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Charles Rumsey
Centaur Bronze Sculpture

1927

$6,500
£4,991.72
€5,720.45
CA$9,150.39
A$10,250.46
CHF 5,331.51
MX$125,034.51
NOK 67,877.28
SEK 64,003.43
DKK 42,695.87

About the Item

Charles Cary Rumsey attended Harvard University, studied art in Paris at the Academie Julian and at Boston School of Fine Art under Bela Pratt. His public works are found worldwide, such as the frieze at the Manhattan Bridge, Zion Park, the SMithtown Bull, Smithtown NY, . Lima Peru, Rice Memorial Stadium , "Pizzarro" in Trujillo Spain, and many others. He was a top ranked international polo player and regarded as a top equestrian artist. His works are found in the collections of Nationale Beaux- Arts in Pars, Museum of Modern Art NY, Museum,. Wyomming.The Brooklyn Museum, ALbright Knox Museum, Burchfeild Center, Buffalo NY and the Cody Art This sculpture was exhibited at the Beaux Arts Museum in Paris France, 1927 ( another cast)
  • Creator:
    Charles Rumsey (1879 - 1922, American)
  • Creation Year:
    1927
  • Dimensions:
    Height: 18 in (45.72 cm)Width: 13 in (33.02 cm)Depth: 6 in (15.24 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Brookville, NY
  • Reference Number:
    1stDibs: LU1635213239962

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CHARLES CARY RUMSEY, born in Buffalo, NY in 1879. His interest in sculpture appeared and was encouraged at an early age. The most significant encouragement came when the boy was taken by his parents to Paris in 1893. After graduating from Harvard in 1902, Rumsey returned to Paris where he took a studio in the Latin Quarter and enrolled and the Julian and Colarossi Academies. One professor, Emmanuel Fremiet, a specialist in equestrian statuary, devoted special emphasis to the study of the horse, and his training was to have a decisive influence on the young Rumsey. Apart from sculpture, horses were the great passion of his life. He was an excellent horseman and an 8 goal polo player with Meadowbrook Polo Club Long Island NY. Rumsey’s specialties included equestrian sculptures – portraits of polo players and prize horses, as well as of cowboys, cattle and horses as metaphors. He worked principally in bronze and stone, often employing mythology and historical themes articulated in private commissions for freestanding statuary and in public monuments. His 40-foot bas relief panels of Indians, horses and buffalos for the Manhattan Bridge and the heroic subject matter of Rice Stadium commission are examples. The estate of Charles Rumsey...
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