Items Similar to Buffalo Dancer Medallion, bronze pueblo buffalo dancer dark brown, Allan Houser
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Allan HouserBuffalo Dancer Medallion, bronze pueblo buffalo dancer dark brown, Allan Houser1970
1970
About the Item
Bronze medallion depicting a Pueblo Buffalo Dancer in relief form. Among Houser's first bronze work created and cast in the artist's lifetime at Nambe Foundry in New Mexico.
Allan Houser (Haozous), Chiricahua Apache (1914-1994)
Selected Collections
Centre Georges Pompidou, Paris, France * “They’re Coming”, bronze
Dahlem Museum, Berlin, Germany
Japanese Royal Collection, Tokyo, Japan “The Eagle”, black marble commissioned by President William J. Clinton
United States Mission to the United Nations, New York City, NY *"Offering of the Sacred Pipe”, monumental bronze by Allan Houser © 1979 Presented to the United States Mission to the United Nations as a symbol of World Peace honoring the native people of all tribes in these United States of America on February 27, 1985 by the families of Allan and Anna Marie Houser, George and Thelma Green and Glenn and Sandy Green in New York City.
National Portrait Gallery, Smithsonian, Washington, DC * Portrait of Geronimo, bronze
National Museum of American Art, Smithsonian, Washington, D.C. * “Buffalo Dance Relief”, Indiana limestone
National Museum of the American Indian, Smithsonian, Washington, D.C. *Sacred Rain Arrow, (Originally dedicated at the US Senate Committee on Indian Affairs, US Senate Building) “Goat”, “To The Great Spirit” - dedicated in 1994 at the Vice President’s Residence in Washington, D.C.. Ceremony officiated by Hillary Rodham Clinton and Tipper Gore.
Oklahoma State Capitol, Oklahoma City, Ok * “As Long As the Waters Flow”, bronze
Gilcrease Museum, Tulsa, OK *Sacred Rain Arrow, bronze
Fort Sill, Oklahoma *”Chiricahua Apache Family”, bronze Donated and dedicated to Allan Houser’s parents Sam and Blossom Haozous by Allan Houser and Glenn and Sandy Green
The Heard Museum, Phoenix, Arizona *Earth Song, marble donated by Glenn and Sandy Green
The Clinton Presidential Library, Arkansas * “May We Have Peace”, bronze
The George H.W. Bush Presidential Library, College Station, Texas *"Offering to the Great Spirit", bronze
The British Royal Collection, London, England *Princess Anne received "Proud Mother", bronze in Santa Fe
Allan Houser’s father Sam Haozous, surrendered at the age of 14 with Geronimo and his band of Warm Springs Chiricahua Apache people in 1886 in Southern Arizona. This was the last active war party in the United States.
This group of Apache people was imprisoned for 27 years starting in Fort Marion, Florida and finally living in captivity in Fort Sill, Oklahoma.
Allan Houser was born in 1914.
His artwork is an ongoing testimony to Native life in America – its beauty, strength and poignancy. Allan Houser is from the culture and portrayed his people in an insightful and authentic way. Because of the era in which he lived, he had a rare understanding of American Indian life. Allan was the first child born after the Chiricahua Apaches were released from 27 years of captivity. Allan grew up speaking the Chiricahua dialect. Allan heard his father’s stories of being on the warpath with Geronimo and almost nightly heard his parents singing traditional Apache music. Allan’s father knew all of Geronimo’s medicine songs.
Allan had an early inclination to be artistic. He was exposed to many Apache ceremonial art forms: music, musical instruments, special dress, beadwork, body painting and dynamic dance that are integral aspects of his culture. His neighbors were members of many different tribes who lived in Oklahoma. Allan eagerly gained information about them and their cultures. Allan gathered this information and mentally stored images until he brought them back to life, years later, as a mature artist.
Allan Houser was represented by Glenn Green Galleries (formerly known as The Gallery Wall, Inc.) from 1973 until his death in 1994. The gallery served as agents, advocates, and investors during this time.
In 1973 the Greens responded enthusiastically to the abstraction and creativity in Houser’s work. They were impressed, not only with his versatility and talent but with the number of mediums he employed. His subject matter was portrayed in styles ranging from realism, stylized form to abstraction.
With encouragement from the Greens, Houser at the age of 61, retired from his post as the head of the sculpture department at the Institute of American Indian Arts in Santa Fe, New Mexico in 1975 to begin working full-time creating his art. The next 20-year period was an exciting time for Allan, the gallery, and for the Green family. He created a large body of sculpture in stone, wood and bronze. For many years Glenn Green Galleries co-sponsored many editions of his bronzes and acted as quality control for the bronze sculptures according to Houser’s wishes.
As both agents and gallery representatives, the Greens promoted and sold his art in their galleries in Phoenix and Scottsdale, Arizona and in Santa Fe, New Mexico. They had bi-annual exhibits in their galleries to feature Houser’s newest work and sponsored and arranged international museum shows in America, Europe and Asia. They travelled for these events including a trip to Carrara, Italy to the famed quarries of Michelangelo and together co-financed and arranged the purchase of 20 tons of marble.
A watershed event for Allan Houser’s career occurred in the early 1980’s when Glenn Green Galleries arranged with the US Information Agency a touring exhibit of his sculpture through Europe. This series of exhibits drew record attendance for these museums and exposed Houser’s work to an enthusiastic art audience. This resulted in changing the perception of contemporary Native art in the United States where Houser and Glenn Green Galleries initially faced resistance from institutions who wanted to categorize him in a regional way. The credits from the European exhibits helped open doors and minds of the mainstream art community in the United States and beyond.
Senator Daniel Inouye of Hawaii was a supporter of Allan Houser’s artwork. We worked with Senator Inouye on many occasions hosting events at our gallery and in Washington D.C in support of the formation of the Smithsonian’s National Museum of the American Indian in Washington, D.C. and other causes supporting Native Americans.
Allan Houser is shown below presenting his sculpture “Swift Messenger” to Senator Inouye in Washington, D.C.. This sculpture was eventually given to the National Museum of the American Indian, Smithsonian’s permanent collection. It is now currently on loan and on display in the Oval Office. President Biden’s selection of artwork continues our gallery’s and Allan’s connection to the White House from our time working with Allan Houser from 1974 until his passing in 1994.
“It was important for President Biden to walk into an Oval that looked like America and started to show the landscape of who he is going to be as president,” Ashley Williams, the deputy director of Oval Office operations, told The Washington Post. January 2021
- Creator:Allan Houser (1914 - 1994, Native American, Apache)
- Creation Year:1970
- Dimensions:Height: 3.5 in (8.89 cm)Width: 3 in (7.62 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Santa Fe, NM
- Reference Number:1stDibs: LU1912801873
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1966
1stDibs seller since 2015
93 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Santa Fe, NM
- Return PolicyA return for this item may be initiated within 2 days of delivery.
More From This SellerView All
- Learning to Fly, by Eduardo Oropeza, bronze, sculpture, father, child, brownBy Eduardo OropezaLocated in Santa Fe, NMLearning to Fly, by Eduardo Oropeza, bronze, sculpture, father, child, brown Learning to Fly, Eduardo Oropeza bronze sculpture of father and child, brown Sculptor, painter, printmaker, & photographer, Eduardo Oropeza remains a commanding presence in contemporary art. He applied a high level of devotion and integrity to his artwork. After the many years he had been working at his chosen profession, he saw being an artist as a tremendous gift, which honored and humbled him. A native of California's San Joaquin Valley and long-time resident of East Los Angeles, Oropeza's academic training began with the study of Sociology. After taking an art course, he ultimately changed majors and received a Master of Fine Arts degree in sculpture from San Jose State. Postgraduate work followed at San Jose, San Diego State at Long Beach and Palomar College. Oropeza’s contribution to public art in Los Angeles can be seen in a ceramic mosaic covering the 2 story Self Help Graphics Workshop building located at Ceasar Chavez and Gage streets in East Los Angeles. Oropeza donated his time and artistic talent to complete this multi-year project. The second phase of this project was the creation of a Virgin of Guadalupe shrine, shown here, for the community. Selected collections: Los Angeles County Museum of Art (LACMA), Hispanic Research Center, Arizona State University, City of Sacramento, California, Mary Tyler Moore...Category
1990s Contemporary Figurative Sculptures
MaterialsBronze
- Bus StopBy Eduardo OropezaLocated in Santa Fe, NMSculptor, painter, printmaker, & photographer, Eduardo Oropeza remains a commanding presence in contemporary art. He applied a high level of devotion and integrity to his artwork. Af...Category
1990s Contemporary Figurative Sculptures
MaterialsBronze
- Kachina Man and Woman bronze sculpture by Dan Namingha, Hopi, Kachina, brownBy Dan NaminghaLocated in Santa Fe, NMKachina Man and Woman bronze sculpture by Dan Namingha, Hopi, Kachina, brown limited edition bronze sculptureCategory
1970s Contemporary Figurative Sculptures
MaterialsBronze
- Truckin', by Rodger Jacobsen, female figure, bronze sculpture, steel baseBy Rodger JacobsenLocated in Santa Fe, NMTruckin', by Rodger Jacobsen, female figure, bronze sculpture, steel base,brown bronze sculpture on a fabricated steel pedestal Truckin' by Rodger Jacobsen, female figure, bronze ...Category
21st Century and Contemporary Contemporary Figurative Sculptures
MaterialsBronze, Steel
- Goddess of the ViolaBy Eduardo OropezaLocated in Santa Fe, NMSculptor, painter, printmaker, & photographer, Eduardo Oropeza remains a commanding presence in contemporary art. He applied a high level of devotion and integrity to his artwork. Af...Category
1990s Contemporary Figurative Sculptures
MaterialsBronze
- End of the Hunt, by Allan Houser, bronze, sculpture, wildlife, eagle, rabbitBy Allan HouserLocated in Santa Fe, NMEnd of the Hunt, by Allan Houser, bronze, sculpture, wildlife, eagle, rabbit Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selected Collections Centre Georges Pompidou, P...Category
1970s Contemporary Figurative Sculptures
MaterialsBronze
You May Also Like
- Kestrel, Cast Bronze Sculpture by British artist Paul HarveyBy Paul HarveyLocated in Battle, East SussexKestrel, Limited edition Cast Bronze by Paul Harvey This is an edition of 12 Cast by the Pangolin foundry, one of the best foundries in Europe, they are meticulous in every detail ...Category
2010s Contemporary Figurative Sculptures
MaterialsBronze
- Barn Owl, Cast Bronze Sculpture by British artist Paul HarveyBy Paul HarveyLocated in Battle, East SussexBarn Owl, Limited edition Cast Bronze by Paul Harvey This is an edition of 12 with only 3 editions remaining Cast by the Pangolin foundry, one of the best foundries in Europe, they ...Category
2010s Contemporary Figurative Sculptures
MaterialsBronze
- Pregnant WomanBy Caroline RussellLocated in London, GBCaroline started this sculpture when pregnant with her first child. She found becoming a mother an incredibly inspiring experience and wanted to reflect on the real privilege it was to watch her children grow and develop. This sculpture is available in an edition of 5 in foundry bronze. Caroline Russell...Category
Early 2000s Contemporary Figurative Sculptures
MaterialsBronze
- Mother and Children bronze sculpture by Caroline RussellBy Caroline RussellLocated in London, GBOne of the first sculptures Caroline made after her second child was born. Her children and her often used to sit in this position when they were small. They both used to want to sit on her lap at the same time, so sat on one knee each. Caroline Russell...Category
Early 2000s Contemporary Figurative Sculptures
MaterialsBronze
- The New BabyBy Caroline RussellLocated in London, GBIn this sculpture, started soon after the birth of Caroline's first child, the new baby is the focus of attention for both parents. This sculpture is available in an edition of 5 in foundry bronze. Caroline Russell...Category
Early 2000s Contemporary Figurative Sculptures
MaterialsBronze
- Family of Four sculpture by Caroline RussellBy Caroline RussellLocated in London, GBThis piece was inspired by Caroline's own family, both past and present. She grew up with a younger brother, and had two children boy and girl herself. Caroline Russell...Category
2010s Contemporary Figurative Sculptures
MaterialsBronze