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George Segal
"Fragment: Girl Resting", Plaster Cast, Signed and Numbered

1970

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  • UNTITLED, Abstract/Figurative, Black Welded Steel, Cass Corridor Artist, Detroit
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    SALE ONE WEEK ONLY The "Untitled" abstract sculpture by Robert Sestok has a very deliberate aura of strength in its columnar shape. It does become more ...
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  • "Jim Jim" Ebony Sculpture with Dark Patina, Portrait of Detroit Zoo Gorilla
    Located in Detroit, MI
    "Jim Jim" is an ebony carving by Tom Brun, sculptor and Detroit Zoo Keeper, who cared for the real Jim Jim at the Detroit Zoo. This ebony sculpture is in beautiful condition with slight exposure to the lighter streak of wood sometimes found in ebony. It is said that Tom would often go into a house and pick up one of his sculptures and say that it was unfriendly – meaning that it had not been handled enough. Morley Driver has said of Brun in a newspaper article from the 1950’s “In Any Animal He Sees Beauty”: No one who has ever seen a Tom Brun hippopotamus will ever again think of it as ugly or ungainly, meaning that the artist not only gives you beauty but teaches you to see it. Tom has said: “Small pieces are like a proverb – a gem of meaning that one can dissect.” They are meant to be picked up, caressed and held. Tom knew Jim Jim from birth and cared for him with love and attention. Brun was a compassionate zookeeper and advocated for less cages and more space for an animal to roam. Brun was born in England in 1913. A few years after the end of World War I his father moved the family in 1919 to Detroit, Michigan. In 1935 at age 23, he officially became a U.S. citizen. He served in the army during World War II for five years and upon discharge and at the age of 36 took advantage of the GI Bill and applied for admission to Society of Arts and Crafts (now known as the College for Creative Studies) where he was gladly accepted. While at Arts and Crafts his instructors and established artists such as Sarkis Sarkisian, John P. Foster, Morris Brose, Richard Koslow, Patricia Burnett, Lloyd and Renee Radell...
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  • "Owl" Bronze Sculpture, Caricature, Rich Dark Brown Surface
    Located in Detroit, MI
    The bronze sculpture "Owl" is an exaggerated rendition of an owl that emphasizes the bird's most prominant characteristics - a big fluffy round body and large unblinking eyes making it a charicature of the bird. It is very touchable and calls for one to pet its rounded back. Tom Brun, the sculptor and zookeeper, is well-known for his wood, stone, marble, ceramics and ivory sculptures. One of them, a large hippopotamus, carved from walnut wood travelled the world in the State Department collection. It is said that Tom would often go into a house and pick up one of his sculptures and say that it was unfriendly – meaning that it had not been handled enough. Morley Driver has said of Brun in a newspaper article from the 1950’s “In Any Animal He Sees Beauty”: No one who has ever seen a Tom Brun hippopotamus will ever again think of it as ugly or ungainly, meaning that the artist not only gives you beauty but teaches you to see it. Tom has said: “Small pieces are like a proverb – a gem of meaning that one can dissect.” They are meant to be picked up, caressed and held. This owl, too, seems destined to be caressed. Brun was born in England in 1913. A few years after the end of World War I his father moved the family in 1919 to Detroit, Michigan. In 1935 at age 23, he officially became a U.S. citizen. He served in the army during World War II for five years and upon discharge and at the age of 36 took advantage of the GI Bill and applied for admission to Society of Arts and Crafts (now known as the College for Creative Studies) where he was gladly accepted. While at Arts and Crafts his instructors and established artists such as Sarkis Sarkisian, John P. Foster, Morris Brose, Richard Koslow, Patricia Burnett, Lloyd and Renee Radell...
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  • Dan Dailey : Daum Figurative Glass Sculpture "Les Danseurs (The Dancers)"
    By Daum
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    SALE ONE WEEK ONLY "Les Danseurs" (French for "The Dancers") is a 1979 collaboration between Daum and artist Dan Dailey. This glass figurative sculpture of two dancers, a man and a woman coated in an icy blue palate, was created with glass paste blown in a light blue mold and etched on the external surface. This work is numbered 57 from an edition of 200, signed on the sculpture in diamond-point with "D Dailey" and "DAUM FRANCE" and is included with a certificate of authenticity signed and numbered by Daum and Dan Dailey. Dan Dailey is an American glass artist who was born in Philadelphia in 1947. He emerged from the Studio Glass movement that was founded by Harvey Lilleton and collaborated with Crisallerie Daum for more than twenty years. His education includes studying under Roland Jahn and Harvey Lilleton at the Philadelphia College of Art in the 1960s and a teaching fellowship at the Rhode Island School of Design in 1970 where he also became Dale Chihuly's first graduate student He is professor emeritus at the Massachusetts College of Art where he founded their glass program. His work has been exhibited and collected all over the world, spanning over a hundred exhibitions and collections. The studio of Daum is a name that precedes itself. The only crystal manufacturer employing the glass paste process for art glass, the studio was founded in 1878 by the Daum family in Nancy, France. The studio has become synonymous with the Art Nouveau period but continues to produce high end and high quality decorative art to this very day. Artists that have worked with Daum include Charles Schneider, Arman, Hilton McConnico, Philippe Starck, Salvador Dali, Cyril Phan, Richard Texier, Emilio Robba...
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  • "New Woman" Bronze, Frontal Nude Female, Figurative Sculpture
    By Artis Lane
    Located in Detroit, MI
    "New Woman" is an iconic portrait of a female woman. Her work has been described as follows: "Lane captures the body in various poses, depicting the movement and fluidity of living i...
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  • Walter Midener "Contemplation" Seated Figure Clay Sculpture Mid-Century Modern
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    SALE ONE WEEK ONLY “Contemplation” is an abstract clay sculpture of a female. The figure has both arms and legs extended, but the dignified pose suggests an intimate rather than a sexual moment. The sculpture is delicately rendered, but monumental in pose and clean composition reminiscent of the English artist Henry Moore. The surface is warm and slightly rough to the touch. This sculpture is in the round and beautifully balanced geometrically with the hands clasped behind the head forming a slightly flattened polygon shape that is echoed in the positioning of the legs and draped fabric of a presumed dress. The figure draws the viewer into her contemplation, peace and confidence. An exceptional piece by Midener. Walter Midener...
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    Mid-20th Century Modern Figurative Sculptures

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