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Delphine BrabantGroup II by Delphine Brabant - Figurative bronze sculpture, human silhouettes2005
2005
$4,376.53
£3,305.07
€3,700
CA$6,120.80
A$6,695.01
CHF 3,513.38
MX$80,068.62
NOK 44,338.63
SEK 41,362.59
DKK 28,184.85
About the Item
Group II is a bronze sculpture by contemporary artist Delphine Brabant, dimensions are 17 × 26 × 6 cm (6.7 × 10.2 × 2.4 in).
The sculpture is signed and numbered, it is part of a limited edition of 8 editions and comes with a certificate of authenticity.
One is instantly reminded of human silhouettes stuck together into a small crowd by the elongated forms that are emerging from the substance. In search of verticality, the artist constructs "forests" of thin, mysterious creatures that combine and blend together.
Delphine Brabant is guided by the concept of construction; she creates her sculptures in an architectural way by assembling and imbricating numerous forms with simple lines.
In her abstract sculptures, Delphine Brabant, who is fascinated by the idea of construction, assembles and fits together a variety of straightforward forms like an architect. The artist finds inspiration in the verticality, horizontality, and interaction between solid and space. She favours simple geometric shapes and bases her art on the idea of balance.
- Creator:Delphine Brabant (1964, French)
- Creation Year:2005
- Dimensions:Height: 6.7 in (17 cm)Width: 10.24 in (26 cm)Depth: 2.37 in (6 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803117285422
Delphine Brabant
Deeply fascinated with the concept of construction, Delphine Brabant composes her abstract sculptures like an architect, assembling and fitting together a multitude of simple forms. Inspired by nature as much as by cityscapes and buildings, the contemporary artist develops her artistic research around the concepts of verticality and horizontality, the balance between fullness and emptiness, and the notions of group and harmony. Delphine Brabant works with bronze, steel, concrete, plaster and clay but also stone and wood. “In my work, there are always two opposing ideas. Strength and fragility. The full and the void. Light and darkness. Balance and imbalance.’’
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