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Cécile RaynalModèle de maquette de dyslexie disloquée by Cécile Raynal - stoneware sculpture2017
2017
$12,757.45
£9,451.36
€10,700
CA$17,477.07
A$19,392.28
CHF 10,158.10
MX$237,801.45
NOK 129,207.47
SEK 121,966.34
DKK 81,392.54
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About the Item
Modèle de maquette de dyslexie disloquée is a unique smoke-fired stoneware sculpture by French contemporary artist Cécile Raynal, dimensions are 170 × 163 × 130 cm (66.9 × 64.1 × 51.1 in). Dimensions include wooden base (wood table).
This sculpture is a unique piece signed by the artist and comes with a certificate of authenticity.
This piece of art is a part of Cecile Raynal's one-of-a-kind collection called "Tales from the storage area". This installation features a figurative sandstone sculpture, enhanced with vibrant pigments, depicting a young woman seated atop a mound of timber.
« What, in fact, is dyslexia? Can a model in total disarray stand up? »
The sculpture was on display at the Musée des Arts et Métiers from 29 May to 26 August 2018, as part of the “petites histoires en réserve” series. It was created during Cécile Raynal’s 2017 residency behind the scenes at the museum. Staying true to her creative approach, the artist sculpted busts and full figures of the individuals she encountered during her time there, along with animal forms—such as wolves and foxes—that have been recurring elements in her work in recent years.
- Creator:Cécile Raynal (1966, French)
- Creation Year:2017
- Dimensions:Height: 66.93 in (170 cm)Width: 64.18 in (163 cm)Depth: 51.19 in (130 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803116620632
Cécile Raynal
Whether human or animal, Cécile Raynal’s figures are a way to explore the world. The artist travels to remote, forgotten or marginal places immortalising in clay life stories that she brings back to her studio. Her work has been exhibited in prestigious museums such as the Musée des Arts et Métiers (Paris, 2018) and is the subject of ambitious public commissions such as the bronze sculpture of Winston Churchill in Cap-d’Ail (France). “The result of chance or sought-after encounters, my work starts with the sculpted portrait, a totemic record of each of these confrontations, and builds itself on the complicity, the exchanges and the correspondence resulting from them.”
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