Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Unknown
Pair of Italian "Alabaster Stone Lions" after Antonio Canova; Mid 19th Century

Circa 1850

About the Item

"Pair Recumbent Stone Lions" after Antonio Canova (1757-1822) Italian (possibly Florence) Mid 19th Century Alabaster, marble 6 x 9 x 4 inches This is an exquisite pair of Italian alabaster lions on marble bases based on the monumental lions carved by Antonio Canova (1757-1822), the greatest Italian neoclassical sculptor. Canova sculpted the marble lions for the monumental tomb of Pope Clement XIII in St. Peter’s, Rome in 1792 Canova Lions refers to the pair of copies of lion sculptures by Antonio Canova. When Canova created the sculptures in 1792, he installed them on the tomb of Pope Clement XIII. The marble sculptures are some of the most prominent features in St. Peter's Basilica in Rome. Given the intricacies of creating the original Canova lions, some artists created molds and replicated them. A good example is the pair of lion sculptures at the Corcoran Gallery of Art entrance in Washington DC which have stood in their same location since 1860. Canova was able to create such life-like, believable sculptures because as one of the premier artists in 18th-century Rome, he was known for the length of time he spent during the study phase. Canova was so meticulous that when the time came to create a sculpture, he would do it without making any corrections. With his large studio, Canova was able to execute highly-sophisticated projects for rulers like French Emperor Napoleon Bonaparte, European aristocracy and nobility as well as prominent Italian religious figures. St. Peter's Basilica in the Vatican City is home to exquisite works of art by some of Italy's finest sculptors, including Michelangelo. Like Canova, Michelangelo took part in memorable sculptural and architectural projects. Especially notable examples of Michelangelo's work are the sculpture of David in Florence and the frescoes on the ceiling of the Sistine Chapel. Clearly Canova is in good company regarding his stature as an artist. Having worked for St. Peter's Basilica, he must have made a name for himself and attracted commissions for bigger projects. You only need to see the popularity of the Canova lions to know his impact on the world of art. By the close examination of the two Canova lions it's possible to derive their meanings. While one lion is sleeping, the other is more vibrant. The combination of the two lions tells us about the Pope's moderate yet determined mien. Before he died, Canova made many copies of the two lions for different clients across the world. Other artists created copies many years after he had died. The Canova lions have proved to be eternally popular images; copies were made soon after in the workshops of Rome to sell to wealthy ‘Grand Tourists’ as souvenirs from their classical tour. In England, Canova’s greatest patron was the 6th Duke of Devonshire whose seat was at Chatsworth House, Derbyshire. The Grand Tour of the late 17th, 18th and 19th centuries saw many upper class, wealthy and aristocratic gentlemen and ladies traveling to Italy and Europe for pleasure, education and inspiration. This afforded them the opportunity to view important classical and Renaissance works of art and architecture. The term ‘Grand Tour’ was coined by the Catholic priest and travel writer Richard Lassels (circa 1603-68), who used it in his influential guidebook "The Voyage of Italy," published in 1670, to describe young lords travelling abroad to learn about art, architecture and antiquity. Robert Adam wrote of Rome in 1755, ‘Rome is the most glorious place in the universal world. A grandeur and tranquillity reigns in it, everywhere noble and striking remains of antiquity appear in it, which are so many that one who has spent a dozen years in seeing it is still surprised with something new…’
  • Creation Year:
    Circa 1850
  • Dimensions:
    Height: 6 in (15.24 cm)Width: 9 in (22.86 cm)Depth: 4 in (10.16 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    This pair is in very fine condition and are beautifully carved.
  • Gallery Location:
    SANTA FE, NM
  • Reference Number:
    1stDibs: LU1408211778962

More From This Seller

View All
Antique 19th century Bronze Dog Portrait of a Löwchen on a Marble Base
Located in SANTA FE, NM
Antique Bronze Dog Portrait of a Löwchen on a Marble Base French 19th century 1/2 x 8 x 5 1/2 inches The chiseled bronze has a nuanced, rich brown patina depicting a Löwchen in the round, seated on a quadrangular marble base decorated with very fine gilt bronze flowers and fluted feet. Napoleon III, Louis XVI style. Based on a model by Jacques Caffieri for the Prince de Condé in 1773. (More images to be added.)F Executed during the nineteenth century, this figure is fully in line with the eclectic taste of the reign of Napoleon III. Indeed, the Empress Eugenie brought the Louis XVI style up to date in her castle of Compiègne. Jacques Caffieri is one of the most famous bronze smiths of the eighteenth century. In 1715 he was admitted as a master caster and chiseler, and worked almost exclusively for the crown castles...
Category

19th Century Rococo Figurative Sculptures

Materials

Marble, Bronze

Balancing Elephant, Circa 1930s, Art Deco, Louis-Albert Carvin (1875-1951)
Located in SANTA FE, NM
Balancing Elephant Louis-Albert Carvin (France, 1875-1951) Bronze, marble Circa 1930s, Art Deco 8 x 7.5 x 2 (4 1/4 x 7 1/2 x 1 7/8 figure) inches Artist Louis-Albert Carvin, born in Paris in 1875, was exposed to art from an early age through his painter father. Carvin's formal education in art began at the École des Beaux-Arts, where he studied under artists like Émmanuel Frémiet and Georges Gardet. Over the years, artist Louis-Albert Carvin became a renowned sculptor, dedicating his life’s work to the modeling of human and animal figures. He studied under Fremiet and Gardet and became a member of the Société des Artistes Français, exhibiting at the Salon des Artists Francais from 1894 until 1933 winning the Medal of Honor in his first year in 1894. Remarkably, he sculpted La Muse de l’Aviation, the bronze trophy...
Category

1930s Art Deco Figurative Sculptures

Materials

Marble, Bronze

Antique Pair of Russian Wolf Hound/Borzoi Dog Portrait Sculptures circa 1930's
Located in SANTA FE, NM
Antique Pair of Russian Wolfhounds/Borzois Dog Portrait Sculptures by Scalini (aka Scali; Italian, 20th century) circa 1930's Patinated spelter 9 x 14 inches (on bases) Though rath...
Category

1920s Art Deco Figurative Sculptures

Materials

Cast Stone, Bronze

Large 17th century, Sandstone Buddha Head from Thailand, Ayutthaya Kingdom
Located in SANTA FE, NM
Large Sandstone Head of Shakyamuni Buddha Thailand (formerly Siam), Ayutthaya Kingdom 17th century 16 1/2 inches on stand, 11 1/3 without Private collection, France. The face is ...
Category

17th Century Other Art Style Figurative Sculptures

Materials

Sandstone

Indian Pink Sandstone Figure of a Deity, Central India, 11th/12th century
Located in SANTA FE, NM
Indian Pink Sandstone Torso of Brahma Central India, ca. 11th/12th century Pink Sandstone 22 inches, 25 inches on base The Hindu deity Brahma c...
Category

15th Century and Earlier Other Art Style Figurative Sculptures

Materials

Sandstone

Antique 19th cent. Dog Portrait Jack Russell Terrier by Pierre-Albert Laplanche
Located in SANTA FE, NM
Antique Bronze Dog Portrait of a Terrier Pierre-Albert Laplanche (French, 1826-1873) Signed in script to base "Laplanche" Stamped "E.V 3753" 8 x 2.75 x 8 1/4 inches This is a super...
Category

Mid-19th Century Academic Figurative Sculptures

Materials

Bronze

You May Also Like

Italian Neoclassical Sculptural Group in Alabaster "The Rape of the Sabine Women" 18th
Located in Pistoia, IT
"The Rape of the Sabine Women," veined alabaster, large sculptural group with classical subject, Volterra manufacture, 18th century. The so-called Rape of the Sabine Women is a scu...
Category

1790s Italian School Figurative Sculptures

Materials

Alabaster

Neapolitan Girl
By Emilio Fiaschi
Located in Astoria, NY
Emilio Fiaschi (Italian, 1858-1941) Neapolitan Girl Alabaster Bust, late 19th century, depicting a young girl hiding her face behind her hands, on a socle, signed "E Fiaschi" to back...
Category

Late 19th Century Italian School Figurative Sculptures

Materials

Alabaster

Female Figure Bust
Located in Astoria, NY
Italian School Female Figure Carved Alabaster Bust, late 19th century, the portrait with tied back hair and flowing dress tied at her breast, on a rockwork plinth, unsigned. 26" H x ...
Category

Late 19th Century Italian School Figurative Sculptures

Materials

Alabaster

Large Neoclassical White Marble Sculpture Venus Italica mid-19th century
Located in Pistoia, IT
Venus Italica, imposing sculpture in white Carrara marble, mid-nineteenth-century Roman atelier. Antonio Canova made several sculptures depicting Venus. The first was made as compen...
Category

Mid-19th Century Italian School Figurative Sculptures

Materials

Marble

Venus Colca Neoclassical Marble Sculpture early 19th century
Located in Pistoia, IT
Crouching Venus, neoclassical Carrara marble sculpture, early 19th century. An 18th-century English tourist to Florence wrote that of all the Venuses in the Uffizi, "only one grace...
Category

Early 19th Century Italian School Figurative Sculptures

Materials

Marble

Figurative Marble Sculpture, "Kindred"
By TONY GANGITANO
Located in San Diego, CA
This is a one of a kind Italian white Carerra marble sculpture by San Diego artist Tony Gangitano. Its dimensions are 10" x 25" x 10". It is on a black granite base. A certificate of authenticity will follow delivery. This sculpture is a representation of Mary and Christ...
Category

2010s Italian School Figurative Sculptures

Materials

Granite, Marble

Recently Viewed

View All