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Óscar Aldonza TorresHigh fired glazed ceramic figurative sculpture Extravagant with Rosebud Hat2023
2023
$450.55
£336.24
€380
CA$629.05
A$686.09
CHF 360.72
MX$8,299.41
NOK 4,501.30
SEK 4,253.30
DKK 2,893.72
About the Item
“Rosebud-Hat Extravagant” belongs to Óscar Aldonza Torres’s “The Extravagants” series: a high-fired stoneware sculpture topped by a scarlet, petal-like hat that evokes a rosebud. The figure’s affable stance—with outstretched arms and an upward-tilted head—imbues it with an inviting, almost playful attitude, establishing an immediate rapport with the viewer. Matte olive and russet glazes drip organically over the tapered torso, highlighting the artist’s dynamic dialogue between material investigation and spontaneous form-finding. Balancing approachability with introspection, this piece examines themes of identity, metamorphosis, and emotional ambivalence, making it a compelling focal point in contemporary interiors, gallery installations, or residential and commercial settings.
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- Creator:Óscar Aldonza Torres (1976, Spanish)
- Creation Year:2023
- Dimensions:Height: 11.82 in (30 cm)Width: 9.85 in (25 cm)Depth: 4.73 in (12 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:FISTERRA, ES
- Reference Number:1stDibs: LU2626216365552
Óscar Aldonza Torres (b. 1976, Santiago de Compostela) is a sculptor and Sculpture Professor at EASD Mestre Mateo. He holds a Diploma in Volume Techniques from EASD Mestre Mateo, a BA in Fine Arts from the University of Seville, and an MA in Art Heritage Management from the University of Santiago de Compostela. Winner of the 1st Prize at the XIV Open-Air Sculpture Symposium in O Grove and 1st Accésit of the Francisco Asorey International Sculpture Prize (Cambados), his work has been presented in venues such as the Salon d’Automne in Paris, O Rectángulo de Ouro in Portugal, “Respostas sen preguntas” at Galería Sabor a Menta (Santiago de Compostela), and “Animalium” at the MIHL Museum (Lugo), among others. In his sculptural practice, Óscar Aldonza Torres positions the human figure as an intimate mirror, reflecting universal fears and inner doubts. His creative process—both impulsive and experimental—is underpinned by rigorous material research, allowing forms to emerge organically as each work evolves. Predominantly working in series, Aldonza Torres embraces ambivalence and conceptual openness, crafting open-ended narratives that invite viewers to engage emotionally—ranging from identification to repulsion and intrigue—and to complete the dialogue with their own perceptions.
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