Andrew Smenos

"MOVIN' ON UP, Ceramic Sculpture, Apartment Building on Fire, Disaster, Humor

2019

From the Apathy Series, Andrew Smenos' recent body of ceramic sculptures, comes "DESTROYER" – the rusted hulk of a ship is sinking however, itself destro...

"Magma" is a saggar-fired porcelain vessel by Alison Brannen. It measures 16" high by 13" wide. It's an exceptional piece, leaning into the "jolie laide" territory – compelling despi...

"DESK SET I", 2012, in majolica glazed earthenware by artist Andrew Cornell Robinson, is one of a series of sculptural objects that are also kn...

Vertical 7, a ceramic sculpture of wood-fired clay pigmented with oxides, is a work by New York artist Harold Wortsman. Vertical 7 was recently exhibited at "Harold Wortsman: Time and Space" at the Orange Art Foundation, February-March 2022, New York City. Note the blending of geometric and organic forms in this work – it is characteristic of his practice – warm, contemporary, uniquely crafted, yet speaks to ancient, primitive traditions of art-making that cross cultures and histories. Highly attuned to the art of Africa, the Middle East, India and Asia, his forms are organic abstracts with masculine and feminine attributes that resonate together as a pleasing enigma. They make sense immediately, yet never give up all their secrets. From Harold Wortsman – "With sculpture, my material of choice is high-fired clay. Pieces are first low-fired in an electric kiln. I do not use glazes. Instead, I use oxides applied to the bisqued (low-fired) clay. As with a tattoo, oxides permit the surface underneath to breathe. The work is then high-fired in a gas kiln with double reduction to cone 10. The final temperature is 2,300 degrees F. At a certain point, oxygen intake is reduced to the kiln. Because the fire has reached a critical mass, it needs oxygen and chemically takes it from the clay and the oxides. Like a jazz improvisation, each kiln load comes out slightly different." From Jonathan Goodman – "Wortsman has increasingly moved into his own – a place in which the relations between the abstractions of volume and the intimations of very old culture are merged in a way that is new." – Essay, "Harold Wortsman: Time and Space", Orange Art Foundation, February 2022, New York City. Harold Wortsman is a sculptor and printmaker based in Brooklyn, NY. He “creates forms that bring to mind archaic cult objects and exude a quiet concentrated strength.” (Argauer Zeitung, Switzerland). His work, an edgy mix of freedom and clarity, can be found in public and private collections in the US, including The Library of Congress, Yale University, The New York Public Library Print Collection, The New York Historical Society, Smith College, Indiana University’s Lilly Library, Brandeis University, The Newark Public Library Special Collections Division, and the Jane Voorhees Zimmerli Art Museum Print Archive. Also in private and public collections in Europe, including the Municipal Collection of the City of Brugg, Switzerland. Harold studied at the New York Studio School of Drawing, Painting and Sculpture, with sculptor George Spaventa...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. Knight Embedded 534 was exhibited in 2006 at Longst...

Matt Mitros was born in Philadelphia, PA. Upon completing his BFA at Penn State University, he was an Artist-In-Residence at Arrowmont School of Arts & Crafts as well as the Archie B...

This free standing glazed porcelain sculpture features multi-level coves in which various scenes are depicted. The bottom level of the 'mountain form' holds a dreamer figure with a hanging chrysallis above. The second, middle section holds a snake in a nest like form. The top level holds a resting deer. The overall mountain form is transfigured into the embodiment of a male figure, with a long cloak draped along the back. This figures and forms in this sculpture are all hand-built by Austrian-American artist, Sascha Mallon. “Mountains are a recurring theme in my work. They are a metaphor for the body and also allude to my Austrian heritage. They refer to the border between inside and outside and represent stability and home. My mountain sculptures...

Unique terracotta sculpture Signed on the base