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Alex Hodge
Madame Monarch Portrait. Carved Porcelain Wall Sculpture

2019

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Tribute to Astarte and Her Spirit of Tenacity. Large Carved Porcelain Vase
Located in Miami Beach, FL
This vessel is part of the Unsung Muses series, and it illustrates various versions of the Goddess Astarte in juxtaposition with rows of pattern and text. The text on the body of the...
Category

2010s Other Art Style Abstract Sculptures

Materials

Ceramic, Clay, Porcelain, Paint

Reimagining the Divine as You. Large Carved Porcelain Vase
Located in Miami Beach, FL
This vessel is a part of the series Unsung Muses and references art historical imagery such as Botticelli’s Venus, the Minoan Snake Goddess, Hera, and th...
Category

2010s Other Art Style Figurative Sculptures

Materials

Ceramic, Clay, Porcelain, Paint

Two sculptures. The In Light of Her Series. Porcelain, with hand-painted details
Located in Miami Beach, FL
The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women. The couples care for one another and are so consumed in their connection that the viewer is ignored. They do not exist for the viewer’s fantasy because their desires are already fulfilled. Through these three bodies of work, she creates archival objects which combine to build a narrative of women’s power, based on the Love Ethic, as discussed by bell hooks in her book, All About Love. Furthermore, notions of power are investigated in tandem with Mary Follett’s writings on power, which delineate Western conception as power-over, and the feminist ideal as power-with. Alex Hodge...
Category

2010s Figurative Sculptures

Materials

Gold

Set of Four Carved Porcelain Vases
Located in Miami Beach, FL
This vessel is the first of the Unsung Muses series, and it references two compositions by Cezanne in which women are seen bathing, undisturbed by the voyeurism of the artist and/or viewer. However, in my version, the two women on the “back” are staring straight out at the audience as if they are perturbed by our interruption. The text reads from front to back, “we are not here for / your viewing pleasure.” This piece is meant to speak to the way women are constantly objectified and ogled for male gratification while offering a firm statement on our autonomy. Unsung Muses is a group of large-scale vessels, wall pieces, and small sculptures which comprised a solo exhibition at the University of Georgia's School of Art in October 2015. The works were accompanied by an excerpt from an Adrienne Rich poem titled "Transcendental Etude." The excerpt reads: "But in fact we were always like this, rootless, dismembered: knowing it makes the difference. Birth stripped our birthright from us, tore us from a woman, from women, from ourselves so early on and the whole chorus throbbing at our ears like midges, told us nothing, nothing of origins, nothing we needed to know, nothing that could re-member us." Alex Hodge...
Category

2010s Sculptures

Materials

Ceramic, Clay, Porcelain, Paint

The Ecstasy of St. Teresa. Porcelain Sculpture, with hand-painted detail
Located in Miami Beach, FL
“This piece is a part of the Historic Jar Collection and references Bernini’s marble sculpture of the same name. While Bernini created an erotic scene to be housed in the Cornaro Cha...
Category

2010s Other Art Style Figurative Sculptures

Materials

Gold

Four Sculptures from the Historic Jar Series. Porcelain with hand-painted detail
Located in Miami Beach, FL
The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women. The couples care for one another and are so consumed in their connection that the viewer is ignored. They do not exist for the viewer’s fantasy because their desires are already fulfilled. Through these three bodies of work, she creates archival objects which combine to build a narrative of women’s power, based on the Love Ethic, as discussed by bell hooks in her book, All About Love. Furthermore, notions of power are investigated in tandem with Mary Follett’s writings on power, which delineate Western conception as power-over, and the feminist ideal as power-with. Alex Hodge...
Category

2010s Figurative Sculptures

Materials

Gold

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