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Mickey "Kano" Kane"Stradling the Blind" Abstract Relief Sculpture1991
1991
About the Item
"Stradling the Blind" Wood Panel Original Painting and Carving.
Carved sculpture and painting by Mickey "Kano" Kane (American, 20th century). This bold piece features a carved oval shape encasing a symmetrical abstract design. The carved oval is painted in a deep blue tone while the majority of the panel consists of warm earth tones. This carving is crossed over by tendrils coming from the organic shapes nestled within the oval. In the bottom corners more tendrils extend towards the primary shape, providing the sense of something reaching. Echoing the carving of the central oval, a rounded square border is carved around the edge of the piece. This is border is lined with fabric and an intricate paper pattern.
Kano's work is outsider art - characterized by its creation outside the boundaries of mainstream art and often by self-taught or unconventional artists. Outsider art encompasses a diverse range of artists, including self-taught visionaries, psychiatric patients, and those outside the mainstream art world.
Titled and singed on verso
"Stradling the Blind" Kano 91
Panel size: 48"H x 72"W
Mickey “Kano” Kane (American, 1939-2002) was born in Illinois and grew up in Sacramento, CA. Kane moved to the Pacific Coast and worked on mixed media panels - which he would refer to as a “Totem” – and detailed collage compositions. His collage work is generally satirical or critical in nature, frequently dealing with themes of money, capitalism, government, power, and debt. By contrast, his “Totem” sculptural work is abstract and free of direct symbolism, focusing instead on the aesthetics of the composition.
Original Member, Artist’s Cooperative Gallery
Artist’s Statement:
The Totem is indicative of the unfolding 21st Century, graphically and metaphorically. It is neither one side nor the other, nor does one side challenge or compete with the other. Each side cooperates and thus enhances the other so that both "sides" transcend that definition into a composition revealing that, indeed, the whole is greater than the sum of its parts. The Totem reflects the inner harmony that all sides, whether two or two thousand, are striving to manifest in their own inimitable way.
- Creator:Mickey "Kano" Kane (1939 - 2002, American)
- Creation Year:1991
- Dimensions:Height: 48 in (121.92 cm)Width: 72 in (182.88 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good condition. Some minor corner wear.
- Gallery Location:Soquel, CA
- Reference Number:Seller: JMA 98421stDibs: LU54216210952
Mickey “Kano” Kane (American, 1939-2002) was born in Illinois and grew up in Sacramento, CA. Kane moved to the Pacific Coast and worked on mixed media panels - which he would refer to as a “Totem” – and detailed collage compositions. His collage work is generally satirical or critical in nature, frequently dealing with themes of money, capitalism, government, power, and debt. By contrast, his “Totem” sculptural work is abstract and free of direct symbolism, focusing instead on the aesthetics of the composition. Original Member, Artist’s Cooperative Gallery Artist’s Statement: The Totem is indicative of the unfolding 21st Century, graphically and metaphorically. It is neither one side nor the other, nor does one side challenge or compete with the other. Each side cooperates and thus enhances the other so that both "sides" transcend that definition into a composition revealing that, indeed, the whole is greater than the sum of its parts. The Totem reflects the inner harmony that all sides, whether two or two thousand, are striving to manifest in their own inimitable way.
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