Albert Wein

Naomi Seated

1965

ROBERTO LISANO "HOMBRE" WOOD, SIGNED COSTA RICA, DATED 1995 13 X 11.5 INCHES Roberto Lisano Born 1951 Lizano in the work of the significance of the matter is ess...

ULISES JIMENEZ "GUITARIST" WOOD, SIGNED COSTA RICA, C.2005 40 INCHES Ulises Jiménez Obregón was born in La Mansion de Nicoya, Costa Rica, in November 1953. He studied Pl...

LORRIE GOULET "STANDING NUDE" WOOD, SIGNED AMERICAN, DATED 1963 52 INCHES Lorrie Goulet Born 1925 Biography from David Findlay Jr. Gallery "Geometry and Flesh: The Sculpture a...

ULISES JIMENEZ "BAJISTA" METAL, SIGNED COSTA RICA, 2023 32.25 INCHES Ulises Jiménez Obregón was born in La Mansion de Nicoya, Costa Rica, in November 1953. He studied Plas...

Pascal Jarrion was born in Perpignan, France, in 1961, a region known for its Catalan culture and an area that has influenced many artists before him, i...

ULISES JIMENEZ "MUSICA" METAL, SIGNED COSTA RICA, 2022 30 INCHES Ulises Jiménez Obregón was born in La Mansion de Nicoya, Costa Rica, in November 1953. He studied Plastic Arts at the Autonomous University of Central America. 1992 He attended the drawing and painting workshop of the painter Eduardo Barracosa, and followed courses of painting at the ESEMPI School of Art, with the painter Francisco Alvarado Avella. In addition to making sculptures in wood and stone "nicoya marble", he is also a painter. As a sculptor he has around 300 sculptures cataloged and sold all over the world, with works in Europe, Latin America, North America, Canada and Asia. EXHIBITIONS: From 1984 to 2010, he has participated in more than 50 group exhibitions, among others: National Exhibition of Plastic Arts of the Costa Rican Art Museum. Zentic Art Exhibition at the Old Customs National Museum of Costa Rican Art and Embassy of Japan, September 2010. Painting Contest of the North American Costarican Cultural Center. Drawing Contest of the Costa Rican Social Security Fund. He has participated in the following sculpture exhibitions and symposiums: I Meeting of Pacific Sculptors, held in Canton de Orotina in 2006. International Sculpture Meeting in Punta Arenas 2007. Sculptural Encounter of San Ramón 2008. I Symposium of Guadalupe 2009. IV International Credomatic Sculpture Symposium, Barva de Heredia, February 2009. He was selected for the Second Biennial of Painting and Sculpture of the ICE Group, March 2009. II Symposium of Guadalupe, 2010. Sculptural Exhibition 2010 organized by the Municipal School of Integrated Arts of Santa Ana, (March-April 2010). I International Symposium of Plastic Arts, Tejeda, Gran Canaria...

Illustrated: "Walt Kuhn, Painter, His Life and Work, by Phillip Rhys Adams, page 67, plate 27, Courtesy of Kennedy Galleries-Kuhn Estate Kuhn’s sculptures were collected by the noted early modernist collector John Quinn (1870-1924). Among the works in Quinn’s collection was the icon Brancusi Portait of Mlle Pogany, the work that inspired Kuhn to create the wood carving “Mask” (FA10815). Mlle Pogany was chosen by Kuhn for exhibition at the Armory Show, 1913. Other sculptures by Kuhn are in the collections of the Smithsonian Museum and the Heckscher Museum. The group of 15 wood carvings came from the estate of the artist to his daughter Brenda Kuhn. The Kuhn Estate (Brenda) originally worked with Kennedy Galleries of New York who published a detailed illustrated catalog of offerings from the estate in 1967. The estate left Kennedy Galleries some time prior to 1983. They established estate representation with Barridof Galleries of Portland, Maine in partnership with Salander O’Reilly Galleries Inc. of New York. This partnership published a monograph catalog on the artist in 1984. Of our group of 15 works, three of the early c. 1913 examples have Salander O’Reilly labels affixed to them. The group of works were involved in the Salander O’Reilly bankruptcy liquidation where they were bought from. There have been several related examples that have come to auction since the year 2000. In 1912, Kuhn was one of the founders of the organization Association of American Painters and Sculptors, the organizing body for what became known as The Armory Show, 1913. The Heckscher Museum exhibition, European Modernism, as Told by Americans, gives insight in to Kuhn’s travels, artistic associations and the influences on his artwork. “In 1912 Kuhn traveled through Europe securing loans from artists and dealers to represent Impressionism, Post Impressionism and the newer strains of art like Fauvism and Cubism. Inspired by these developments, Kuhn tried out Fauvism and Cubism for himself.” “Kuhn would later become an adviser to collectors like John Quinn and Lillie Bliss, a supporter of the Armory Show and later one of the founders of the Museum of Modern Art.” Quinn acquired seven Kuhn sculptures in wood, bronze and gilt bronze which are listed in his estate inventory. This work is directly inspired by an Archipenko sculpture, Negress (La Negresse...

This painted wood assemblage sculpture by Italo Scanga, epitomizes the characteristics of his oeuvre. Polychrome head portrait bust. This was signed on a brass or bronze plaque but that has gone missing. It is unsigned. I believe there might be a studio stamp on the bottom. Italo Scanga (June 6, 1932 - July 7, 2001), an Italian-born American artist, was known for his sculptures, prints and, paintings, mostly created from found objects. In his youth in Calabria, Italy he worked as a cabinetmaker's apprentice and studies sculpture with a man who carved statues of saints. Italo Scanga was an innovative neo Dada, neo-Expressionist, and neo-Cubist multimedia artist who made assemblage, collage, sculptures of ordinary objects and created prints, glass, and ceramic works. Modern Italian abstract geometric folk art. Scanga's materials included natural objects like branches and seashells, as well as kitsch figurines, castoff musical instruments and decorative trinkets salvaged from flea markets and thrift shops. He combined these ingredients into free-standing assemblages, which he then painted. Although visually ebullient, the results sometimes referred to gruesome episodes from Greek mythology or the lives and deaths of martyred saints. He considered his artistic influences to be sweepingly pan-cultural, from African sculpture to Giorgio de Chirico. He often collaborated with the sculptor Dale Chihuly, who was a close friend. Constructed of wood and glass, found objects or fabric, his ensembles reflect a trio of activities—working, eating, and praying. These activities dominate the lives of those who live close to the land, but they are also activities that are idealized by many who contemplate, romantically, a simpler, bucolic life. Italo graduated from Michigan State University where he befriended fellow artists Richard Merkin and David Pease. He studied under Lindsey Decker who introduces him to welding and sculpture after his initial interest in photography. Also studies with Charles Pollock, the brother of Abstract Expressionist Jackson Pollock. His first teaching job was at University of Wisconsin (through 1964). where he met Harvey Littleton, a fellow instructor. He later moves to Providence, Rhode Island,I to teach at Rhode Island School of Design (RISD). Is colleagues with artists Richard Merkin and Hardu Keck. Starts a correspondence with HC Westermann. Spends summers teaching at Brown University; colleague of Hugh Townley. Moves to State College, PA, and teaches at Pennsylvania State University for one year. Meets artists Juris Ubans, Harry Anderson, Richard Frankel, and Richard Calabro, who remain friends throughout his career. 1967: David Pease helps him get a tenure track position at Tyler School of Art in Philadelphia, PA, . Artists he works closely with include Ernest Silva, Lee Jaffe, Donald Gill, and William Schwedler. Meets graduate student Dale Chihuly while lecturing at RISD and develops a lifelong friendship. 1969: One person exhibition, Baylor Art Gallery, Baylor University, Waco, TX. Works very closely with students Larry Becker and Heidi Nivling (who later run a gallery in Philadelphia, PA), and Harry Anderson. Welcomes many artists into his home including Donald Judd, Dan Flavin, Bruce Nauman (a former student), Vito Acconci, Ree Morton and Rafael Ferrer. 1973: "Saints Glass" at 112 Greene Street Gallery, NYC. Installation at the Institute of Contemporary Art at University of Pennsylvania, Philadelphia, PA. Meets Gordon Matta Clark and contributes to an artist cookbook. Goes to Pilchuck Glass School, Stanwood, WA, founded by Dale Chihuly, as a visiting artist. He continues to work there annually through 2001. Works over the years with Pilchuck artists Richard Royal, Seaver Leslie, Jamie Carpenter, Joey Kirkpatrick, Flora Mace, Robbie Miller, Billy Morris, Buster Simpson, Toots Zynsky, Howard Ben Tre...

Cubist style abstract mixed-media sculpture titled 'Blue Tone Tower' was created using various materials including wood, papier-mache, and paint by Bill Low ...

Mariko’s Asterion is an unique contemporary dark brown sandstone sculpture inspired from the greek mythology, the african culture and the cubist movement. Mariko grew up in Africa...

The ultimate ride of the Christians Samurais riding their rhinoceroses. Historical work by the sculptor Mariko about the troubled period of the 17th. Century where the Christians wer...

Mariko’s Gouvernante is an unique contemporary sandstone sculpture painted with red, purple, black and white enamel. The geishas collection of the artist expresses the various faces ...