Ronald Bladen

Flying Fortress

1974-1978

GEORGE SUGARMAN Orange, Blue and Black, 1968-1970 Acrylic on wood 50 x 65 x 19 1/2 inches

RONALD BLADEN V (Mid Scale), 1973 Painted aluminum 60 1/2 x 106 x 8 inches Edition 1 of 3

Joel Perlman is best known for his sculptures that juxtapose flat geometries of welded steel, aluminum, and bronze in three-dimensional space. His sculptures sketch themselves out in...

Joel Perlman is best known for his sculptures that juxtapose flat geometries of welded steel, aluminum, and bronze in three-dimensional space. His sculptures sketch themselves out in...

Joel Perlman is best known for his sculptures that juxtapose flat geometries of welded steel, aluminum, and bronze in three-dimensional space. His sculptures sketch themselves out in...

Joel Perlman is best known for his sculptures that juxtapose flat geometries of welded steel, aluminum, and bronze in three-dimensional space. His sculptures sketch themselves out in...

This beautiful minimalist sculptural work explores the evocative power monochrome color. Originally working as a painter, Thompson focused on Minimalism. In his sculptural work, mono...

This beautiful orange minimalist sculptural work explores the evocative power monochrome color. Originally working as a painter, Thompson focused on Minimalism. In his sculptural wor...

Painted bronze 12 (d) x 23.7 (w) x 18.1 (h) in. (30.5 x 60.2 x 46 cm) Edition of 20 Signed, dated and numbered on base

The
 natural 
world
 is 
her 
inspiration, 
giving
 special 
attention
 to 
reflect 
movement
 as 
a 
way
 of
 exploring
 not
 only
 physical
 but
 emotional
 change.
 Orozco's consi...

In recent years, Daniel G. Hill has been fixated on the work’s method of construction and its physical presence. During the winter of 2014, he began a new line of inquiry, translati...

Norma Marquez Orozco explores concepts of impermanence, perception, form and balance through physical movement of the work itself in a lucid, game-like context, like puzzles. All the elements are made of paper, molded into three-dimensional forms. The repetitive geometric shapes are assembled inside boxes built out of translucent paper. The arrangement is random and unfixed to allow movement and unpredictable composition. The harmonies and tensions in the work arise from different exchanges between the colors, the patterns, and the geometric and organic shapes, as well as the sense that change is constantly occurring as the elements shift and move. When one looks at these compositions, you see them for the first time, every time, because what is creating and completing the artwork is always changing; such as light, weather and forms merge and interact. As a result of these dynamic relationships, the work extends beyond her personal hand, sustaining an appearance and composition entirely of its own. Norma Márquez Orozco was
 born
 in
 Chicago,
Illinois,
 and
 raised
 in
 Guadalajara,
 Jalisco,
 Mexico. Her work can be seen as an investigation into the way relationships emerge and evolve when elements like color, form, shape, lines, angle and pattern are blended, shifted and layered. She currently lives and works in New York City. Marquez Orozco
 has
 curated
 exhibitions throughout
 New
 York
 and
 has hosted
 lectures
 and
 artist
 talks
 for
 the
 public. In
 2001
 she founded
 Floor4Art, an
 alternative
 space
 in
 West
 Harlem
 that
 houses
 artist’s
 studios
 and
 exhibition
 space
 aimed
 at
 producing,
 promoting
 and
 connecting
 artists.
 Exhibition venues include: ODETTA, Brooklyn, NY, Longwood Art Gallery, Queens Museum, The (S)Files 007/ El Barrio...