Wayne Fischer

"Double Walled Bowl, " Porcelain Vessel by Wayne Fischer

1983

This piece is an original porcelain bowl by Wayne Fischer. It is a double-walled ceramic and features delicate natural coloration. 10 3/4" diameter Milwaukee ceramist currently res...

"White Wedding Tears" is an original porcelain and ink piece by Marjorie Mau. The artist signed the sculpture. 16" x 14" x 3" art Artist's Statement: "My works are about the act o...

"Ring Around the Rosy" is a slab-built ceramic sculpture collaboration between David Barnett and Joseph Rozman. This cylindrical sculpture features geometric designs in low relief t...

"Tool Relief II" is an original sculptural stonework vase by David Barnett. It is signed and dated on the bottom. 13" H x 3.50 D David Barnett, an artist, collector, appraiser and ...

Toshiko Takaezu Closed Form (INV# NP3927) 4.5 x 5 x 5" date unknown signed by artist provenance - The Nevica Project Toshiko Takaezu (June 17, 1922 – March 9, 2011) was an American ...

A sculpture by Theaster Gates. "Stand-Ins for Period of Wreckage 25" is a contemporary sculpture, white concrete and porcelain by American, Blue Chip artist Theaster Gates. The artwork is unsigned. Theaster Gates' practice includes sculpture, installation, performance and urban interventions that aim to bridge the gap between art and life. Gates works as an artist, curator, urbanist and facilitator and his projects attempt to instigate the creation of cultural communities by acting as catalysts for social engagement that leads to political and spatial change. Gates has described his working method as “critique through collaboration” – often with architects, researchers and performers – to create works that stretch the idea of what we usually understand visual-based practices to be. For his exhibition at Milwaukee Art Museum exhibition in 2010, for example, Gates invited a 250 strong gospel choir into the galleries to sing songs adapted from the inscriptions on pots by the famous 19th century slave and potter 'Dave Drake'. For the 2010 Whitney Biennial, Gates transformed the Whitney’s Sculpture Court with a spare, architectural installation that functioned as a communal gathering space for performances, social engagement, and contemplation. For the duration of the exhibition Gates collaborated with various creative practitioners on a series of 'monastic residencies', holding live events such as the session by Gates' musical ensemble, the Black Monks of Mississippi. In another recent exhibition at Seattle Art Museum, Gates transformed the gallery into an audio archive entitled 'The Listening Room', incorporating a hand-built DJ...

This white ceramic vessel’s organic shape was inspired by nature. The ethereal ceramic work of Paula Murray is valued for its timeless beauty. The Canadian artist’s work is often in...

Entrapped 8 is a unique paper porcelain sculpture by contemporary artist Simcha Even-Chen, dimensions are 21 × 30 × 27 cm (8.3 × 11.8 × 10.6 in). The sculpture is signed and comes w...