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Óscar Aldonza TorresBaseball Cap Extravagant Series High-Fired Glazed Ceramic Figurative Sculpture2023
2023
$363.55
$454.4420% Off
£268.84
£336.0520% Off
€304
€38020% Off
CA$503.10
CA$628.8820% Off
A$559.91
A$699.8920% Off
CHF 291.50
CHF 364.3820% Off
MX$6,761.54
MX$8,451.9320% Off
NOK 3,655.73
NOK 4,569.6620% Off
SEK 3,453.06
SEK 4,316.3320% Off
DKK 2,315.47
DKK 2,894.3420% Off
About the Item
“Baseball Cap Extravagant” is a high-fired stoneware sculpture from Óscar Aldonza Torres’s “The Extravagants” series, finished in pale olive and sandy glazes that pool organically over its tapered, tripod base. A pastel-pink baseball cap and textured black collar introduce a playful, youth-inflected element to the classical ceramic form, while the figure’s forward-tilted head and leaning posture convey a charmingly whimsical attitude. This dynamic interplay of traditional craftsmanship and contemporary fashion motif invites reflection on identity, style, and emotional nuance. Perfect as a sculptural accent in modern interiors, gallery installations, or as a tabletop focal point in both residential and commercial settings.
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- Creator:Óscar Aldonza Torres (1976, Spanish)
- Creation Year:2023
- Dimensions:Height: 12.6 in (32 cm)Width: 3.55 in (9 cm)Depth: 3.55 in (9 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:FISTERRA, ES
- Reference Number:1stDibs: LU2626216365542
Óscar Aldonza Torres (b. 1976, Santiago de Compostela) is a sculptor and Sculpture Professor at EASD Mestre Mateo. He holds a Diploma in Volume Techniques from EASD Mestre Mateo, a BA in Fine Arts from the University of Seville, and an MA in Art Heritage Management from the University of Santiago de Compostela. Winner of the 1st Prize at the XIV Open-Air Sculpture Symposium in O Grove and 1st Accésit of the Francisco Asorey International Sculpture Prize (Cambados), his work has been presented in venues such as the Salon d’Automne in Paris, O Rectángulo de Ouro in Portugal, “Respostas sen preguntas” at Galería Sabor a Menta (Santiago de Compostela), and “Animalium” at the MIHL Museum (Lugo), among others. In his sculptural practice, Óscar Aldonza Torres positions the human figure as an intimate mirror, reflecting universal fears and inner doubts. His creative process—both impulsive and experimental—is underpinned by rigorous material research, allowing forms to emerge organically as each work evolves. Predominantly working in series, Aldonza Torres embraces ambivalence and conceptual openness, crafting open-ended narratives that invite viewers to engage emotionally—ranging from identification to repulsion and intrigue—and to complete the dialogue with their own perceptions.
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