Eric Bransby

Arabesque, Female Ballet Dancer in Motion, Bronze & Gray Bas Relief Sculpture

1991-2001

Abstract bronze sculpture mounted on granite base by Edward (Eduardo) Arcenio Chavez (1917-1995). Measures 7 ½ x 6 x 2 inches, including stand. Sculpture is in very good to excellent condition - please contact us for a detailed condition report. About the Artist: Born 1917 Died 1995 Born in Wagonmound, New Mexico, Eduardo Chavez...

Original vintage abstract metalwork sculpture by artist Angelo Di Benedetto (1913-1992). Measures 13 ¼ x 11 ¼ x 7 ½ inches. About the Artist: Born New Jersey 1913 Died Central City, CO 1992 The son of Italian immigrants from the Salerno province in southern Italy, as a teenager Di Benedetto worked to study at the Cooper Union Art School in New York City (1930-34) from which he graduated with a certificate in freehand drawing. He won a scholarship to the Boston Museum Art School where he studied for three years, beginning in 1934. In 1937, he entered his first juried exhibition at the Montclair Museum in New Jersey, winning first prize and first honorable mention. In December 1938, the Royal Netherlands Steamship Line sent him on a two-month ethnological study trip to Haiti, his first exposure to a different environment outside the United States. In 1940, his Haitian paintings were exhibited at the Montross Gallery in New York – his first solo show. Before World War II, Di Benedetto traveled extensively around the United States doing regional paintings. During the war in 1941, Di Benedetto volunteered for a secret mission based in Eritrea, Africa before the Allied invasion. Following Africa, he served as an orientation officer and aerial photographic officer in the District of Columbia. In 1945 he was assigned to a mapping unit at Buckley Airfield in Denver where he served until his discharge in 1946. Like many other servicemen stationed at the time in Colorado, Di Benedetto chose to remain in Colorado, impressed by the state’s physical grandeur and healthful climate. He settled in the old mining town of Central City in 1947. In 1949 Di Benedetto and his wife, ceramist Lee Porzio, opened the Benpro Art School in his studio where he conducted summer art classes. In 1950, Di Benedetto teamed up with Frank Vavra...

Original oil and metal foil on board abstract painting by George Cecil Carter (1908-1987) circa 1950s. Signed by the artist in the lower right corner, titled and dated verso. Painted in shades of dark blue, gray, white, orange, and purple. Presented in an original George Nix frame measuring 30 ¾ x 36 ¾ inches. Image size measures 23 ¼ x 29 ¼ inches. About the Artist: Born 1908, Woodward, Oklahoma Died 1987, Canon City, Colorado George Cecil Carter was born in Oklahoma in 1908 and became a noted Colorado abstract expressionist, despite having no formal training. He worked as a coal miner, gold miner, and machinist at Schneebeck’s Industries in Colorado Springs for twenty years During that time, Carter worked on his art and was was mentored by Broadmoor Academy painter, Charles Bunnell. Carter worked out of Colorado Springs and Canon City, Colorado. He exhibited nationally, including Texas and Illinois. Among his contemporaries are Al Wynne, Mary Chenoweth...

Original framed oil painting on burlap by Edward Marecak (1919-1993) titled "Autumn Harvest" from 1987. Signed and dated by the artist in the lower right corner. Presented in a custom framed, outer dimensions measure 20 x 29 x 1 ⅜ inches. Image size is 19 x 28 inches. Provenance: Estate of the Artist, Edward Marecak Painting is clean and in good condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the artist: Born to immigrant parents from the Carpathian region in Slovakia, Marecak grew up with his family in the farming community of Bennett’s Corners, now part of the town of Brunswick, near Cleveland, Ohio. When he turned twelve, his family moved to a multi-ethnic neighborhood of Poles, Czechs, Slovaks, and Slovenians in Cleveland. His childhood household cherished the customs and Slavic folk tales from the Old Country that later strongly influenced his work as a professional artist. During junior high he painted scenery for puppet shows of “Peter and the Wolf,” awakening his interest in art. In his senior year in high school he did Cézanne-inspired watercolors of Ohio barns at seventy-five cents apiece for the National Youth Administration. They earned him a full scholarship to the Cleveland Institute of Art (1938-1942) where he studied with Henry George Keller whose work was included in the 1913 New York Armory Show. In 1940 Marecak also taught at the Museum School of the Cleveland Institute. Before being drafted into the military in 1942, he briefly attended the Cranbrook Academy of Art near Detroit, one of the nation’s leading graduate schools of art, architecture, and design. A center of innovative work in architecture, art and design with an educational approach built on a mentorship model, it has been home to some of the world’s most renowned designers and artists, including Eero Saarinen, Charles Eames, Daniel Libeskind and Harry Bertoia. Marecak’s studies at Cranbrook with painter Zoltan Sepeshy and sculptor Carl Milles were interrupted by U.S. army service in the Aleutian Islands during World War II. Following his military discharge, Marecak studied on the G.I. Bill at the Colorado Springs Fine Arts Center from 1946 to 1950, having previously met its director, Boardman Robinson, conducting a seminar in mural painting at the Cleveland Institute of Art. Although he did not work with Robinson at the Fine Arts Center, who had become quite ill - retiring in 1947 - he studied Robinson’s specialty of mural painting before leaving to briefly attend the Cranbrook Academy in 1947. That same year he returned to the Fine Arts Center, studying painting with Jean Charlot and Mary Chenoweth, and lithography with Lawrence Barrett with whom he produced some 132 images during 1948-49. At the Fine Arts Center he met his future wife, Donna Fortin, whom he married in 1947. Also a Midwesterner, she had taken night art courses at Hull House in Chicago, later studying at the Art Institute of Chicago with the encouragement of artist Edgar Britton. After World War II she studied with him from 1946 to 1949 at the Fine Arts Center. (He had moved to Colorado Springs to treat his tuberculosis.) Ed Marecak also became good friends with Britton, later collaborating with him on the design of large stained glass windows for a local church. In 1950-51 Marecak returned to the Cleveland Institute of Art to complete his Bachelor of Fine Arts degree. A year later he was invited to conduct a summer class at the University of Colorado in Boulder, confirming his interest in the teaching profession. In 1955 he received his teaching certificate from the University of Denver. Vance Kirkland, the head of its art department, helped him get a teaching job with the Denver Public Schools so that he and his family could remain in the Mile High City. For the next twenty-five years he taught art at Skinner, Grove, East, George Washington and Morey Junior High Schools. Prior to coming to Colorado, Marecak did watercolors resembling those of Winslow Homer, John Singer Sargent and Charles Burchfield. However, once in Colorado Springs he decided to destroy much of his earlier oeuvre, embarking on a totally new direction unlike anything he had previously done. Initially, in the 1940s, he was influenced by surrealist imagery and Paul Klee and in the West by Indian petroglyphs and Kachinas. His first one-person show at the Garrett Gallery in Colorado Springs in 1949 featured paintings and lithographs rendered in the style of Magic Realism and referential abstraction. The pieces, including an oil Witch with Pink Dish...

Poule cayenne - Poule faisanne, 1st proof, 1906 Bronze with a black patina 28 x 22 13 cm Signed on the base : POMPON. Seal of the founder Cire Perdue A.A. Hebrard. Numbered (M) Certi...

Chien à la sauterelle, Sandoz, Dog, Sculpture, Bronze, Animal, 1910's Chien à la sauterelle Susse Fondeur circa 1918-1930 Bronze with brown patina and shade of green 13 x 13 x 9 cm Signed and seal of the foundry on the base : Sandoz, Susse Fondeur Catalogue raisonné de l'oeuvre sculpté de Edouard Marcel Sandoz, sculpteur figuriste et animalier 1881-1971, by Félix Marcilhac, Les Editions de l'amateur, 1993...

Lapin, modèle 5, circa 1919-1921 Fondeur Susse Bronze with brown patina 6.5 x 4.9 x 6.5 cm Inscribed and foundry stamp : Ed.m.Sandoz, Susse Frères Editeurs Certificate of authentici...

Lapin bijou, sonnette, circa 1920-1930 Fondry Susse, Ed. 1748 pcs Bronze with a brown patina H. 6.5 cm Signed on the side of the base : Ed.m.Sandoz Sandoz : Sculpteur Figuriste et An...