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Jill Berelowitz Gaia, exposed surface reveals the inner self and beauty of the female , Bronze2021
2021
About the Item
The exposed surface reveals the inner self and beauty of the female form highlighted by the protective textured surface
Polished textured Bronze on bronze base
17.6 x 15 x 7.3 cm
6 7/8 x 5 7/8 x 2 7/8 in.
Edition of 9 (#1/9)
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Born in Johannesburg, South Africa, in 1955, Jill Berelowitz studied sculpture, first under Karen Jarozynska and then at the Johannesburg School of Art. Jill moved from her native South Africa to London 26 years ago and is one of the capital’s most innovative sculptors, known for her bronze, steel and optical resin works.
Whether pursuing her long-standing passion for the intimacy and movement of the body, or flexibly working to a brief, Jill’s detailed understanding of anatomy and organic form gifts her work with sensual, contemporary appeal.
Jill’s broad interpretations of life’s cycles and developments from within a solid core run through her diverse sculptural output, suggesting that the female nude is simultaneously a personal and a universal allegory for nothing less than the geography and continuity of humanity. Jill creates work focused on the human form and regeneration wherein bodies are simultaneously solid and abstracted, dynamic and fixed.
- Creator:Jill Berelowitz (1955, South African)
- Creation Year:2021
- Dimensions:Height: 6.93 in (17.6 cm)Width: 5.91 in (15 cm)Depth: 2.88 in (7.3 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:Seller: JBer0041stDibs: LU152828804992
Jill Berelowitz
Born in Johannesburg, South Africa, in 1955, Jill Berelowitz studied sculpture, first under Karen Jarozynska and then at the Johannesburg School of Art. Jill moved from her native South Africa to London 26 years ago and is one of the capital’s most innovative sculptors, known for her bronze, steel and optical resin works. Whether pursuing her long-standing passion for the intimacy and movement of the body, or flexibly working to a brief, Jill’s detailed understanding of anatomy and organic form gifts her work with sensual, contemporary appeal. Jill’s broad interpretations of life’s cycles and developments from within a solid core run through her diverse sculptural output, suggesting that the female nude is simultaneously a personal and a universal allegory for nothing less than the geography and continuity of humanity. Jill creates work focused on the human form and regeneration wherein bodies are simultaneously solid and abstracted, dynamic and fixed.
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