Bruce R. MacDonald

Deco Strata

2021

The art on the wall is not the piece of metal. The art is the way your eyes read the space created by the light reflecting off the surface. These panels have effects that are dramati...

Sensual bronze sculpture.

The art on the wall is not the piece of metal. The art is the way your eyes read the space created by the light reflecting off the surface. These panels have effects that are dramatic and immediately apparent and another level of perception that is only apparent with prolonged study. Letting one’s eyes relax and simply gazing will yield bits of reflected light that curve away and behind other objects, swirls and shimmering lines that lift into the space in front of the surface. Aside from the dimensionality, these pieces can function like a diffraction grating—if one looks closely all hues of the spectrum can be seen on the surface. These are light sculpture, objects that change exactly the way sculpture changes as one walks around it. They are not meant to represent things. They are themselves and invite you to get to know and understand them. On the outside Bruce R. MacDonald’s work seems like frozen video displays lifted from the walls of some 22nd Century environment; while on the inside they have the detailing and complexity of sun sparkles on the ocean, the diversity of the forest floor, maps of some celestial event or pure abstractions of a particular moment of organic consciousness. The artist graduated with a degree from Haverford College in 1981 and decided to create physical objects. “After college I was tired of only having sheets of paper to show for long days of work. With metal, after forty hours, I had something tangible, something that would survive, and something that might be here forever.” The Museum of Science and Industry in London featured his helix CD rack...

The art on the wall is not the piece of metal. The art is the way your eyes read the space created by the light reflecting off the surface. These panels have effects that are dramati...

- This piece is exceptionally textural and reflective. - The composition wraps around the edges of Roots² making it visually intriguing from all angles (see photo). - M. Clark uses a...

Oil & gold leaf on canvas.

Xawery Wolski Vestido de Oro I (Gold Dress I), 2015 Terracotta, gold glaze 67" x 60" x 3" Polish-born sculptor Xawery Wolski works in a variety of materials: bronze, terracotta, w...

Angela Ellsworth Pantaloncini: Work No. 012 (Emma), 2017 47,160 pearl corsage pins, colored dress pins, fabric, steel 25”h x 18"w x 12”d Angela Ellsworth is an interdisciplinary artist who works in sculpture, drawing, installation, and performance. Her solo and collaborative work draws on a broad range of topics: illness (particularly her personal battle with cancer in her twenties), physical fitness, endurance, religious traditions (influenced by her family’s history and especially her great, great, grandfather, Lorenzo Snow, who was the fifth prophet and president of the Church of Jesus Christ of Latter Day Saints), and social issues (such as queerness and non-heteronormative relationships in contemporary society as well as the tradition of polygamy with the early history of Mormonism.) Addressing the secret languages pulsing beneath officially-sanctioned accounts of history and religion, Ellsworth’s mysterious, entrancing objects and performances draw lines of communication between her Mormon ancestry and the work of 19th and 20th century female mystics, delving into an unspoken realm of gestural language, psychic connection, and sensuous geometry. In 2014, she founded the Museum of Walking, which is committed to conversations about land, action and site within the context of art. Ellsworth holds a MFA in painting and performance from Rutgers University and a BA in photography and painting from Hampshire College. Her work has been shown internationally including at The Getty Center (CA), Museum of Contemporary Art (Sydney, Australia), Zacheta National Gallery of Art (Warsaw, Poland), National Review of Live Art...

Dimensions are variable.

Eighteen bright golden chrysalis sculptures had in a grid on metal specimen pins. Each chrysalis is meticulously hand sculpted in a durable epoxy clay without the use of molds and p...

This hand built porcelain beetle with resilient wire and epoxy clay legs hauling a wheel-thrown earthenware bowl was created by New York artist, Betha...

This ceramic work is from artist Keita Suto’s “dress” series. Suto (b. 1982, Ibaraki prefecture) obtained his Masters in Fine Arts from the Kyoto University of Art and Design (2007). He creates intentionally broken or contorted objects with wet clay, then with his contemporary take on the traditional kintsugi process of repairing ceramics...