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Denny HaskewWhite Deer of Autumn study1996
1996
About the Item
White Deer of Autumn study by Denny Haskew
Figurative Bronze 21" high, 9" wide, 9" deep, mounted on granite and wood, turntable base with title plaque.
Shipping price includes the custom packing necessary for fine art.
This edition sold out immediately after being featured on the July 1997 cover of Southwest Art Magazine. This is the first time that we have seen one available on the secondary market. It is in excellent condition, as pictured. The seller is an original purchaser. A copy of the SW Art Magazine that it is featured in will accompany the sculpture.
Inspiration:
"I was experimenting with planes in the design of my sculptures when I created 'White Deer of Autumn'. The layers of her headdress and clothing are abstract lines that complement the woman's quiet yet seeing spirituality. At the time, I was looking for the truth, and I remembered a woman in an E.S. Curtis photograph who stood silently, hidden in the forest, listening."
"May the nourishment of the earth
be yours.
May the clarity of light
be yours.
May the fluency of the ocean
be yours.
May the protection of ancestors
be yours." --EXCERPT FROM “BEANNACHT” BY JOHN O’DONOHUE
ABOUT THE ARTIST: Denny Haskew currently resides in Loveland, Colorado where he is actively engaged in the art industry as a sculptor. He received his degree from the University of Utah, then served two years in the United States Army during the Vietnam War. Having spent numerous years as a guide and ski instructor, Denny has learned to love the rivers and mountains of the western states of Arizona, Colorado, Idaho, Oregon, and Utah. After moving to Loveland, a hub of successful working sculptors, he wasted no time in getting monumental sculpture experience through working with renowned sculptors including Fritz White and Kent Ullberg N.A. Since 1987, Denny has created and placed dozens of monumental compositions; spanning the full spectrum of the figurative genre.
As a member of the Potawatomi Citizen Nation, it is only natural for his artwork to follow the Native American culture. His art has not been limited to Native American and southwestern subjects, however, as he frequently explores abstract forms placing emphasis on the qualities of the metal and stone used. As a Charter member of the National Sculptors' Guild and being close to other sculptors and the Loveland area
foundries has helped him to master all the foundry processes involved in producing a desirable and lasting monumental bronze sculpture.
Over 50 major public placements include the Smithsonian Institution, DC.; the Gilcrease Museum, OK; Cerritos, CA; Little Rock, AR; the Shakopee Mdewakanton Dakota Sioux collection, MN, and the Barona Band of Mission Indians, CA.
His outlook on life and sculpture largely stems from his Irish/Potawatomi heritage. He states "that the strength of his work ascends from the spirit of the people he portrays - Native Americans, Mayans, friends, children, people of the Great Plains and West. This same spirit connects each of us with the harmony of nature and one's relationship to another." Concern with composition and fascination with the human form lead him to portray bodies in unusual, sometimes nearly contorted positions. Dramatically individualistic facial features combine with carefully composed body positions to reveal souls filled with emotion, scarred and given character by the circumstances of living, but never beaten by life.
Haskew’s artwork conveys his innermost being. It is intensely personal and honest. His themes are recurring: Spirit, Love, Forgiveness, Healing, Relationship, Endurance, the Sacredness of the Human Spirit, and the Strength in each of us, the Power of all that is Natural
- Creator:Denny Haskew (1948, American, Native American)
- Creation Year:1996
- Dimensions:Height: 21 in (53.34 cm)Width: 9 in (22.86 cm)Depth: 9 in (22.86 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Loveland, CO
- Reference Number:1stDibs: LU1264112107962
Denny Haskew
Denny Haskew currently resides in Loveland, Colorado where he is actively engaged in the art industry as a fine artist. He received his degree from the University of Utah, then served two years in the United States Army during the Vietnam War. Having spent numerous years as a guide and ski instructor, Denny has learned to love the rivers and mountains of the western states of Arizona, Colorado, Idaho, Oregon, and Utah. After moving to Loveland, a hub of successful working sculptors, he wasted no time in getting monumental sculpture experience through working with renowned sculptors including Fritz White and Kent Ullberg N.A. Since 1987, Denny has created and placed dozens of monumental compositions; spanning the full spectrum of the figurative genre. "As a member of the Potawatomi Citizen Nation, it is only natural for my artwork to follow the Native American culture. My themes are recurring: Spirit, Love, Forgiveness, Healing, Relationship, Endurance, the Sacredness of the Human Spirit, and the Strength in each of us, the Power of all that is Natural." His art has not been limited to Native American and southwestern subjects, however, as he frequently explores abstract forms placing emphasis on the qualities of the metal and stone used. As a Charter member of the National Sculptors' Guild and being close to other sculptors and the Loveland area foundries has helped him to master all the foundry processes involved in producing a desirable and lasting bronze sculpture. Over 50 major public placements include the Smithsonian Institution, DC; the Gilcrease Museum, OK; Major Universities; the City of Cerritos, CA; the Barona Band of Mission Indians, CA; Shakopee Mdewankaton Sioux Community, Prior Lake, MN; & Little Rock, AR.
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