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Eleanor AldrichCERAMIC MASK (Brown) - 5.5 x 6.5 - Ceramic and Brown, Glossy Glaze, 20192019
2019
About the Item
This ceramic gas mask is part of a collection of work that Eleanor Aldrich made in 2019.
- Creator:Eleanor Aldrich (American)
- Creation Year:2019
- Dimensions:Height: 5.5 in (13.97 cm)Width: 6.5 in (16.51 cm)Depth: 3.75 in (9.53 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Signal Mountain, TN
- Reference Number:1stDibs: LU98516701322
Eleanor Aldrich
Eleanor Aldrich was born in Springerville, Arizona. A participant at the Skowhegan School of Painting and Sculpture in Maine, she also holds an MFA in Painting & Drawing from the University of Tennessee, Knoxville, where she currently lives. She earned her BFA in Painting & Drawing through the Academie Minerva (Groningen, the Netherlands) and Northern Arizona University, Flagstaff. She was a participant in the Drawing Center’s first Open Sessions, and works in a long-distance collaboration ALDRICH & WEISSBERGER with the artist Barbara Weissberger. Eleanor has had solo shows in Boston, Nashville, Knoxville, Flagstaff, AZ, and at the University of Alabama. Her work has been shown at Saltworks Gallery and White Space (Atlanta, GA), the Drawing Center (New York, NY), Grin (Providence, RI) and Ortega y Gasset (New York, NY). Her work was chosen for 1708 Gallery’s ‘FEED 2013’ (Richmond, VA). She has been awarded an Endowment for the Arts through the Whiteman Foundation, and the Herman E. Spivey Fellowship. Her work has been included in New American Paintings, and reviewed in Art in America and on Artforum. Statement: My work is about the places where the concerns of modernist painting meet my own experiences and the physical reality of the body. Sometimes the encounter is in the application – paint is combed, piped, squished, and sprayed, and paper transfers are rubbed off; playing with ideas of femininity and the purity of paint. The material squeeze invites the empathy of the body and is at times funny, beautiful, revolting, and satisfying. The grid appears as a support- a resist that molds the material as it presses through. In this way the material is metaphoric of conformity and issues of control over one’s body.
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- ShippingRetrieving quote...Ships From: Signal Mountain, TN
- Return PolicyA return for this item may be initiated within 14 days of delivery.
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- CERAMIC MASK - Eleanor Aldrich - 5.5 x 6.5 - Ceramic and Glaze, 2019By Eleanor AldrichLocated in Signal Mountain, TNThis ceramic gas mask is part of a collection of work that Eleanor Aldrich made in 2019.Category
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- CELLO IN THE SNOW - oil, enamel, glazed ceramic and canvas on panel, texturalBy Eleanor AldrichLocated in Signal Mountain, TNA cello is held up between the legs of its accompanying musician in a snowy landscape. Snow has collected on the protruding bits of Cello and on the tops of the musician's knees. Though we can't see the face of the musician, we see their bare arms, folding upwards, as if they have buried their face in their hands. -- Building on her previous show, Main Squeeze, which featured bodies pressing through the grid of lawn chairs, in “That Feeling When,” Aldrich expands the excess of materials to large figure paintings...Category
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