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Adult Situations, Wax, Denim Sandbag, 2024

2024

Untitled Sculpture by Sterling Allen, 2020 Additional information: Dimensions: 8.25 × 10.5 × 8 in (21 × 26.7 × 20.3 cm) About Artist: Sterling Allen holds a BFA from the University...

Figures Flanking a Sacred Tree, by Meghan Smythe, 2018 Additional information: Medium: Ceramic, glaze, plasticine, epoxy, rubber band Dimensions: 4 x 20 x 54 inches Using a traditi...

Untitled A, Sculpture by Meghan Smythe, 2016 Additional information: Medium: Ceramic, glaze, silicon, epoxy, plasticine, foam Dimensions: 49 x 27 x 32 inches Using a traditional sc...

Paris (torso with tile head), by Meghan Smythe, 2023 Additional information: Medium: Ceramic, glaze, industrial tile, ceramic decal Dimensions: 42 x 12 x 16 in Using a traditional ...

Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern Art when I visited the annex to get a cocktail. There was one other guy at the small bar table in an otherwise empty room, waiting for his coffee to be handed to him. He turned and dumped half of it down my front. I immediately recognized him as none other than Brice Marden. He apologized profusely, but I stopped him and said: 'No problem: how often is it that Brice Marden dumps coffee on your pants? They're worth more now.' We both had a good laugh. At any rate - I was certainly channeling his early work when I began work on this series. They are made with oil and beeswax on wood panels. While they look Minimalist at first glance, there are subtle shifts in color and texture that distinguish them from hard-edged abstraction. For me, it has always been about the surface, and the materials. Wax has a character unlike anything else. I use wax both hot (encaustic) and in a cold mixture with turpentine, blended with oil. The complementary underpainting, setting the stage for the wax and oil later...

Artist's Statement: "Around 30 years ago, not long after I had started painting seriously, I was at a one-man exhibition of the great Brice Marden at the Fort Worth Museum of Modern...

Inspired by the organic shapes, colours and textures of the natural world, Jana Osterman creates stunning wall reliefs. This bright white plaster piece is polished with wax giving it a light sheen. This work is the Artist’s Proof from an edition of 10. “I’m interested in producing quiet, minimal, contemplative work, concerned with how far I can push a form and material to stay inside that realm.” Jana Osterman Born in Slovenia, Osterman moved to Holland where she studied at the Royal Academy of Art in The Hague. She continued with printmaking studies in England. For the last 20 years, Osterman has worked as a full-time artist and fabricator in Canada, first in Toronto and now in Prince Edward County...

Totally unique piece, with an outstanding construction .Unique. This acrylic box is a dimensional work featuring three interchangeable, scented panels. Vibrant colors, an original an...