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Daido MoriyamaSigned Daido Moriyama skate decks: set of 2 works ( Daido Moriyama photography)2019
2019
$2,000
£1,508.52
€1,742.35
CA$2,802.14
A$3,115.82
CHF 1,631.19
MX$38,060.28
NOK 20,497.46
SEK 19,281.97
DKK 13,006.54
About the Item
Hand-signed Daido Moriyama Skateboard decks: set of 2 individual works:
These works originated as a result of the collaboration between the legendary Japanese street photographer Daido Moriyama & Evisen Skateboards. The decks feature Moriyama's signature style street photography amidst bold, standout hand signatures. A unique wall art set featuring officially licensed imagery of Daido Moriyama. Makes for fantastic wall-art that hands with ease.
Medium: Offset Print on 2 individual maple wood skateboard decks.
Approximate Dimensions: 8.0 x 31 inches (applies to each individually).
Hand signed "Daido Moriyama" by artist in silver marker featuring his name in Japanese characters.
Minor shelf wear. In otherwise, good overall condition.
Each from a sold out a limited edition of unknown.
This work was created with the permission of photographer Daido Moriyama.
Provenance: Akaio Nagasawa Gallery.
Daido Moriyama (Japanese, b.1938) is a prolific Japanese artist, well-known as a photographer, graphic designer, and writer. Moriyama was born in Ikeda City, Osaka, Japan. He studied photography at the Takeji Iwamiya studio in Osaka before moving to Tokyo in 1961 to meet the members of VIVO. Moriyama became an assistant to Eikoh Hosoe, and gained access to the Tokyo photo world through this position.
In 1968, Moriyama produced a collection of photographs, Nippon gekijo shashincho, in high-contrast, in which he focused on the indigenous world or the few indigenous things that had not been corrupted by the rapidly industrializing world. Around the same time he produced this collection, he began to draw the attention of many young and aggressive artists, most of them photographers, by becoming involved in the group magazine Provoke. Other artists who also participated in this group magazine project include Koji Tagi, Yutaka Takanashi, Takuma Nakahira, and Takahiko Okada. Apart from Provoke, Moriyama also contributed to other magazines, such as Camera Mainichi, Asahi Journal, and Asahi Camera.
His collections of photographs, which portray vivid physical sensibility, are numerous and include Hikari, Karyudo, and Nakaji eno tabi. Moriyama has an uncanny ability of discovering isolated and often neglected parts of cities and exposing them to the world through his photographs. In addition, most of his photographs, which mainly consist of familiar objects and scenes, are viewed in harsh brilliance.
In the 1970s, Moriyama was plagued by personal problems and was not productive in matters of art, only regaining focus in the early 1980s, and even being awarded the Photographer of the Year Award by the Photography Society (Shashin Kyokai). He has exhibited in various institutions, such as the San Francisco Museum of Modern Art in 1999 and the New York Museum of Modern Art in 1974. Moriyama currently lives and works in Tokyo.
Related Categories
Street photography. Fashion photography. Nude. Erotic. William Klein. Nan Goldin. Women. Pop art. Street Art. Skate art. Skateboard.
- Creator:Daido Moriyama (1938, Japanese)
- Creation Year:2019
- Dimensions:Height: 31 in (78.74 cm)Width: 8 in (20.32 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:NEW YORK, NY
- Reference Number:1stDibs: LU354310575692
Daido Moriyama
Daido Moriyama (b. 1938) is a renowned Japanese photographer celebrated for his raw, grainy, and high-contrast black-and-white images that capture the gritty, chaotic energy of post-war urban life in Japan. Born in Osaka, Moriyama began his career as a graphic designer before turning to photography in the 1960s, influenced by the avant-garde Provoke movement, which sought to challenge traditional notions of photography with an expressive, unpolished style. Moriyama's work often focuses on the darker side of city life, portraying fleeting moments of alienation, desire, and transience in Tokyo’s streets. His iconic series, Farewell Photography (1972), and his book Shashin yo Sayonara, pushed the boundaries of photographic convention, using blurred, out-of-focus images to evoke the fragmented nature of memory and modern existence. His career has spanned over six decades, and he remains a vital figure in contemporary photography, inspiring generations with his provocative and innovative approach to capturing urban reality.
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