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Jacques OwczarekKotakio by Jacques Owczarek - Animal bronze sculpture, cat, black, semi-abstractContemporary
Contemporary
$20,827.84
£15,496.75
€17,500
CA$29,179.57
A$32,024.30
CHF 16,515.83
MX$382,553.41
NOK 209,286.23
SEK 196,110.94
DKK 133,305.92
About the Item
Kotakio is a bronze sculpture by contemporary artist Jacques Owczarek, dimensions are 43 × 22 × 18 cm (16.9 × 8.6 × 7.1 in). The sculpture is signed and numbered, it is part of a limited edition of 8 editions + 4 artist’s proofs, and comes with a certificate of authenticity.
This bronze cat is shaped by a sequence of arcs, corners, and curves. The silhouette, ears, and tail of the animal are easily identifiable. However, the clarity of the shape, the sharpness of the lines, and the geometric aspect of the sculpture highlight the artist's unique interpretation. Enough details to make this cat a one-of-a-kind work full of feeling.
Jacques Owczarek has no formal education. He believes that he was truly born when he discovered sculpture at the age of 30. He works diligently and meticulously to create each piece, always striving for perfection. He never begins a piece with a preconceived notion of an animal; instead, everything comes together as he works on it.
- Creator:Jacques Owczarek (1961, French)
- Creation Year:Contemporary
- Dimensions:Height: 16.93 in (43 cm)Width: 8.67 in (22 cm)Depth: 7.09 in (18 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803117037262
Jacques Owczarek
Jacques Owczarek’s sculptures oscillate between figuration and abstraction, redefining the genre of animal sculpture. In his bronze bestiary, the artist favours purity of form, synthesising it in a distinct, highly original style. He allows himself to be guided by his intuitions, creating animals with dynamic, geometric lines that give an impression of movement to static matter. Jacques Owczarek has exhibited at some of the most prestigious international shows and fairs for almost 20 years. “For me, the animal is just a pretext, a pretext for shapes that will question, for volumes that will live, that will settle, that will take possession of the place, that will evolve in a direction that I will give them because they impose themselves on me.’’
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