Robyn Campbell

Whorl 1, contemporary cast glass sculpture in amber, by Robyn Campbell

2023

Whorl 4, cast & cut lead crystal glass, 11cm x 15cm x 14cm (d), 2023 Signed underneath. Simplicity, line, material, surface, and form are the focus of Robyn Campbell’s art practice....

Original artwork by Robyn Campbell. Still 4, wall mounted ceramic, 17cm x 41cm x 4cm (d), 2024 Simplicity, line, material, surface, and form are the focus of Robyn Campbell’s art pra...

Original artwork by Robyn Campbell. Ascent 6, wall mounted ceramic, 15.5cm x 30cm x 5cm (d), 2024 Simplicity, line, material, surface, and form are the focus of Robyn Campbell’s art...

Original artwork by Robyn Campbell, Shadow Fall 11, is a hand-built ceramic sculpture, 28cm x 49cm x 27cm (d), 2023. Simplicity, line, material, surface, and form are the focus of R...

Original artwork by Robyn Campbell, Shadow Fall 12, hand-built ceramic, 26cm x 48cm x 34cm (d), 2023. Simplicity, line, material, surface, and form are the focus of Robyn Campbell’s...

Original artwork by Robyn Campbell. Ascent 5, wall mounted ceramic, 17cm x 41cm x 4cm (d), 2024 Simplicity, line, material, surface, and form are the focus of Robyn Campbell’s art pr...

'Ulu Oti' is a contemporary cast glass sculpture by David Ruth from the Chill Project Series. This sculpture is made from soda glass that was then mixed with cobalt and copper to cre...

Please allow a three month turnaround time for piece to be made. The Geologic Screens Series The Geologic Screens are studies from the Colorado Cascade Mural. David pieced together ...

Additional Information: Work is titled “Hand of God.” Item is accompanied by a copy of the purchase receipt issued by William Traver Gallery, Seattle, Washington, dated 10.31.1997. P...

Additional Information: The sculpture is from the “Hemisphere Series” and was purchased directly from the artist’s Memphis, Tennessee studio. Marking(s); notes: signed, #121, markin...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technica...

Intricate, ethereal and highly textured, the abstract compositions of Japanese mosaic artist Toyoharu Kii reflect a sophisticated approach to the technical art of mosaic making. Classically trained in Florence, Italy, Kii creates his modern mosaics using traditional techniques and materials, including hand-cut Italian marble and Venetian smalti glass. Eschewing the figural in favor of the abstract, his mosaics rely on contrasts of pattern and form to convey complex themes and achieve visual harmony. Toyoharu Kii’s latest body of work “Geophytes” continues themes of rebirth and renewal. A reference to plants that regrow from hidden elements beneath the earth’s surface, the series celebrates the resilience of the natural world. Each mosaic is imagined as a landscape that documents a history of environmental damage due to human activity, and the subsequent return of nature as a restorative force. Through the juxtaposition of patterns and the interplay of order and disorder, Kii creates man-made “images of destruction” and finds hope in the future by “reconstructing nature.” In this mosaic entitled "Ghost (Big Wings)," Kii takes a more representational approach to his storytelling, creating figurative drawings out of thin lines of tesserae. The mosaic belongs to his “Ghost” triptych, wherein Kii uses “wings” to represent the presence of a heavenly being, the ghosts of past spirits or the presence of an angel or guardian. In “Ghost (Big Wings),” Kii mourns the extinction of many creatures due to environmental change and imagines their lonely spirits wandering the earth. Enveloping their silhouettes is “a bird with big wings,” writes Kii, depicted here within a dense mosaic of abstract patterns, a symbol for nature’s healing power. “The bird consoles...