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Alex HodgeOf Course, You Weren’t Made to Be Subservient, Large Carved Porcelain Vase2015
2015
$3,500
£2,687.85
€3,080.24
CA$4,927.14
A$5,519.48
CHF 2,876.15
MX$67,326.27
NOK 36,549.30
SEK 34,463.39
DKK 22,990.09
About the Item
This vessel is one of many in the series titled Unsung Muses and illustrates some of the enigmatic narratives surrounding Lilith. In one frame she soaks up the full moon in all her glory, and in another, she is seen eating a child. The story goes that she was punished for not being submissive to Adam; in one tale, she is cursed to eat her own children and in another to watch 100 of her babies die every day for the rest of time. While Lilith has been demonized, feminist scholars have taken a different perspective of her story. Today, many women see her story as representing all of us who do not wish to be considered less than anyone else, and in this way, Lilith becomes a symbol of divine feminine power.
"Unsung Muses is a group of large-scale vessels, wall pieces, and small sculptures which comprised a solo exhibition at the University of Georgia's School of Art in October 2015. The works were accompanied by an excerpt from an Adrienne Rich poem titled "Transcendental Etude." The excerpt reads: "But in fact we were always like this, rootless, dismembered: knowing it makes the difference. Birth stripped our birthright from us, tore us from a woman, from women, from ourselves so early on and the whole chorus throbbing at our ears like midges, told us nothing, nothing of origins, nothing we needed to know, nothing that could re-member us."
Alex Hodge is an artist-ceramist primarily interested in creating work that juxtaposes the canon of Western art with the lived experiences of contemporary women. As a queer woman growing up in the rural south, she became familiar with the feeling of being on the periphery, spending her youth wandering the woods, collecting material for small sculptures and creating stories for herself.
Alex Hodge grew up on a blueberry farm in South Georgia where she learned the value of cultivating the earth. Currently based in Miami, Florida, Hodge focuses on prioritizing women’s narratives in all aspects of her work. Her poetic porcelain objects examine and reimagine the history of art in a way that values women, not only in body, but in wholeness, power, and love. By combining sculptural and drawn elements, such as carved and painted patterns, her works create a dialogue between space and line, form and surface for a dynamic viewing experience. Often limiting her color palette to black and white, she uses the carving technique called sgraffito to incise her pieces with drawings, her own text, and pattern. Focusing on the narrative qualities of art-making, Hodge weaves stories into the clay which are both personal and universal. Through the decorative and symbolic details, she hints at narratives without completing them to invite the viewer to participate in creating meaning. The women she invents exist in the present but are of the imagined future in which we all have room to flourish, tell our stories, give and receive love, and express the beauty and pain of the human condition. Fundamentally, her artworks are a celebration of the tenacity and vulnerability of women and clay, an interplay of history and hope.
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