Items Similar to Bronze Sculpture Figure with Beast American Modernist Leonard Baskin Museum Art
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Leonard BaskinBronze Sculpture Figure with Beast American Modernist Leonard Baskin Museum Art1959
1959
$7,000
£5,279.81
€6,098.23
CA$9,807.48
A$10,905.36
CHF 5,709.15
MX$133,210.98
NOK 71,741.11
SEK 67,486.89
DKK 45,522.88
About the Item
Leonard Baskin, American 1922-2000
Homage to the Un-American Activities Committee
Bronze relief sculpture plaque
This is not editioned, nor signed or numbered, on the piece but according to the catalog there was 12 or less.
A number of these are in museum and university art collections and one of them was exhibited at MoMA NY.
This was done to commemorate the communist witch hunts of the Mccarthy era. An important, historic piece.
Leonard Baskin (August 15, 1922 – June 3, 2000) was an American sculptor, illustrator, wood-engraver, printmaker, graphic artist, writer and teacher.
Baskin was born in New Brunswick, New Jersey. While he was a student at Yale University, he founded Gehenna Press, a small private press specializing in fine, small edition, book production. From 1953 until 1974, he taught printmaking and sculpture at Smith College in Northampton, Massachusetts. Subsequently Baskin also taught at Hampshire College in Amherst, Massachusetts.
He lived most of his life in the U.S., but spent nine years in Devon at Lurley Manor, Lurley, near Tiverton, close to his friend Ted Hughes, for whom he illustrated Crow. Sylvia Plath dedicated Sculpto to Leonard Baskin in her famous work, The Colossus and Other Poems (1960).
The Funeral Cortege (1997) bronze, Franklin Delano Roosevelt Memorial, Washington, D.C.
His public commissions include a bas relief for the Franklin Delano Roosevelt Memorial and a bronze statue of a seated figure, erected in 1994 for the Holocaust Memorial in Ann Arbor, Michigan.
His works are owned by many major museums including the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Museum of Modern Art, the Art Institute of Chicago, the Boca Raton Museum of Art, the British Museum, the Honolulu Museum of Art, the Udinotti Museum of Figurative Art and the Vatican Museums. The archive of his signed work at the Gehenna Press was acquired by the Bodleian Library at Oxford, England, in 2009. The McMaster Museum of Art in Hamilton, Ontario owns over 200 of his works (some religious and biblical), most of which were donated by his brother Rabbi Bernard Baskin.
Contemporary Religious Imagery in American Art. Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974. Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Arman, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others.In 1955, he was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery, they showed many great artists, Chaim Koppelman, for many years, headed the gallery's Print Division; printmakers such as Will Barnet, Leonard Baskin, Robert Conover, Edmond Casarella, Vincent Longo, and Nicholas Krushenick were frequent exhibitors. the gallery has represented many well-known artists, including Richard Anuszkiewicz, Robert Blackburn, Lois Dodd, William King, Chaim and Dorothy Koppelman, Roy Lichtenstein, Harold Krisel, Larry Rivers, Clare Romano, and Arnold Schmidt. . In 1966 he was featured in the documentary, "Images of Leonard Baskin" by American filmmaker Warren Forma.
Leonard Baskin was a first cousin of American modern dancer and choreographer Sophie Maslow. He died at age 77 on June 3, 2000, in Northampton, where he resided. The Art Institute of Portland has a memorial to him.
Awards and honors:
Fellow of the American Academy of Arts and Sciences (1966)
Guggenheim Fellowship
Gold Medal of The American Academy of Arts and Letters
Special Medal of Merit of the American Institute of Graphic Arts
Gold Medal of the National Academy of Design
Elected into the National Academy of Design as an Associate member in 1985; became full member in 1994.
- Creator:Leonard Baskin (1922-2000, American)
- Creation Year:1959
- Dimensions:Height: 12 in (30.48 cm)Width: 11.25 in (28.58 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Good. please see photos.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38216644422
Leonard Baskin
LEONARD BASKIN Born 1922, New Jersey; died 2000. Leonard Baskin was born the son of a Rabbi. He was educated in art at the New School for Social Research in New York City and at Yale University. Baskin regarded himself primarily as a sculptor, though he also excelled in printmaking, watercolor, and painting. The artist's mostly figurative work was at odds with much of the art making of his generation, but it nonetheless earned an impressive following. Baskin is widely regarded as one of the foremost American sculptors of the twentieth century. Boldly embracing political and social issues, he made art that he felt could affect individuals profoundly at both a personal and archetypal level. He also ran a printing press, and his artist books are considered some of the most impressive in the medium. Baskin's sculptures, books, and works on paper are found in most serious and important public and private collections in the world including the Amon Carter Museum, Fort Worth, The Hirshhorn Museum and Sculpture Garden, Washington, D.C., and The Museum of Modern Art, New York.
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1995
1stDibs seller since 2014
1,799 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Surfside, FL
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllLarge Bronze Sculpture "Virtuoso" Figure American Boston Figural Modernist
By David Aronson
Located in Surfside, FL
Aronson, David 1923-
David Aronson, son of a rabbi, was born in Lithuania in 1923 and immigrated to America at the age of five. He settled in Boston, Massachusetts where he studied at the school of the Museum of Fine Arts under Karl Zerbe, a German painter well known in the early 1900s. Aronson later taught at the school of the Museum of Fine Arts for fourteen years and founded the School of Fine Art at Boston University where he is today a professor emeritus. An internationally renowned sculptor & painter, Aronson has won acclaim for his interpretation of themes from the Hebrew Talmud and Kabala. His best known works include bronze castings, encaustic paintings, and pastels. His work is included in many important public and private collections, and has been shown in several museum retrospectives around the country. He is considered to be one of the most important 20th century American artists.
At twenty-two David Aronson had his first one-man show at New York's Niveau Gallery. The next year, six of his Christological paintings were included in the Fourteen Americans exhibition at Manhattan's Museum of Modern Art where Aronson’s work was included alongside abstract expressionists Arshile Gorky, Robert Motherwell and Isamu Noguchi. In the 1950s, Aronson turned more toward his Jewish heritage for the inspiration for his art. Folklore as well as Kabalistic and other transcendental writings influenced his work greatly. The Golem (a legendary figure, brought to life by the Maharal of Prague out of clay to protect the Jewish community during times of persecution) and the Dybbuk (an evil spirit that lodges itself in the soul of a living person until exorcised) frequently appear in his work.
In the sixties, Aronson turned to sculpture. His work during this period is best exemplified by a magnificent 8’ x 4’ bronze door which now stands at the entrance to Frank Lloyd Wright's Johnson Foundation Conference Center for the Arts in Racine, Wisconsin. In the seventies and eighties, Aronson continued his work in pastel drawings, paintings, and sculptures, often exploring religion and the frailties of man's nature. During this time, in addition to a traveling retrospective exhibition and many one-man shows in New York, Los Angeles, Chicago, and Boston at the Pucker-Safrai Gallery on Newbury Street, Aronson won many awards and became a member of the National Academy of Design in New York. Two years ago he retired from teaching to work full-time in his studio in Sudbury, Massachusetts.
included in the catalog
Contemporary Religious Imagery in American Art
Catalog for an exhibition held at the Ringling Museum of Art, March 1-31, 1974.
Artists represented: David Aronson, Leonard Baskin, Max Beckmann, Hyman Bloom, Fernando Botero, Paul Cadmus, Marvin Cherney, Arthur G. Dove, Philip Evergood, Adolph Gottlieb, Jonah Kinigstein, Rico Lebrun, Jack Levine, Louise Nevelson, Barnett Newman, Abraham Rattner, Ben Shahn, Mark Tobey, Max Weber, William Zorach and others.
Selected Awards
1990, Certificate of Merit, National Academy of Design
1976, Purchase Prize, National Academy of Design
1976, Joseph Isidore Gold Medal, National Academy of Design
1976, Purchase Prize in Drawing, Albrecht Art Museum
1975, Isaac N. Maynard Prize for Painting, National Academy of Design
1973, Samuel F. B. Morse Gold Medal, National Academy of Design
1967, Purchase Prize, National Academy of Fine Arts
1967, Adolph and Clara Obrig Prize, National Academy of Design
1963, Gold Medal, Art Directors Club of Philadelphia
1961, 62, 63, Purchase Prize, National Institute of Arts and Letters
1960, John Siimon Guggenheim Fellowship
1958, Grant in Art, National Institute of Arts and Letters
1954, First Prize, Tupperware Annual Art Fund Award
1954, Grand Prize, Third Annual Boston Arts Festival
1953, Second Prize, Second Annual Boston Arts Festival
1952, Grand Prize, First Annual Boston Arts Festival
1946, Traveling Fellowship, School of the Museum of Fine Arts
1946, Purchase Prize, Virginia Museum of Fine Arts
1944, First Popular Prize, Institute of Contemporary Art
1944, First Judge's Prize, Institute of Contemporary Art
Selected Public Collections
Art Institute of Chicago
Virginia Museum of Fine Arts
Bryn Mawr College
Brandeis University
Tupperware Museum, Orlando, Florida
DeCordova Museum
Museum of Modern Art Print Collection, New York
Atlanta University
Atlanta Art...
Category
20th Century Expressionist Figurative Sculptures
Materials
Bronze
Large Latin American Modernist Bronze Abstract Cuban Master Roberto Estopinan
By Roberto Estopiñan
Located in Surfside, FL
Roberto Estopinan, Cuban, 1920 - 2015
Dimensions: 24.5" wide x 13" high plus 6" high base.
Roberto Estopiñán (1921–2015) was a Cuban American sculptor known for his sculptures of the human form, including political prisoners. Born in Camaguey, Cuba, he lived in the United States for over fifty years. His works are held by major institutions such as the Museum of Modern Art, the Whitney Museum and the Smithsonian Museum of American Art.
Roberto Gabriel Estopinan, a sculptor, draftsman, and printmaker, was born in Havana, Cuba on March 18, 1921. Estopiñán enrolled at the San Alejandro Academy when he was just 14 years old and became the protegé and studio assistant of the sculptor Juan José Sicre. After graduation he traveled first to Mexico, where he met and befriended Francisco Zuniga, and studied Pre-Columbian sculpture. In 1949 he traveled to Europe, visiting England, France and Italy. In these trips he encountered the sculpture of Henry Moore and Marino Marini, and their humanistic yet formal visions would be influential on Estopinan's work. Estopiñán was a pioneer of direct carvings using wood and of welding techniques in Latin America. Throughout the 1950s, Estopiñán received important prizes at various national exhibitions in Havana. In 1953 he was the only semi-finalist from Latin America at the Tate Gallery's international sculpture competition for a Monument to the Unknown Political Prisoner. In 1961, the artist moved to New York, where he resided until 2002.
Roberto Gabriel Estopiñán a Cuban emigre sculptor who emigrated to exile in the United States not long after Fidel Castro’s revolution in 1959, is considered one of Latin America’s most important 20th-century artists. His work, which includes drawings and prints as well as sculptures in wood and bronze, is in the collections of New York’s Museum of Modern Art, the Smithsonian’s American Art Museum, the Art Institute of Chicago, and the Detroit Institute of Art, among many locations. He is best known for his stark, disturbing renderings of political prisoners, the fruit of his own experiences as a dissident under both Castro and his predecessor, the dictator Fulgencio Batista, and for his representations of the female torso that can remind viewers of both classical statuary and the high-modern, abstractly elongated work of Henry Moore.mHe was born in Havana to a father from Asturias in northwest Spain and a mother of African descent. Estopiñán was something of a prodigy. At the age of fourteen, he won the first prize in drawing at the Centro Asturiano, a regional association for Cubans of Asturian descent. Shortly afterward he received special permission to enter the San Alejandro Academy of Fine Arts in Havana. At the school he was mentored first by its director, the painter Armando Menocal (1863-1941), then by the landscape artist Antonio Rodríguez Morey (1872-1967), and finally by Juan José Sicre (1898-1974), regarded as one of Cuba’s greatest sculptors. Sicre, a professor of sculpture at the Academy, had helped introduce European modernist art to Cuba, and from the 1930s through the 1950s had sculpted monumental figures in Havana of José Martí and other Cuban national heroes that stand to this day. Estopiñán was first Sicre’s student, then his assistant, and, finally, his colleague for the next fifty years. After graduating from San Alejandro in 1942, Estopiñán began simultaneously teaching art at the Ceiba del Agua School for young men, assisting Sicre in public art projects and developing his own artistic vision. He also traveled widely, to Mexico, New York, France, and Italy. From the late 1940s through the 1950s his sculpture evolved from an early neoclassical phase under the influence of Maillol to what he defined as “formalist humanism”: emphasizing the abstract beauty of the shapes he sculpted while not abandoning the human figure as the basis of his work. As the 1950s progressed he chose to carve in native Cuban woods...
Category
20th Century Abstract Figurative Sculptures
Materials
Bronze
Latin American Art Figurative Abstract Bronze Sculpture Lovers Marcelo Morandin
Located in Surfside, FL
Marcelo Morandin 1933-1996
Untitled (Embracing Couple, Lovers)
Bronze 1988; ed. P/E; Hand signed, dated and editioned to lower edge DImensions: 48.5 x 32 x 21 cm / 18.8 x 12.5 x 8.2 inches (approximately)
PAREJA, Bronce, patinado
Marcelo Morandin (1933 - 1996) was active/lived in Argentina, Mexico.
Argentinian, Mexican Postwar & Contemporary sculptor Morandin is best known for his monumental sculpture. This is a wonderful, art deco inspired nude couple, the woman appears pregnant).
Marcello Morandín (Marcelo Román Morandín Paroni) was born in 1933 in Argentina. He was an important plastic artist and Argentine architect, distinguished in Mexico for being an excellent sculptor and furniture designer. At the end of his studies at the Faculty of Architecture of Buenos Aires, Argentina, he traveled to Mexico and settled in Xalapa, Veracruz. In this city he was part of several artistic projects and noted for being one of the founders of the Department of Aesthetic Research and Applied Design at the University of Veracruz, as well as the Department of Aesthetic Research at UNAM. Between the years 80 and 90, he carried out several monumental works, among them "La pigeon de la paz" a project for the UN; "The foundation of Tenochtitlan" located in front of the Official Residence of Los Pinos; and "The Kinetic Tower" Of the government of Veracruz that combines the light and the sound with diverse moving parts to the compass of the music of Arnold Schoenberg. (Lily Kassner. Dictionary of Mexican sculptors of the twentieth century. Volume II. Mexico. Conaculta, 1997). Similar in style to Israeli artists Aharon Bezalel and Isaac Kahn.
He has shown with Jose Villalobos, Nicolas Moreno, Pedro...
Category
1980s Abstract Sculptures
Materials
Bronze
Untitled, Head Of An Artist, Avant-Garde Bronze Sculpture
By Phillip Pavia
Located in Surfside, FL
This is a bronze cast sculpture by Philip Pavia is part of his series of "Imaginary Portraits from the Club" , a one-man exhibition at Max Protetch Gallery, New York in 1982. The approach at rendering the figure is grotesque, and the facial features have been severely distorted to the point were the portrait becomes an abstract interpretation of the subject.
As an artist and writer, Philip Pavia was a committed member of the Abstract Art community throughout his long, distinguished career. Pavia was active in the art world until his death in 2005 and received immense critical praise for his artistic and literary contributions. Recognized for his signature work The Ides of March...
Category
20th Century Abstract Expressionist Figurative Sculptures
Materials
Bronze
Chester Williams, Black Artist, Abstract Bronze, Wood African American Sculpture
Located in Surfside, FL
Chester L. Williams
Label on bottom, signed. Title: Promethium
Medium: Bronze, Aluminum and wood.
Approx. dimensions: 12 X 11 X 4 inches.
Chester Lee Williams (1944-1919) was born in 1944, in Durham, North Carolina. Chester cultivated a creative mind that eventually led him to pursue an education in fine arts and sculpture at North Carolina Central University (BA) and the University of Michigan (MFA). In 1974, he made his way to Tallahassee and started instructing at FAMU. Students at the university have a deep appreciation for the jazz lover’s insight and skill. A lifelong artist, Chester's work has been featured in galleries and publications across the country. The body of his work produced over 45 years has evolved from smooth and supple sculptures into the more angular and defiant shapes seen in his later works. Chester has said: "All of the works are me. I still embrace every one of them." Chester enjoyed traveling and exploring different cultures. His art was influenced by his travel and knowledge of African culture. He was an educator for 37 years, teaching at Voorhees College, North Carolina Central University and Florida A&M University before retiring in 2011.
He sold his first piece of art in the ninth grade to his homeroom teacher. (That early sale paid off — years later, that teacher’s husband, the president of a bank, commissioned Williams to create a sculpture for the bank’s lobby...
Category
20th Century Abstract Abstract Sculptures
Materials
Metal, Bronze
Mid Century Modern Brutalist Welded Expressionist Sculpture
Located in Surfside, FL
In this bronze sculpture the artist (unknown) has welded together a group of figures into a unified piece. These figures take on animal, and human characteristics, which is evident i...
Category
Mid-20th Century Abstract Expressionist Abstract Sculptures
Materials
Metal
You May Also Like
Eugene Caples "Bronze Sculpture I" Abstract Bronze Sculpture
By Eugene Caples
Located in Detroit, MI
This small exquisite "Bronze Sculpture I" is in excellent condition and a perfect example of Eugene Caples craftsmanship. Although it is mainly abstract, there are bits that look figurative either an arm or a leg attempting to emerge from a fold or attempting to hold a pose such as in yoga. It cries out to be touched and held, looked at and caressed. The beautiful patina on the surface gives voice to the many hands that have done these things.
Eugene Caples is a designer and craftsman who worked in Kansas City in the 1960s and later through the early 21st century. He attended the Kansas City Art Institute, earning his Bachelors of Fine Arts in Industrial Design in 1959. In 1963 he was accepted to Cranbrook Academy of Art, Bloomfield Hills, Michigan. The Cranbrook Academy of Art was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists are alumni of Cranbrook and include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski, Duane Hanson, Nick Cave, Hani Rashid, George Nelson, Urban Jupena (Nationally recognized fiber artist), Artis Lane (the first African-American artist to have her sculpture, "Sojourner Truth," commissioned for the Emancipation Hall in the Capital Visitor Center in Washington DC), Cory Puhlman (televised Pastry Chef extraordinaire), Thom O’Connor (Lithographs), and Paul Evans (Created Brutalist-inspired sculpted metal furnishings.)
Gene worked...
Category
Late 20th Century American Modern Abstract Sculptures
Materials
Bronze
Eugene Caples "Bronze Sculpture II" Abstract Bronze Sculpture
By Eugene Caples
Located in Detroit, MI
This small exquisite "Bronze Sculpture II" is in excellent condition and a perfect example of Eugene Caples craftsmanship. This is mainly abstract with some graphic or architectural elements and is so delightful that mythical creatures demand to be considered. It cries out to be touched and held, looked at and caressed. The beautiful patina on the surface gives voice to the many hands that have done these things.
Eugene Caples is a designer and craftsman who worked in Kansas City in the 1960s and later through the early 21st century. He attended the Kansas City Art Institute, earning his Bachelors of Fine Arts in Industrial Design in 1959. In 1963 he was accepted to Cranbrook Academy of Art, Bloomfield Hills, Michigan. The Cranbrook Academy of Art was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists are alumni of Cranbrook and include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald...
Category
Late 20th Century American Modern Abstract Sculptures
Materials
Bronze
Large Bronze Sculpture by James Coignard
Located in Long Island City, NY
James Coignard ( France 1925-2008) sculpture, bronze and cast iron. Limited edition of 8.
Signed J. Coignard and numbered 1/8.
Untitled. Foundry mark Guyot. Bronze, gold patina, c...
Category
Late 20th Century French Scandinavian Modern Abstract Sculptures
Materials
Bronze
Morris Brose "Bronze Bull" Figurative Sculptural Abstract
Located in Detroit, MI
"Bronze Bull" is an exquisite example of Morris Brose's abstract/figurative sculpture. No soft edges on this piece and no invitation to caress, the power, strength and beauty of the bronze are front and center and create awe. "Bronze Bull" is a free-standing piece signed on the base.
Morris Brose, Polish/American was born in Wyszkow, Poland. He became a sculptor and instructor of sculpture at the Detroit Institute of Arts, Wayne State University and Cranbrook Academy of Art, Bloomfield Hills, Michigan. Cranbrook was designed by architect and faculty member, Eliel Saarinen who collaborated with Charles and Ray Eames on chair and furniture design. Numerous creative artists who are alumni of Cranbrook include: Harry Bertoia, Florence Knoll, Jack Lenor Larsen, Donald Lipski...
Category
Late 20th Century Modern Abstract Sculptures
Materials
Bronze
Bronze Sculpture to Isaac Bashevis Singer, Arts in Judaism Award signed Judaica
By Nathaniel Kaz
Located in New York, NY
Nathaniel Kaz
Bronze Sculpture to Isaac Bashevis Singer for Arts in Judaism Award, 1966
Bronze, Square wooden base, Metal tag
Signed and dated "66" to back of bronze portion of the w...
Category
1960s Abstract Expressionist Abstract Sculptures
Materials
Metal, Bronze
Mid Century Modernist Abstract Expressionist Bronze Sculpture Richard Kozlow Att
Located in Troy, MI
An intriguing Mid Century Modern abstract figurative bronze sculpture attributed to Richard Kozlow circa 1960s
Beautifully executed piece with excellent patina
Unsigned
5.5 inches ...
Category
Mid-20th Century North American Mid-Century Modern Figurative Sculptures
Materials
Bronze
