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Thomas JunghansDer Seher II Bronze Sculpture Portrait Abstract Artcirca 2020
circa 2020
$13,333.91
£9,926.97
€11,250
CA$18,372.10
A$20,457.31
CHF 10,818.31
MX$248,952.90
NOK 136,367.10
SEK 128,477.86
DKK 85,640.95
About the Item
Der Seher II Bronze Sculpture Portrait Abstract Art
Junghans (1956, Recklinghausen) creates abstract sculptures in stone, wood and bronze, mostly torsos and primal portraits, in a primitive, cubic and expressionistic imagery. He also paints and makes ink drawings. His sculptures are monumental and robust of character.
Thomas lets the material of the statues speak for itself: the figures and heads seem to have gotten their form by only a few striking hacks. Nothing is less true. Thomas speaks of a ‘controlled sort of drunkenness’ as a state of mind when he works.
Everytime when he works, he has to overcome a sort of paralysis. Because he knows, as a sculpturor, that if he does something at the wrong moment, that it can happen that he messes up the special tension or composition, or even worse destroy it. With their natural grace, his sculptures, represent somewhat an archaic, unknown nature. His way of working points back at the original shapes, where not reality is the inspiration, but imagination.
This way he emphasizes the indepent character of the sculpture. .
- Creator:Thomas Junghans (1956, German)
- Creation Year:circa 2020
- Dimensions:Height: 16.15 in (41 cm)Width: 7.88 in (20 cm)Depth: 7.88 in (20 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Utrecht, NL
- Reference Number:1stDibs: LU159729797892
Thomas Junghans
Junghans (1956, Recklinghausen) creates abstract sculptures in stone, wood and bronze, mostly torsos and primal portraits, in a primitive, cubic and expressionistic imagery. He also paints and makes ink drawings. His sculptures are monumental and robust of character. Thomas lets the material of the statues speak for itself: the figures and heads seem to have gotten their form by only a few striking hacks. Nothing is less true. Thomas speaks of a ‘controlled sort of drunkenness’ as a state of mind when he works.
Everytime when he works, he has to overcome a sort of paralysis. Because he knows, as a sculpturor, that if he does something at the wrong moment, that it can happen that he messes up the special tension or composition, or even worse destroy it. With their natural grace, his sculptures, represent somewhat an archaic, unknown nature. His way of working points back at the original shapes, where not reality is the inspiration, but imagination.
This way he emphasizes the indepent character of the sculpture. .
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