Bob Clyatt

Man on Tall Stack

2022

The six headed stack is a raku fired ceramics.

In my effort to make the sculpted bust a viable contemporary art form I have tried several approaches. This under-life-size piece is an early example of my current preferred approach...

In my effort to make the sculpted bust a viable contemporary art form I have tried several approaches. This over-life-size piece is an example of my current preferred approach where ...

This piece was from the period when I created standing figures in clay working from live models. These three women were friends, students at SUNY Purchase, and enjoyed working together to develop their respective poses and the overall composition. The piece derives from three specific art-historical references, fused into something contemporary. The first, from the title, is from a long tradition of Three Graces sculptures...

This head is a porcelain piece fired in wood kiln on a mountaintop in Cold Spring, NY. A community of ceramists is needed to fire one of these kilns as we take shifts around the cloc...

Stoneware with patinas, available with tall (40") or table-top custom steel stand

Signed and dated. «Waited for someone, for something, for anything, for too long» was part of O. F. Hvidsten's first solo-exhibition «This will n...

Eighteen bright golden chrysalis sculptures had in a grid on metal specimen pins. Each chrysalis is meticulously hand sculpted in a durable epoxy clay without the use of molds and p...

This wall piece was created by New York artist, Bethany Krull using found drift would and found snail shells. The glistening snail forms are hand sculpted directly onto the wood usi...

These are figurative works, of classical or archaic inspiration, reinterpreted using strictly contemporary signs and communicative languages, decontextualized and transformed into decorative elements: bar codes, qr codes, wi-fi icons, @, symbols of well-known advertising campaigns, numbers / formulas, which combine to form the vision of a dystopian archeology of the future which bring the individual closer to goods or objects, traces of mechanical or computer elements, which testify to a reality, ours, which has already happened, already lived. It is like an eye on the archeology of a distant future, or on a contemporary discovery that indicates an end already seen, towards which we can move. The metal structures are supports that enter the composition and the aesthetic vision and communication of the topics covered. The "cages" at the same time constrain but support, they root to the ground but soar upwards, in a liberating tension. ATLETA 2 - LA FORMA...

ATLETA 1 - CORSA IN TEMPO TERNARIO 2021 Red fireclay, oxides, enamels, iron, copper and gold leaf Measurement: CM 60x80x198 Weight: 18 kg These are figurative works, of classical ...

Hand built with slabs using Laguna Clay EM347 white ware with grog and bisque fired to cone 06. Then fired to cone 06 with low fire underglazes and glazes.