Marc Sijan

Security Guard

2019

Artist: Sijan, Marc Title: Security Guard Date: 2017 Medium: Polyresin with oil paint and mixed media Signature: Signed lower leg Edition: Unique ...

Stainless steel sculpture of a female Dancer edition of 9 Cut steel pipe, welded, powder coated Wall mounted Available in variety of powder coats including red, blue, black, white, ...

Stainless steel sculpture of a female back edition of 9 Cut steel pipe, welded, powder coated Wall mounted (as shown) or can be free standing on base Avail...

Stainless steel sculpture of a male torso edition of 12 Cut steel pipe, welded, powder coated Can be wall mounted or free standing on base Available in variety of powder coats includ...

Collection of oversized lips in 1" stainless steel squares 23" x 5" x 13"h - 59cm x 13cm x 33cm h Wall mount or base All unique pieces

Artist: Lagemann, Rainer Title: Dicke Lippe (Lips) Date: 2018 Medium: 1” Stainless steel squares, welded, RL black Unframed Dimensions: 13" x 23" x 5" Signature: Initialed Edit...

Thierry Job was born in Marseille, France and currently lives in San Miguel de Allende, Mexico. He studied art at the School of Beaux Arts in Paris. His wo...

Electric Coffin is coded within art history and ideologies from archetypes of mysticism. We explore found truths from modernity and a personal historical perspective. A process-drive...

Artist: M. Mitchell, American Title: Figures and Sculptures Medium: Pencil, Acrylic and Collage with 3 Resin Sculptures, signed Size: 80 in. x 35 in. x 12 in. (203.2 cm x 88.9 cm ...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

This sculpture from Linda Stein’s Knights of Protection series functions both as a defender in battle and a symbol of pacifism. The sculpture is constructed from metallic resin, wood...

Nicholas Crombach is interested in the complex interactions between humans and animals. Using sporting and hunting as markers of longstanding traditions of both adversarial and collaborative relationships between humans and animals, Crombach examines the cultural significance and the complex issues percolating domestication and domination, play and survival in the 21st century. Crombach combines references to mythology via a striking aesthetic, creating works which revel in their contradictions and contrasts. Notably, the artist draws from the myth of Diana and Actaeon, which provides a poignant framework for this new series. In Ovid’s tale Actaeon, a hunter and grandson of King Cadmus, is in the forest with his dogs when he spies Artemis (Diana), the venerated goddess of the hunt, in her bath attended by her nymphs. Diana’s nymphs try to cover her modesty as the goddess feels violated by Actaoen’s brash curiosity. Diana splashes water upon Actaeon, robbing him from his ability to speak and turning him from a mortal man into a stag who flees into the forest only to be hunted down and killed by his own dogs. The hunter becomes the hunted. Crombach’s Fetch (2018) refers to the mythology of Diana and Actaeon in its last tragic hour, but the classical story of metamorphoses is presented as a game of fetch in the local park. Crombach creates a hybrid between the art historical imagery from paintings of hounds...