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Unknown
Jade Chinese Cong 48495

2200 - 1700 BCE

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Cantamar
By Woods Davy
Located in Phoenix, AZ
stone on granite pedestal b. 1949, Washington, DC Woods Davy has completed over 35 large scale commissions including works for -Carlton Highlands in Lake Tahoe, CA; Cedars-Sinai Hos...
Category

2010s Land Abstract Sculptures

Materials

Stone, Granite

Two Story
By Peter Millett
Located in Phoenix, AZ
painted wood Peter Millett is a seasoned traveler, who draws inspiration from his extensive trips through North America, South America, Southeast Asia, and the Middle East; explorin...
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Wood, Paint

Sky Grey (Just Wait)
By Jeremy Thomas
Located in Phoenix, AZ
Thomas's current inflatable steel sculpting technique is something he stumbled upon during a demo for one of his sculpture classes. Steel, Thomas says, has a clay-like malleability a...
Category

2010s Abstract Abstract Sculptures

Materials

Stainless Steel

Clumsy Sky Grey
By Jeremy Thomas
Located in Phoenix, AZ
cold rolled steel, powder coat, and urethane
Category

2010s Abstract Abstract Sculptures

Materials

Steel

Handful of Dust
Located in Phoenix, AZ
acrylic on plywood With the series titled We Share the Same Sky and New Objects Same Sky, my choice of natural wood as a material is influenced by the rich heritage of my father and...
Category

2010s Abstract Geometric Abstract Paintings

Materials

Plywood, Acrylic

Days Sliding By
By Louise Blyton
Located in Phoenix, AZ
b. Melbourne, Australia Louise Blyton is a reductive artist exploring the romance of raw linen and dry pigment. The artist’s geometrically shaped canvases explore color, light, and form through the visual language of Reductivism, an aesthetic style characterized by streamlined compositions, restricted color, and a reduction of form and means. Identifying with Reductivism’s simplicity, Blyton’s shaped canvases and three-dimensional wall sculptures elevate craftsmanship and process, achieving a compositional clarity that unifies color and form. To construct her works, Blyton covers custom built balsa wood stretchers with raw linen, adorning them with layers of pure pigment or acrylic paint. Each pigment reacts differently to raw linen and requires a specific number of coats to reach the artist’s desired level of saturation. As the artist explains, “I’m always looking for a kind of quietness and harmony when making my works even if the color being used is loud.” The artist creates her own spatial dimension by manipulating the shape of the canvas, which escapes from the flat surface of the wall, confusing its role as a painting. “Rather than responding to the architecture they ask particular attributes of the building to act as support,” as some works appear to climb the surface of the walls, while others straddle columns and corners. Louise Blyton lives and works in Melbourne, Australia. She graduated with a Bachelor of Fine Art at RMIT University, Melbourne, Australia in 1988. Her works are held in significant corporate and private collections in Australia, China, France, United Kingdom, Portugal, and the United States. Since 2000, Blyton has run an artist supply store called, St. Luke Artist Colourman, which specializes in professional paint and raw materials, with her husband David Coles.
Category

2010s Abstract Geometric Abstract Sculptures

Materials

Linen, Acrylic

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