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Richard Bottwin
Richard Bottwin, 'Red.Center', 2016, Acrylic Paint, Wood

2016

$3,700
£2,795.97
€3,228.66
CA$5,170.19
A$5,736.76
CHF 3,005.04
MX$70,348.11
NOK 38,223.07
SEK 36,080.95
DKK 24,078.12
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About the Item

Architecture and functional objects inform the vocabulary of Richard Bottwin’s sculpture. The plywood surfaces, laminated with wood veneers or painted with acrylic colors, are configured to reveal surprising shapes and patterns with shifts in the viewer’s perspective. A sense of disorientation, weightlessness and implied physical gesture are created by the reductive forms and subvert the modernist vocabulary of the simple constructions. Richard Bottwin (b. 1950) lives and works in New York City and has maintained his sculpture studio in Brooklyn since 1990. Bottwin’s solo exhibitions include shows at OK Harris Gallery in New York, Metaphor Gallery in Brooklyn and Pentimenti Gallery in Philadelphia. He has participated in group exhibitions at Bunsen/ Götz Galerie, Nuremberg, Galleri Tom Christoffersen, Copenhagen, Art Forum Ute Barth, Zurich and DM Contemporary Gallery, New York. Bottwin’s museum exhibitions include group shows at The Neuer Kunstverein, Aschaffenburg, Germany, The Visual Arts Center of New Jersey, Summit NJ, Moma PS 1 in Long Island City, NY and the Pennsylvania Academy of Fine Arts in Philadelphia. Bottwin has also created site-specific installations at The Sculpture Center in Long Island City, NY, The Pratt Institute Campus in Brooklyn New York and In Fairmont Park, Philadelphia with the Philadelphia Art Alliance. His work in public collections includes the Bayerische Landesbank headquarters in NYC and The Pratt Institute outdoor sculpture collection in Brooklyn. Richard Bottwin has received two artist’s grants from the State of Pennsylvania and one from New York State and he was awarded a residency at the Edward Albee Foundation, Montauk NY. His work has been reviewed in The New York Times, The Philadelphia Inquirer and The Brooklyn Rail.
  • Creator:
  • Creation Year:
    2016
  • Dimensions:
    Height: 15.5 in (39.37 cm)Width: 20 in (50.8 cm)Depth: 8.5 in (21.59 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Darien, CT
  • Reference Number:
    1stDibs: LU17221236673

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Richard Bottwin, 'Blue Beam', 2016, Wood, Acrylic Paint
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Diane Englander, White Form on Red Wood, 2018, scrapwood and acrylic, 12 x 13 in
By Diane Englander
Located in Darien, CT
Diane Englander uses formal means to create a place between discord and tranquility, a zone with a charged harmony that energizes as it also provides refuge. That often requires that the prettiness of an initial surface is made ugly, or there’s a conscious choice to avoid balance in the composition. Hers is a largely intuitive process, the materials entice her. Inspiration from the world that we don't call “art” is where she finds her muse: a wall, a landscape, a window shade transfused with light, a stretch of sand and shadow. Most influential are predecessors like Burri, Vicente, Tapies, Motherwell, Rauschenberg, medieval cloisonné, Vermeer, Breughel, and many, many more. A native New Yorker, Diane had an earlier career including 17 years as a management consultant to local nonprofits concerned with poverty or disenfranchisement; work in NYC government; and several years as a lawyer at a large NYC law firm. “I was brought up going to galleries and museums, a sometimes reluctant attendant to my parents’ passion for looking and for collecting. My own expressive energy must have simmered internally for years, occasionally emerging in photography, in quilt-making, in other tentative explorations, and certainly in providing opportunity and materials for my children to create. Not until those children were nearly grown did I come unequivocally to the need to make art myself.” In late 2006 Diane began making collages that started her on her current path; in late 2007 she left her consulting job to focus on her artwork full-time. She has studied with Bruce Dorfman at the Art Students League in New York, and has had solo exhibits at the Alexey von Schlippe...
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