August Gaul

Penguin, Animal, 1910s, sculpture, bronze, impressionism, august gaul, art

1911

Lapin, modèle 6, circa 1944-1949 Edition Leblanc-Barbedienne Bronze with a brown patina 7.5 x 4 x 2.5 cm Sandoz : Sculpteur Figuriste et Animalier 1881-1971, Catalogue Raisonné de l...

PIERRE-AUGUSTE RENOIR (1841-1919) La Danseuse au Voile Cast in 1964 Ed. 14/20 pcs / Conceived in 1913 Bronze with a black patina 64 x 46 x 28 cm Signed, foundry's stamp and numbered ...

Lapin bijou, sonnette, circa 1920-1930 Fondry Susse, Ed. 1748 pcs Bronze with a brown patina H. 6.5 cm Signed on the side of the base : Ed.m.Sandoz Sandoz : Sculpteur Figuriste et An...

Lapin couché, circa 1919-1925 Fondry Susse, Ed. 10 pcs Bronze with a brown patina H. 6 cm Sandoz : Sculpteur Figuriste et Animalier 1881-1971, Catalogue Raisonné de l'Oeuvre Sculpté...

Limited edition bronze sculpture by Polish artist Olga Prokop-Misniakiewicz. Artist signes her artworks by hand, using engraving tool. Edition of 5. Olga Prokop-Misniakiewicz likes t...

Limited edition bronze sculpture by Polish artist Olga Prokop-Misniakiewicz. Artist signes her artworks by hand, using engraving tool. Edition of 5. Olga Prokop-Misniakiewicz likes t...

Large and heavy with magnificent patina. This is the large version of this piece. we cannot find any markings on it and it might be unique. Nicky Imber (Vienna, Austria, 1920 -1996) was a multidisciplinary Jewish artist best known for his sculptures on Jewish themes. Grand nephew of Naftali Herz Imber, author of the Israeli national anthem 'Hatikva'. After escaping the Nazi concentration camp in Dachau, he pledged to dedicate his art to perpetuating the memory of the Holocaust. Among his more famous works are "The Hope" and "The Love of Torah". His work can be seen around the world, in Northern Israel, the United States, and the Venezuelan Museum of Natural History in Caracas. Nicky Imber was born in Vienna, Austria. During his studies at the Academy of Arts in Vienna, he drew anti-Nazi caricatures for Jewish student publications. After several thwarted attempts by the family to leave Vienna, in 1938, in the wake of the 'Anschluss', Imber was deported to Dachau. Witnessing the murders of family and friends, he plotted his escape. Using skills he had learned in art school, he made a face mask out of bread and sand, stole a Nazi soldier's uniform and walked out the front gate unnoticed. In 1940, he boarded a ship headed to Haifa. The ship's passengers were refused entry by the British mandatory authorities and imprisoned in a detention camp in Mauritius. In 1943, Imber worked out a deal with the authorities for his release by joining the British Army, serving as a war artist and a dental assistant in East Africa. After the war, he opened an art school in Nairobi, Kenya, and worked as a photographer and a safari guide. In 1949 to 1954, he lived in Venezuela, where he was contracted to do an East African Diorama series. The National Museum added an entire wing to display it. During this period he got married and had a daughter Raquel, who accompanied and assisted him. In 1959, Imber was commissioned to create sculptures and dioramas for the Haifa Prehistory Museum at Gan Ha-em in Haifa, Israel. In 1960 he returned to Venezuela to restaured the Phelps series of Dioramas for the Museum in Caracas. Between 1961 and 1971 he travelled extensively around Europe and after establishing an international name for himself, returned to the United States. In New York he became famous for his realistic oil paintings of portraits of Aga Khan, Tyrone Power, Ava Gardner, David Ben-Gurion, Golda Meir, Sir Richard Burton...

A bronze sculpture after Paul Gauguin cast from a 1894 original wood carving. It is a wonderful example of his Primitivist style likely influenced by the Polynesian art of Easter Isl...