Erica Larkin Gaudet

Diagonal Lines

2021

Erica Larkin Gaudet has been fabricating sculptural work for over 30 years. By forging, welding, applying patinas and leafing, she creates ethereal forms that oscillate between abstr...

Erica Larkin Gaudet is a sculptor who primarily creates abstract figurative forms in metal. She forges and transforms the rigid material until she achieves the appearance of fluid li...

Erica Larkin Gaudet has been fabricating sculptural work for over 30 years. By forging, welding, applying patinas and leafing, she creates ethereal...

Erica Larkin Gaudet has been fabricating sculptural work for over 30 years. By forging, welding, applying patinas and leafing, she creates ethereal...

It’s a striking image—a man, standing—his legs impossibly long, his arms spread wide affording him, perhaps a new and bigger perspective. Is this the intention behind Toronto artist ...

hand fabricated steel edition 2 of 9 Sculpture size 23.5 x 7 x .75" with the base is 23.5 x 9.5 x 5" Clayton Peshlakai was born in the small town of Ft. Defiance, Arizona, on the Navajo Indian Reservation. Although he has no formal art education, Clayton’s involvement in art began at an early age when comic books and graphic novels sparked his interest. A combination of fantastic storytelling and exotic art helped him escape the world he lived in and create a world of his own. He first began drawing with pencil, then pen and ink, eventually incorporating watercolor. He constantly experimented with styles and techniques using watercolor and pen and ink—separately and together—never settling on just one.  In his junior high school wood shop Clayton was exposed to drafting. To him technical drawing was a new form of art. It was rooted in discipline and education—two things he needed when there seemed to be no direction in life. His desire to excel in drafting boosted his grades, and Clayton was invited to attend a college prep high school for “gifted” Native Americans. Here he studied architecture, then went on to the local community college to pursue electrical engineering.  While in college Clayton worked in numerous construction fields to support himself, gaining valuable experience that would benefit him later as a professional artist. Inspired by pipeline construction welders and their ability to manipulate and fuse metal, Clayton’s interest shifted from designing to building. Within a year he became a code-certified welder, obtaining the skills necessary to work with an assortment of metals. Over the next eight years he honed his craft in a variety of industrial fields.  Clayton was introduced to sculpture fabrication in the early 1990s. As a project manager for a small metal art fabrication shop, he worked with artists of various backgrounds, including the late Allan Houser, Dan Namingha, and Bill Barrett, to help create their visions in metal. Art fabrication was a refreshing change from the industrial world and reconnected Clayton with his true passion of working with metals. As a metal fabricator Clayton was satisfied with the challenges presented to him. But when he was contracted as an artist’s assistant for painter William Debilzan...

As a sculptor, Roch Smith often interprets the big questions in life in imaginative and playful ways. The Toronto artist is known for his use of toys –familiar childhood images that ...

Creuar la Porta Here some fragments for one of his latest exhibition catalogue “I think that a work of art should puzzle viewers, make them reflect on the meaning of life” Antoni Tàpies Moisés Gil’s sculptures can be described as philosophical and conceptual, as they encourage individuals to reflect and act in a never-ending existential struggle, in the face of the multiple situations by which they are affected in contemporary societies. Art is always a form of communication: communication with and between the materials employed by the artist, giving rise to an aesthetic visual balance able to convey feelings, emotions and ideas, all of which are essential to a nonconformist commitment and worldview. Moisés Gil puts his representations of individuals in sculptural structures to better indicate the place of humans in the world, the place of contemporary individuals in their different environments, sometimes hostile; they are naked men...