Richard Aliberti

Bronze of a Nude Woman

circa late 20th century

A fine classical form marble sculpture of a young boy with robe by Irish / American artist Martin Milmore (1844-1883). Milmore was born in Sligo, Ireland and was brought to Boston, Massachusetts in 1851, where his training began with his brother, Joseph, a stonecutter, who later became his assistant. Milmore was apprenticed to Thomas Ball from 1858 to 1862 working mainly on his equestrian "George Washington" (1858-61, Boston Public Gardens). After Ball departed for Italy, Milmore became Boston's leading sculptor. Realistic in his style, he is best known for his Civil War monuments and sculptures of prominent Bostonians including Wendell Phillips...

A fine abstract marble sculpture of two lovers, unsigned, in the manner of Lithuanian American artist William Zorach (1887-1966). Zorach was born in Eurberg, Lithuania, was brought t...

A fine large cast figural bronze fountain of a nude boy with pan flute and three frogs known as “Frog Baby” by American sculptor Edward Berge (1876-1924)....

A fine relief cast and mounted bronze portrait profile of a woman titled “Julia” by American artist George H. Borst (1889-1969). Borst was born in Philadelphia, Pennsylvania, he became known for his presidential portrait reliefs, including Woodrow Wilson, Calvin Coolidge...

Edition of 17 American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her ...

Adam Fragment, detail from the full-scale trumeau figure of Adam commissioned as part of The Creation Series at Washington National Cathedral...

Edition of 31 American, b. 1961 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture. Taking his advice, DeDecker went on to study at Gobelins School of Tapestry in Paris, and in returning to Colorado, spent five years as master craftsman to the notable bronze sculptor George Lundeen. DeDecker is a Fellow of the National Sculpture Society and has gone on to receive copious awards, such as the Critics Choice Award from the Kimball Art Museum, Fort Worth, TX. Major installations of DeDecker’s sculptures are located at the Presidential Library in Washington, DC; the Mayo Clinic...

Rumsey’s specialties included equestrian sculptures – portraits of polo players and prize horses, as well as of cowboys, cattle and horses as metaphors. He worked principally in bron...