Fernando Botero

Horse with Saddle by Fernando Botero

1995

Ivor Roberts-Jones 1916-1996 British Sir Winston Churchill Memorial Bronze This exceptional and iconic sculpture of Sir Winston Churchill is the original maquette for the renowne...

This extraordinary Italian bronze embodies all of the hallmarks of the very best Florentine sculptures of the 17th century. The work is crafted in the Mannerist style of the late Ren...

Frederick William MacMonnies 1863–1937 American William Shakespeare Signed "F. MacMonnies" and foundry-marked "E. Gruet Jeune, Fondeur, Paris" Bronze Frederick William MacMonnies...

After François Girardon 1628-1715 French Pluto Abducting Proserpine Bronze This High Baroque period composition captures the famed narrative of Pluto and Proserpine from Roman mythology. The late 17th-century patinated bronze, created after François Girardon's marble composition, captures the very moment that Pluto seizes Proserpine. The anguished goddess reaches skyward, attempting to escape the god’s grasp while Pluto’s stoic face betrays his knowledge that his ploy will succeed. This pivotal moment in the mythological tale has captured the imagination of many art historical greats, from Bernini to Rubens. François Girardon’s version of the climax demonstrates incredible finesse and artistry, modeled expertly in bronze in the present work by a later sculptor. The statue brings a twist of intertwined bodies into a dynamic frenzy, paralleling the tension of the legendary story. In ancient Roman mythology, Proserpine, the beautiful daughter of Ceres — known as Persephone in Greek mythology — was picking flowers in the fields when she was suddenly abducted by Pluto, the god of the underworld, and taken to his kingdom. Consumed with grief, her mother Ceres, the goddess of agriculture, scorches the earth, stopping the growth of grain and fruit. Jupiter attempts to intervene and secure Proserpine’s return to earth, negotiating a compromise with Pluto and the Fates that allows Proserpine to be released for part of the year before returning to Pluto’s underworld. Proserpine’s journey back and forth is an allegory for the changing seasons; when Prosperine is with her mother, the earth warms and provides bountiful harvests. Upon her annual return to the underworld, however, the earth once again becomes cold and barren. After returning to France after years of training in Rome, François Girardon quickly rose to become one of the greatest artists in France. He was elected a member of the Académie Royale de Peinture et de Sculpture in 1657 and would become Chancellor of the Royal Academy in 1695. The artist was approached frequently for royal commissions and Girardon’s Pluto was originally commissioned by Louis XIV for the gardens at his Palace of Versailles. It was one of four monumental marble groups intended to decorate the corners of Charles Le Brun’s never completed garden at the chateau, the Parterre d’Eau. Each group of three figures symbolized one of the four elements: earth, air, fire and water. Pluto’s association with hell made him the apt...

CLAUDE LALANNE (1925-2019) La Diva, 1997 Ed. 6/8 pcs Bronze and copper 22 x 15.5 x 10.5 cm I 8 5/8 x 6 1/8 x 4 1/8 in Numbered, monogrammed, signed and dated : 6/8, Cl, Lalanne, 97 ...

Agathon LÉONARD (1841–1923) Lamp "Danseuse à L'Écharpe" "Dancer with the scarf" lamp A very rare sculpture forming a table lamp, made in gilded bronze The scarf hides the light bulb Signed on the side of the dress "A. Léonard Sclp" Cast by Susse Frères (with founder stamp) France circa 1905 height 60 cm A similar model is reproduced in "Les bronzes du XIXe siècle", P. Kjellberg, Les éditions de l'amateur, 2005, page 460. Biography: Léonard Agathon Van Weydeveldt, said Agathon Léonard (1841-1923) was a sculptor of Belgian origin naturalized French. After studying art at the Lille Academy of Fine Arts and then at the École des Beaux-Arts in Paris, Agathon Léonard settled in Paris for a long time, where after having exhibited at the Salon of 1868, he joined the Society of French artists in 1887, then to the National Society of Fine Arts in 1897. Very involved in the artistic movement of the Art Nouveau style, he exhibited many pieces (medallions, bronze statuettes and ceramics) finely worked. Following an order from the Manufacture Nationale de Sèvres, dating from 1898, Agathon Léonard exhibited at the Universal Exhibition of 1900 in Paris his famous table centerpiece "Game of the scarf" in porcelain biscuit, composed of fifteen statuettes representing dancers with pleated dresses reminiscent of Loïe Fuller's choreographies or Neo-Greek dancers...

Sculpture by the Spanish artist AMANCIO GONZALEZ bronze. The length of the horizontal bars can be modified to your liking Fantastic piece of art representing Spanish sculpture Very p...

Zebu and Python by Henri-Alfred JACQUEMART (1824-1896) Bronze group with nuanced brown patina signed on the base " A. Jacquemart " old cast France circa 1870 height 35,5 cm length...