Simcha Even-Chen

Folding in Motion 6 by Simcha Even-Chen - Porcelain sculpture, orange, line

2021

Folding in Motion 1 is a unique paper porcelain sculpture by contemporary artist Simcha Even-Chen, dimensions are 24 × 46 × 26 cm (9.4 × 18.1 × 10.2 in). The sculpture is signed and...

Folding in Motion 9 is a unique paper porcelain sculpture by contemporary artist Simcha Even-Chen, dimensions are 23 × 43 × 14 cm (9.1 × 16.9 × 5.5 in). The sculpture is signed and ...

Entrapped 7 is a unique paper porcelain sculpture by contemporary artist Simcha Even-Chen, dimensions are 30 × 30 × 24 cm (11.8 × 11.8 × 9.4 in). The sculpture is signed and comes w...

Folding in Motion 10 is a unique paper porcelain sculpture by contemporary artist Simcha Even-Chen, dimensions are 16 cm × 30 cm × 11 cm (6.3 × 11.8 × ...

Clementine is a bespoke one of a kind porcelain hand built sculpture. With twists and turns and ribbon like structure she feels like she's from another time period but with a contemp...

Striped Fold II is a unique sculpture by the British artist Steven Edwards, created from white and coloured parian porcelain. Steven Edwards is a ceramic artist whose work investigates the language of making through the materiality and physicality of clay. Fascinated by process-led making, he uses traditional techniques that provoke unanticipated outcomes, using clay as a medium that sustains the narrative of the making process. The resulting forms embody his interaction and manipulation of the clay using bespoke tools to explore the intrinsic properties of the material. His creative practice starts by purposely placing clay under stress to reveal the natural tension and movement in its surface and form. Throughout the whole making process, he pushes, pulls, compresses and slices the material to provoke a reaction. The final forms are a combination of these making scenarios, translating a theme of duality in their appearance – the contrast of visual distortion and precision, the stillness and movement in form and the surface deception between synthetic and natural. Whilst challenging and pushing his material to the limits, often using clay bodies in ways they are not designed for, Edwards purposely exploits unexpected outcomes. Creating a sense of unease, during the making his clay cracks and buckles, resulting in permanent scars that illustrate the extremes that have been asked of it. Purely aesthetic, these fissures within the surface are an important counter point to the idealised sugary-hued confectionery layered rings. Edwards has exhibited his work at premiere contemporary design and craft shows including British Ceramics...

"I work with a simple elemental form, a curve made from the most basic natural material, clay. I make and build with hundreds or thousands of these forms. The clay curve connects me ...

Sara Fine-Wilsons ”Lite” is a gestural 5.5 x 5.5 x 6 inch ceramic sculpture in pale yellow with accents of warm tan, light pink, and white. In this graceful and evocative sculpture i...