Dana Widawski

Half dolls talk No. 3

2022

The first decades of the 21st century shaped the period of reconfiguration of the "world order", according to Pedro Pablo Gómez1, into three options: "rewesternalization, dewesternal...

The title of Clint Neufeld’s ceramic incarnation of a Detroit diesel engine, Screaming Jimmy, the first time we met in that field I knew you were the on...

Ginette Legaré’s career has largely been concerned with the sensorial qualities of the materiality of everyday objects such as cups, ladles, hand drills, funnels, and faucets. These ...

The first decades of the 21st century shaped the period of reconfiguration of the "world order", according to Pedro Pablo Gómez1, into three options: "rewesternalization, dewesternal...

The first decades of the 21st century shaped the period of reconfiguration of the "world order", according to Pedro Pablo Gómez1, into three options: "rewesternalization, dewesternal...

The first decades of the 21st century shaped the period of reconfiguration of the "world order", according to Pedro Pablo Gómez1, into three options: "rewesternalization, dewesternal...

Xawery Wolski Vestido de Oro I (Gold Dress I), 2015 Terracotta, gold glaze 67" x 60" x 3" Polish-born sculptor Xawery Wolski works in a variety of materials: bronze, terracotta, w...

This hand built porcelain beetle with resilient wire and epoxy clay legs hauling a wheel-thrown earthenware bowl was created by New York artist, Betha...

Eighteen bright golden chrysalis sculptures had in a grid on metal specimen pins. Each chrysalis is meticulously hand sculpted in a durable epoxy clay without the use of molds and p...

The sculpture is signed and numbered. Edition 20/99. About the Artwork: The Chinese Zodiac can’t be ignored in the traditional culture of China. It’s closely interconnected with the social customs and habits, the aesthetic taste and the opinion of value. The Twelve animals of Year represent the traditional Chinese wisdom that the laws of Nature governs all things and that man must seek harmony with Nature. I created this Series of twelve zodiac animals made of gold and pottery, trying to give the “zodiac”-this long-standing cultural symbols a meaning of the prosperity and the luckiness. –He Wenjue About the artist: He Wenjue was born in 1970 in Hunan Province, China. He received his MA in painting from Jilin Academy of Fine Arts. Member of Chinese Art Association, Member of Chinese Painting Association.The vice-President of Hunan Oil-Painting Association. Research Fellow of Beijing Academy of China Xieyi Oil Painting.He is currently the vice president of Hunan Oil Painting Society, a member of China Artists Association and a member of Chinese Oil Painting Society. His works have been displayed on exhibitions at“Scenery in Map”ShangHai Solo Exhibition、Solo Exhibition, Frank Schlag Gallery, Essen, Germany、Sense of the Sparkle: He Wenjue Singapore Solo Exhibition, Singapore、Water: Senses of Sparkle, Tang Gallery, Bangkok, Thailand、The 9th & The 10th National Annual Fine Arts Exhibition、The first Chinese Freehand Brushwork Oil Painting、4th Jakarta Contemporary Ceramics Biennale, 6th BICMA ,、Painting the Present, Certosa di San Giacomo, Via Certosa 1 - Capri, Capri, Italy、The 2nd Chinese Oil Painting Biennale, The National Art Museum of China、The Xinjiang International Art Biennial 2014、Ethics as the DNA Art: The 9th Florence Biennale、SEA OF PEACE: Japan-Korea Contemporary Art Exhibition, Incheon Art Platform, Incheon, Korea、Faces and Figures, Germany、East side, Michael Schultz Gallery, Berlin, Germany、Vanhaerents Museum Collection, Brussel Belgium、China...

TESTA F - MI RICORDO DI TE NELLA GLORIA 2021 Ceramic, iron and gold leaf Measurement: CM CM 30x34x101 Weight: 6 kg These are figurative works, of classical or archaic inspiration...

These are figurative works, of classical or archaic inspiration, reinterpreted using strictly contemporary signs and communicative languages, decontextualized and transformed into decorative elements: bar codes, qr codes, wi-fi icons, @, symbols of well-known advertising campaigns, numbers / formulas, which combine to form the vision of a dystopian archeology of the future which bring the individual closer to goods or objects, traces of mechanical or computer elements, which testify to a reality, ours, which has already happened, already lived. It is like an eye on the archeology of a distant future, or on a contemporary discovery that indicates an end already seen, towards which we can move. The metal structures are supports that enter the composition and the aesthetic vision and communication of the topics covered. The "cages" at the same time constrain but support, they root to the ground but soar upwards, in a liberating tension. ATLETA 2 - LA FORMA...