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Alex Hodge
Six Sculptures From The In Light of Her Series Porcelain with handpainted detail

2019

$9,950
£7,688.10
€8,888.17
CA$14,060.07
A$15,769.30
CHF 8,258.14
MX$191,612.41
NOK 104,864.54
SEK 99,418.97
DKK 66,345.54

About the Item

The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women. The couples care for one another and are so consumed in their connection that the viewer is ignored. They do not exist for the viewer’s fantasy because their desires are already fulfilled. Through these three bodies of work, she creates archival objects which combine to build a narrative of women’s power, based on the Love Ethic, as discussed by bell hooks in her book, All About Love. Furthermore, notions of power are investigated in tandem with Mary Follett’s writings on power, which delineate Western conception as power-over, and the feminist ideal as power-with. Alex Hodge is an artist-ceramist primarily interested in creating work that juxtaposes the canon of Western art with the lived experiences of contemporary women. As a queer woman growing up in the rural south, she became familiar with the feeling of being on the periphery, spending her youth wandering the woods, collecting material for small sculptures and creating stories for herself. Set of Six Pieces: Spirit of the Dead is Watching, The Ecstasy of St. Teresa, Olympia, The Fruits of Our Labor, Who Washes the Feet of Mary Magdalene, and Pieta 2018 Porcelain and gold Set of 6 Overall dimensions: 18 H x 34.5 W x 9 D in. Individual dimensions: Spirit of the dead is watching: 7 H x 9 D in. The Ecstasy of St. Teresa: 18 H x 4.5 D in. Olympia, 2019: 15 H x 5 W x 5 D in. The Fruits of Our Labor: 14.5 H x 5 W x 4.5 D in. Who Washes the feet of Mary Magdalene: 16.5 H x 5 W x 5.5 D in. Pieta: 13.5 H x 6 W x 5.5 D in. Six pieces can be sold separately Unique Porcelain Jars
  • Creator:
    Alex Hodge
  • Creation Year:
    2019
  • Dimensions:
    Height: 18 in (45.72 cm)Width: 34.5 in (87.63 cm)Depth: 9 in (22.86 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Miami Beach, FL
  • Reference Number:
    1stDibs: LU453315983092

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Four Sculptures from the Historic Jar Series. Porcelain with hand-painted detail
Located in Miami Beach, FL
The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women. The couples care for one another and are so consumed in their connection that the viewer is ignored. They do not exist for the viewer’s fantasy because their desires are already fulfilled. Through these three bodies of work, she creates archival objects which combine to build a narrative of women’s power, based on the Love Ethic, as discussed by bell hooks in her book, All About Love. Furthermore, notions of power are investigated in tandem with Mary Follett’s writings on power, which delineate Western conception as power-over, and the feminist ideal as power-with. Alex Hodge...
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Gold

Olympia.Porcelain Sculpture with hand-painted details
Located in Miami Beach, FL
This piece recalls Manet’s painting of the same name. While Manet sought to confront the viewer with Olympia’s gaze, as she was a known sex worker, Hodge’s ...
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2010s Other Art Style Figurative Sculptures

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Gold

Two sculptures. The In Light of Her Series. Porcelain, with hand-painted details
Located in Miami Beach, FL
The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...
Category

2010s Figurative Sculptures

Materials

Gold

The Fruits of Our Labor. The Historic Jar Series. Porcelain
Located in Miami Beach, FL
The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...
Category

2010s Figurative Sculptures

Materials

Gold

Two sculptures. The In Light of Her Series. Porcelain, with hand-painted details
Located in Miami Beach, FL
The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women. The couples care for one another and are so consumed in their connection that the viewer is ignored. They do not exist for the viewer’s fantasy because their desires are already fulfilled. Through these three bodies of work, she creates archival objects which combine to build a narrative of women’s power, based on the Love Ethic, as discussed by bell hooks in her book, All About Love. Furthermore, notions of power are investigated in tandem with Mary Follett’s writings on power, which delineate Western conception as power-over, and the feminist ideal as power-with. Alex Hodge...
Category

2010s Figurative Sculptures

Materials

Gold

Pieta. Porcelain Sculpture with hand-painted details
Located in Miami Beach, FL
“This piece is part of the Historic Jar Collection and represents a new perspective on the Pieta. Throughout history, the Pieta is a form of narrative that represents Mary holding Jesus after his crucifixion. By replacing Jesus and loving Mary’s traditional appearance, the two women's images become the apex of women caring for other women.” The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women...
Category

2010s Other Art Style Figurative Sculptures

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