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Beatrice De DomenicoFrench Contemporary Sculpture by Beatrice De Domenico - This is Not a Banch2020
2020
$1,760
$2,20020% Off
£1,331.56
£1,664.4520% Off
€1,536.83
€1,921.0320% Off
CA$2,458.23
CA$3,072.7920% Off
A$2,733.08
A$3,416.3520% Off
CHF 1,430.60
CHF 1,788.2520% Off
MX$33,520.35
MX$41,900.4420% Off
NOK 18,215.21
NOK 22,769.0120% Off
SEK 17,197.31
SEK 21,496.6420% Off
DKK 11,468.31
DKK 14,335.3920% Off
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About the Item
Beatrice de Domenico is a French sculptor born in 1956 who lives & works in Nice, France. She works between traditional sculpture, classical sculpture and teachings from Nouveaux Réalistes.
The artist began to use wire to realize a skeleton for her first sculptures. She covered them with resins, newspapers, grit until she obtained full, rich and classic sculptures. Then one day, Beatrice saw this thread which created a lively, nervous drawing with it's unstable shadow and she saw it was more alive than her standing sculpture. Thus she found the wall to be a support for her drawing in three dimension and it stabilized it. Beatrice came back to the resin because of it's fascinating and multiple possibilities. She coated this skeleton with a new skin defender that does not hide neither the light nor the breath while stressing the presence of the premier drawing.
- Creator:Beatrice De Domenico (1956, French)
- Creation Year:2020
- Dimensions:Height: 33.08 in (84 cm)Width: 19.69 in (50 cm)Depth: 3.15 in (8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU108727613772
Beatrice De Domenico
Beatrice de Domenico is a French sculptor born in 1956 who lives & works in Nice, France. She works between traditional sculpture, classical sculpture and teachings from Nouveaux Réalistes. The artist began to use wire to realize a skeleton for her first sculptures. She covered them with resins, newspapers, and grit until she obtained full, rich and classic sculptures. Then one day, Beatrice saw this thread which created a lively, nervous drawing with its unstable shadow and she saw it was more alive than her standing sculpture. Thus she found the wall to be a support for her drawing in three dimensions and it stabilized it. Beatrice came back to the resin because of its fascinating and multiple possibilities. She coated this skeleton with a new skin defender that does not hide neither the light nor the breath while stressing the presence of the premier drawing.
[Biography provided by Galerie Bruno Massa]
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