Boleslaw Biegas

Storm (Burza)

1903

HENRI CROS (1840-1907) Female Relief Plaque, polychrome enameled stoneware, c. 1895; signed in black ink verso: “H. Cros”, and a scrap of paper from A.A. Hebrard, Paris attached verso; measuring h: 11.25 x w: 9.38 inches. The symbolist bust in relief of a nude young woman with strawberry blonde hair is a depiction of pensive reverie. With lips slightly pursed, she is lost in thought, looking inward. The female visage hovering just over the nude’s shoulder, perhaps an allusion to a fountain, is by contrast flat and lifeless. With lips parted to reveal a watery blue orifice and wavy tresses of hair blending into a watery expanse, the purely decorative nature of the fountain’s face...

Color lithograph on Chine volant, 1899. Edition of aproximately 112. Printed by H. Stern, Paris. Published by Pierrefort, Paris. Reference: Wittrock; 308-2nd edition, vol. 2, pg. 6...

“One of Mucha’s best Czech posters, printed by the firm of V. Neubert in the Smichov quarter of Prague, was for Princezna Hyacinta, a fairy-tale ballet and pantomime with music by Oskar Nedbal and libretto by Ladislav Novák. The portrait of the popular actress Andula Sedlácková as the princess dominates the poster. The plot develops as a dream of a village blacksmith who falls asleep after digging for a buried treasure. In his dreams he becomes lord of a castle, and his daughter Hanicka becomes the Princess Hyacinth. Of her three suitors, one is a sorcerer who abducts her to his underground palace, but she is rescued by a poor knight who looks like her real-life lover. Mucha used the motif of the hyacinth throughout the entire design, from embroideries to silver jewelry, and for an elaborate circle sparkling against the mossy green background. The portrait of the actress is seen against a sky full of stars and encircled with images from the dream: the blacksmith’s tools...

Alphonse Mucha was a painter and decorative artist best known for the sensual Art Nouveau paintings, posters, and advertisements that came to define Art Nouveau in fin de siècle Pari...

Jan Toorop was born in Java, studied in Holland and then spent three key years in Brussels, where he was a member of the circle of artists, "Les XX," during which time he befriended ...

Artist edition of 38 on Imperial Japon paper. Genossenschaft Pan GmbH, Berlin, publisher; Dr. C Wolf & Sohn, Munich.

Monumental, Art Nouveau, Bronze Sculpture – Anonymous (20th Century) “Woman with Two Borzoi Dogs” 6 feet 7 inches high x 3 feet 3 inches wide x 2 feet 5 inches wide Medium: Silvered, patinaed and painted bronze Provenance: Maxwell House...

Dancer with Torches by Agathon LÉONARD (1841–1923) A rare sculpture made in bronze with a nuanced light brown patina Signed on the backside "A. Léonard Sclp" Cast by Susse Frères (w...

This stylized figural study captures a young girl restraining a struggling swan trying to take flight purportedly by Marius Jean Antonin Mercié, bearing the incised signature “Mercié” on the base.. The work is quite heavy weighing in about 65 lbs and boasts an opulent dark patina. Unlike his signature work Gloria Victis, that has numerous versions, reproductions and casts, Girl and Swan may be of just a few casts or may be unique. With Barbedienne foundry mark on the tree stump behind the left foot. Mercie used Barbedienne for many of his works. Purchased from Toulouse Antiques...

Unsigned bronze buste of a woman, with fine characteristics. The sculpture was mounted on a hand-made ceramic socle with a marble top. Very heavy, solid and qualitative piece.

JUAN CLARÁ AYATS Spanish, 1878 - 1958 ART NOUVEAU SCULPTURAL BRONZE OF A BOY AND GIRL signed "Juan Clara" (on the lower left ) sculptural bronze 4-3/8 x 4-3/8 x 3-1/2 inches (11 X 11 X 9 cm.) PROVENANCE Private Spanish Collector Art Nouveau Bronze sculpture representing a boy and a girl sitting on a stool in a funny and surprised attitude to something they are seeing. Sgned "Juan Clará" lower left with the foundry seal and marks on the right side of the bench Juan Clará Ayats. Olot (Gerona), 6.XII.1875 - Paris (France), II.1958. Sculptor Student of José Berga at the Olot School of Fine Arts, developed his training in France, first at the School of Fine Arts in Toulouse, in 1896, and from 1901 in Paris. At this stage he lived with his younger brother, José Clará...

JUAN CLARÁ AYATS Spanish, 1878 - 1958 A GIRL SEATED ON A STOOL TYING HER SHOE signed "Juan Clara" and stamped A.G. Paris and marks L.R. 213 (on the stool ) bronze figure 6-3/8 x 3 x 4 inches (16 X 7.5 X 10 cm.) PROVENANCE Private Collector, Madrid A brown patia bronze sculpture of Art Nouveau style, depicting a little girl sitting on a sidewalk tying her shoe. The plasticity that Juan Clará achieves with the bronze when shaping this beautiful little sculpture is wonderful. We notice the effort that the little girl is making to put on her shoe, her gestures and attitudes which moves us and attracts us towards her. Juan Clará Ayats. Olot (Gerona), 6.XII.1875 - Paris (France), II.1958. Sculptor Student of José Berga at the Olot School of Fine Arts, developed his training in France, first at the School of Fine Arts in Toulouse, in 1896, and from 1901 in Paris. At this stage he lived with his younger brother, José Clará...