr. Leon was chairman of the sculpture department at the California College of Arts and Crafts in Oakland from 1972 to 1988. He remained a faculty member until his retirement as professor emeritus in 1993. A vibrant work in pastel with the energy and texture seen in the work of Wolf Kahn. He was born in London, England and emigrated in 1951 to the United States, where he studied at Temple University in Philadelphia. He graduated with art degrees, including a master's degree in fine art. He served in the U.S. Army and the Army Reserve from 1957 to 1963. In 1959, Mr. Leon joined the faculty of the Philadelphia Museum College of Art. He also worked as an art critic for the Philadelphia Inquirer until 1962. After coming to the Bay Area, he held his first local one-man show of sculpture in 1973, at the James Willis...