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Amy YoungBlack Bat (MADE TO ORDER)2021
2021
$960
$1,20020% Off
£730.04
£912.5520% Off
€842.06
€1,052.5820% Off
CA$1,344.78
CA$1,680.9820% Off
A$1,505.08
A$1,881.3520% Off
CHF 785.89
CHF 982.3620% Off
MX$18,362.06
MX$22,952.5720% Off
NOK 9,975.80
NOK 12,469.7420% Off
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DKK 6,288.13
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About the Item
Amy Young
Black Bat
Year: 2021
Material: Stoneware, underglaze
Size: 18 x 11 x 6 inches
Signed
COA provided
Ref.: 924802-794
(MADE TO ORDER - Lead time may vary between 2-4 weeks)
-----------------------------------------
Amy Young (b.1991) is a multidisciplinary artist whose methods and focus in art is as diverse as her neurobiology. Young’s work primarily explores mental health awareness by means of metaphor and symbolism. Through an attention to detail, color, visual balance, and blended imagery, the work embodies the idea of personal mythology. Young is inspired by the ideas of mythos and fairy tales as they relate to the nature of being human. While ceramics and painting are the most utilized mediums in Young’s work, she also works with fiber, found objects, metals, and pyrography, often in conjunction, to create pieces that speak to the magical nature of the moments found between the strength and struggle of existing.
“There is fatigue so great that the body cries, even in sleep. There are times of complete frustration, there are daily small deaths.”-Martha Graham I started making pieces that reflected my journey with mental health consciousness when I moved to Kansas City in 2016 to attend the Kansas City Art Institute. I wanted to apply my education in psychology to my art practice in a more self reflective manner. Pursuing my undergrad degree gave me a place to begin this journey in a very intense, supportive, and taxing environment which demanded a greater amount of self awareness and reflection than I was previously used to. This body of work encompasses pieces from each of the years I’ve been on this path of self reflection and honoring the struggles I’ve faced in my life. Through the use of symbolism, the mission of these works is to bring beauty into the world from roots of real pain and loss. In facing my struggles with major depression, generalized anxiety, complex PTSD, and bipolar disorder, I wanted to find ways to communicate my experiences without trying to replicate them. The ceramic works have a strong focus on the mind, with themes of protection, struggle, and the roles of internal and external pressure put on myself and others who are facing these battles daily. The paintings in this grouping explore the impact of chronic physical conditions on mental health and vice versa. After getting COVID in early 2020 and learning to live with the effects of long COVID and the aftermath of a crashed immune system, I was forced to face my health holistically. With new battles of chronic fatigue, immune flare ups, and the frustration in having to relearn and accept my limitations, these are just the start of a visual conversation to be continued.
- Creator:Amy Young (1991, American)
- Creation Year:2021
- Dimensions:Height: 18 in (45.72 cm)Width: 11 in (27.94 cm)Depth: 6 in (15.24 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Kansas City, MO
- Reference Number:Seller: 924802-7941stDibs: LU60839120922
Amy Young
Amy Young (b.1991) is a multidisciplinary artist whose methods and focus in art is as diverse as her neurobiology. Young’s work primarily explores mental health awareness by means of metaphor and symbolism. Through an attention to detail, color, visual balance, and blended imagery, the work embodies the idea of personal mythology. Young is inspired by the ideas of mythos and fairy tales as they relate to the nature of being human. While ceramics and painting are the most utilized mediums in Young’s work, she also works with fiber, found objects, metals, and pyrography, often in conjunction, to create pieces that speak to the magical nature of the moments found between the strength and struggle of existing. “There is fatigue so great that the body cries, even in sleep. There are times of complete frustration, there are daily small deaths.”-Martha Graham I started making pieces that reflected my journey with mental health consciousness when I moved to Kansas City in 2016 to attend the Kansas City Art Institute. I wanted to apply my education in psychology to my art practice in a more self reflective manner. Pursuing my undergrad degree gave me a place to begin this journey in a very intense, supportive, and taxing environment which demanded a greater amount of self awareness and reflection than I was previously used to. This body of work encompasses pieces from each of the years I’ve been on this path of self reflection and honoring the struggles I’ve faced in my life. Through the use of symbolism, the mission of these works is to bring beauty into the world from roots of real pain and loss. In facing my struggles with major depression, generalized anxiety, complex PTSD, and bipolar disorder, I wanted to find ways to communicate my experiences without trying to replicate them. The ceramic works have a strong focus on the mind, with themes of protection, struggle, and the roles of internal and external pressure put on myself and others who are facing these battles daily. The paintings in this grouping explore the impact of chronic physical conditions on mental health and vice versa. After getting COVID in early 2020 and learning to live with the effects of long COVID and the aftermath of a crashed immune system, I was forced to face my health holistically. With new battles of chronic fatigue, immune flare ups, and the frustration in having to relearn and accept my limitations, these are just the start of a visual conversation to be continued.
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------------------------------
ARTIST STATEMENT
“We humans are poised between microcosm and macrocosm, containing one, sensing the other, comprehending both.” - Frank Wilczek
The focus of my work is to bring attention to natural forms and patterns that implicate vast interconnection. I am captivated by the diversity and intricacy of natural systems and I consistently find myself searching for commonalities within them. These commonalities provide me with a tangible form of navigating the intangible perceptions of existence. My most recent body of work examines and illustrates the skeletons of various animals. In looking closely at their anatomy, I find undeniable similarities indicating common evolution. Shared spines, ribs, teeth and vestigial structures are the signatures of millions of years of complex relationships. After sculpting the body of the animal, I then meticulously slip-trail each skeletal detail layer by layer. This process requires an understanding of how every layer, however small, will affect the greater whole. I see clay as a material of ‘deep time’ both in a geological and cultural sense. Fired clay, ceramic, is an archival material, a record keeper of human history. Taking the role of a scientific illustrator, these works are my mark in time, paying homage to the creatures they portray. I hope to highlight the pervasive entanglement of life and honor the delicate, nuanced relationships that exist between human and non-human.
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