Viktor Mitic

Elemental Two Nero Marquina - tall, abstract, totem, marble, outdoor sculpture

2022

An imposing fourteen-foot tower of curved abstract shapes is fabricated from stainless steel in this new sculpture from Viktor Mitic. He is known for his colourful abstract paintings and sculptures that were inspired by paint drippings on his studio floor. This intriguing patinated piece in rich dark tones signals a departure for Mitic. “My goal with these is to showcase the universal human connection we are all a part of, and if I can make a statement while doing so, even better.” Viktor Mitic Serbian-born Viktor Mitic earned a BFA from the University of Toronto in 1995 with studies in art history at Sheridan College. He has exhibited his post-Pop inspired...

This impressive contemporary sculpture was hand-carved from black marble by Viktor Mitic. Highly regarded for his unique visual style, the Canadian artist favours abstract form. Halc...

This large, abstract, 24kt gold-plated, white marble, outdoor sculpture was created by Viktor Mitic. The beautiful lyrical lines of Orion were crafted from 24 kt gold-plated stainl...

Inspired by the heavens, Canadian artist Viktor Mitic has created another captivating contemporary stainless-steel sculpture finished in 24 kt. gold. One of Mitic’s Constellation ser...

This acrylic box is a dimensional work featuring three interchangeable, scented panels. Vibrant colors, an original and unique creation, a superb, intriguing and graphic decoration...

One of a kind scented art piece, unique. This acrylic box is a dimensional work featuring three interchangeable, scented panels. Vibrant colors, an original and unique creation, a ...

Sherry Owens Windows and Maidens #6, 2019 Bronze, patina, crepe myrtle, dye, milk paint, wax 11 x 14 3/4 x 11 3/4 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Sherry Owens Grandfather's Land, 2021 Bronze, patina, crepe myrtle, paint, wax 30 x 46 x 18 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...