Jedediah Morfit

"Thorns Are Too Obvious", Figurative Sculpture, Profile, Portrait, Plaster

This figurative sculpture titled "Deepfake National Monument" is an original artwork by Jedediah Morfit made of plaster, paint, pins, epoxy, adhesive, wood, rope, and hardware. This piece measures 32"h x 11"w x 27”d. BIO Jedediah Morfit received his MFA in sculpture from the Rhode Island School of Design in 2005, where he was awarded the Sylvia Leslie Herman Young Scholarship and the Award Of Excellence. He was a Fellow at the Center For Emerging Visual Artists from 2007-2009, and received a New Jersey Council On the Arts Fellowship for sculpture in 2009. He received the Louise Kahn Award for Sculpture from the Woodmere Art Museum in 2006, and was awarded the Dexter Jones Award for Bas Relief from the National Sculpture Society in 2011 and 2012. In 2013, he was commissioned to create a series of new work for Artlantic:Wonder, which was named one of the 50 best...

This is an original sculpture collaboration by artists Dennis McNett (also known as Wolfbat) and Alex Yanes from their "Good Medicine" exhibition at Paradigm Gallery + Studio in Philadelphia, PA, USA. This sculpture series marks the first time the two artists have ever worked collaboratively. PRESS RELEASE // Paradigm Gallery is pleased to present "Good Medicine", an exhibition featuring sculptural works in wood by Dennis McNett and Alex Yanes. New individual works by the artists will be displayed alongside pieces that have been created collaboratively between their studios. The show considers the concept of positive energy and how moods, situations, or experiences can be shaped by the presence of a strong force for good, while focusing broadly on the many ways that spirituality is practiced and explored in contemporary culture. Symbols, totems, and signs in a range of sizes are hand-carved and crafted from wood, resin, and acrylic to manifest the uplifting theme behind the works in three dimensions. "Good Medicine" will be on view through July 21, 2018. Both artists have practices that revolve around ideas of tradition, personal and communal narratives, nostalgia, and heritage. They express these themes in a blended style of neo-pop and folk art, drawing on their proximity to the subculture of skateboarding. With bold graphic elements and intricate detailing, the wooden sculptures, carvings, and installations portray a deeply personal and self-reflexive approach to art-making and craft, inviting the viewer to contemplate one’s quest for self-actualization through the assemblages. Dennis McNett is known for his large-scale woodcut sculptures that fuse relief printmaking with traditional wood carving. Steeped in domestic and international mythologies, McNett often receives the seeds of concepts for pieces through meditation and his spiritual practice that he then renders in his wood carvings, wood-cut panels, and prints. Over 15 works will be on display in "Good Medicine"– including "Big Mary’s Resurrection", an example of McNett’s dedication to clearing areas of bad energy left behind by past events. Also on view will be a new Owl Spirit sculpture series and collaged panels. His birds of prey and Norse images exist in high-contrast, with alternating deep and shallow black marks that delineate swaths of colored or natural wood surfaces. Alex Yanes constructs his surreal layered, textural sculptures from wood, epoxy resin, acrylic and spray enamel. The combination of materials gives his work a subtle gloss, with clean colors and polish. All Yanes’s 7 works in "Good Medicine", including a large wall installation, are brand new and showcase his signature pop graphics. The postmodern mashups reference funhouse aesthetics, with a nod to comics, cartoons, and vintage typography...

The sculpture is painted cast plaster. The dimensions are for the painted cast plaster. The black base dimensions are 2 x 10 x 10 inches. About this body of work: “Everybody has that feeling when they look at a work of art and it’s right, that sudden familiarity, a sort of...recognition, as though they were creating it themselves, as though it were being created through them while they look at it or listen to it...” ―William Gaddis, "The Recognitions" “A great deal of my recent work was made during a time when I was reading the great American novel by William Gaddis, "The Recognitions," the most demanding book I’ve ever read. Along the way, I extracted sentence fragments that interested me and I pieced them together to make the titles for the last three years of my work. So, my recent work is linked to Gaddis’ novel through the titles, but also in the theme of “recognition,” which speaks to the nature of my work. I feel my way through various processes until I recognize a possibility―a possibility that is promising in terms of visual dynamics but also in terms of giving a body to some part of my experience. It is my hope that the viewer is compelled to recognize some part of themselves reflected in the work.” —Michael O’Keefe Michael O’Keefe earned his MFA from SMU and currently teaches at The O’Keefe Studio Center in Richardson, Texas. This sculpture was included in "Recognitions," his fifth solo exhibition at Valley House...

Untitled I (Wall Sculpture) by Hunter & Gatti From the series All is Flux Acrylic tridimensional wall sculpture Sculpted pigment print on Forex acrylic 43 in. H x 24 in. W x 5 in. D ...